AVALIAÇÃO DA IMDb
6,5/10
4,3 mil
SUA AVALIAÇÃO
Sam, uma comediante de stand-up que luta contra o transtorno de estresse pós-traumático, pondera se deve ou não participar da busca por uma adolescente desaparecida da qual ela foi babá.Sam, uma comediante de stand-up que luta contra o transtorno de estresse pós-traumático, pondera se deve ou não participar da busca por uma adolescente desaparecida da qual ela foi babá.Sam, uma comediante de stand-up que luta contra o transtorno de estresse pós-traumático, pondera se deve ou não participar da busca por uma adolescente desaparecida da qual ela foi babá.
- Direção
- Roteirista
- Artistas
- Prêmios
- 8 indicações no total
Avaliações em destaque
10ashestep
Holy moly, guacamole, dude-this movie absolutely blew me away. Hands down, it's the most powerful and realistic portrayal of PTSD from rape and assault that I've ever seen. It doesn't shy away from the raw, gut-wrenching reality of trauma, and honestly, I felt every second of it. The flashbacks were intense, hitting me hard, but that only proves how well this film captured the experience. It wasn't just a story-it was a visceral, emotional journey.
Caleb was such a compelling side character, providing just the right balance of support without overshadowing the depth of the protagonist's struggle. And Rachel? She was beyond perfect for this role. She didn't just act-she became this character, making every emotion feel heartbreakingly real. I need to see more of them working together because their chemistry was undeniable, and they brought so much authenticity to the screen.
Movies like this are so important. They spark conversations, they validate survivors, and they don't sugarcoat the truth. I need more films like this-stories that don't just entertain but matter. Keep them coming.
Caleb was such a compelling side character, providing just the right balance of support without overshadowing the depth of the protagonist's struggle. And Rachel? She was beyond perfect for this role. She didn't just act-she became this character, making every emotion feel heartbreakingly real. I need to see more of them working together because their chemistry was undeniable, and they brought so much authenticity to the screen.
Movies like this are so important. They spark conversations, they validate survivors, and they don't sugarcoat the truth. I need more films like this-stories that don't just entertain but matter. Keep them coming.
Powerful message and subject in this movie but the journey its a little tiresome, there is no real history here, its a basic movie, the protagonist is amazing but the rest of the cast are not very good in this, they are rookies I guess, they are not the best actors in here tbh, the way the story is told is kinda of make no sense just like this review, it's convoluted and not easy to follow but maybe im slow i don't know, the protagonist is a very funny stand up comedy artist and she is fighting some demons in this movie, and that's a very interesting thing to follow but the way its told through flashbacks it wasn't really neccesary, its hard to understand ok guys.
Sam Cowell (Rachel Sennott) is a stand-up comic with some success who does a bit of work as a nanny. Her 14 year old former charge Brooke Renner (Olga Petsa) is declared missing and shows up smashing her door in anger. Two years earlier, Sam gets hired by Cameron Renner (Jason Jones) to watch his 12 year old daughter while his wife is sick in the hospital.
The first half is intriguing. The mystery of the incident keeps my interest. Once it's revealed, the movie goes into Lifetime territories. The one glaring problem is the aunt's presence. Sam would notify her at every step. The fact that she exists is an exit ramp for Sam to take. That diminishes the intensity of the story. If she doesn't exist, Brooke would be running away from a foster home. The police could be less than co-operative. Then Sam would feel like she's Brooke's only hope. That would raise the intensity of the second half. As for Olga Petsa, she's a little old to play a 12 year old. Brooke's young age is very important to her feelings. Otherwise, Sennott is excellent. I can see this story working, but it needs some changes.
The first half is intriguing. The mystery of the incident keeps my interest. Once it's revealed, the movie goes into Lifetime territories. The one glaring problem is the aunt's presence. Sam would notify her at every step. The fact that she exists is an exit ramp for Sam to take. That diminishes the intensity of the story. If she doesn't exist, Brooke would be running away from a foster home. The police could be less than co-operative. Then Sam would feel like she's Brooke's only hope. That would raise the intensity of the second half. As for Olga Petsa, she's a little old to play a 12 year old. Brooke's young age is very important to her feelings. Otherwise, Sennott is excellent. I can see this story working, but it needs some changes.
"I Used to Be Funny" is a captivating Canadian film that masterfully weaves together raw, heartbreaking moments with a surprising touch of humor. Rachel Sennott's performance shines yet again, reaffirming my unwavering admiration for her talent. As both the lead and a true force on screen, Sennott's portrayal effortlessly captures the complexities of the character's journey.
Ally Pankiw's directorial debut is stellar, showcasing a deep understanding of the human experience. While not flawless, the film's imperfections only add to its authenticity. Pankiw's skillful storytelling draws viewers into the protagonist's world, offering an accurate depiction of life with PTSD. The film's ability to blend these elements in a way that's both poignant and relatable makes it a must-see for anyone seeking a moving cinematic experience.
Ally Pankiw's directorial debut is stellar, showcasing a deep understanding of the human experience. While not flawless, the film's imperfections only add to its authenticity. Pankiw's skillful storytelling draws viewers into the protagonist's world, offering an accurate depiction of life with PTSD. The film's ability to blend these elements in a way that's both poignant and relatable makes it a must-see for anyone seeking a moving cinematic experience.
I think the movie 'Funny People' gave me PTSD for movies about comedians. I didn't enjoy that movie much at all and I think I was worried I was going to have a similar experience with 'I Used to be Funny'. That couldn't have been further from the case though. I was glued to the screen for every minute of this film.
Rachel Sennott has been one of the most interesting actresses to watch in recent years, but this film gave her the chance to prove she can truly act in a dramatic role. And she killed it. Also I had never heard of Caleb Hearon until this week and yet now I've seen him steal the show in two films. He has a lot of charm that man.
This is a heavy film. It's gritty and raw and quite devastating at times. I loved the structure of the film, with the intersecting timelines and the mystery around what exactly happened. I will say you have to have your wits about you at times to keep on track of which timeline you are actually in.
I really enjoyed this film. I'm quite surprised to be honest to see it with only a 6.3/10 on IMDb. I feel like I must've seen something in it that others didn't. I highly recommend this one though. 9/10.
Rachel Sennott has been one of the most interesting actresses to watch in recent years, but this film gave her the chance to prove she can truly act in a dramatic role. And she killed it. Also I had never heard of Caleb Hearon until this week and yet now I've seen him steal the show in two films. He has a lot of charm that man.
This is a heavy film. It's gritty and raw and quite devastating at times. I loved the structure of the film, with the intersecting timelines and the mystery around what exactly happened. I will say you have to have your wits about you at times to keep on track of which timeline you are actually in.
I really enjoyed this film. I'm quite surprised to be honest to see it with only a 6.3/10 on IMDb. I feel like I must've seen something in it that others didn't. I highly recommend this one though. 9/10.
Você sabia?
- CuriosidadesDirector Ally Pankiw was dating Muna member Naomi McPherson during the production of the film, but have since broken up. Naomi is still second to the top of special thanks during credits, and two Muna songs feature during the film.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is I Used to Be Funny?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 171.756
- Fim de semana de estreia nos EUA e Canadá
- US$ 29.499
- 9 de jun. de 2024
- Faturamento bruto mundial
- US$ 171.756
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Proporção
- 2.00 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente