Udaan

Udaan First time director Vikramaditya Motwane has done a brilliant job with Udaan. This film was truly worthy of a screening at Cannes. The simplicity of this movie is probably what makes this movie wonderful. Its a story which is not too uncommon in India, but the way its been shown, is what brings the freshness in the film.

Rohan(Rajat Barmecha) has just been rusticated from his boarding school along with his 3 friends for they were caught watching an adult film of sorts(Kanti Shah ke Angoor) by their dean. As it turns out, Rohan has to go back to his home in the small industrial town of Jamshedpur, To add to his woes we find out that he hasn't met his father(Ronit Roy as Bhairav) in 8 years and he doesn't even know of the existence of a step-brother(Aayan Boradia as Arjun) at his home. Reaching there he learns that he has to work with his father at his factory and enroll in engineering college. And the disciplinarian his father is, he can't even question him. As he is stuck there with his dream of becoming a writer seemingly getting shattered, he learns to cope with life. He learns to love his kid step-brother, manages to write between work and college, sneaks out for a drink or two at night, but inspite of all this, he is getting suffocated. He wants to escape. He wants to fly.

Udaan is a simple, emotional story about a boy in a small town, learning to live with his disciplinarian of a father. It is actually as simple as that. It might not sound interesting like this but the fact is that the way this normal coming of age story has been showed is just brilliant. There is nothing 'bollywood' about this film, its as if this movie was shot with a handy-cam, capturing the lives of a real family. But that doesn't make this one bit boring, because obviously there are some exaggerations, some gags, some drama but all in all its very real and believable. I'm sure everyone one of us would be able to relate to this film in some way or the other.

The high point of the movie is the performances by the leading men(there are hardly any women in this film). Ronit Roy as a single father has done his job with perfection. He drinks, smokes, but still goes for a jog every morning, which also turns out to be a very important aspect in the story. He sometimes loses his cool, uses force in teaching his kids a lesson, but at times we also see that he is caring and probably a little vulnerable. He's acted so well, that you can feel it when he is drunk, you even get scared when he is angry, that good is his screen presence. I was wrong to write off this TV actor. Rajat Barmecha too has done an impeccable job in portraying a kid, who has lived his life in one of the best boarding schools of India and now is stuck in a small town. He does the usual, sneaks out at night for drinks and smoke, steals his fathers cars for doing so, but still makes it on time in the morning for his daily run with his dad. His writings are beautiful too, so credit must go to the original writer as well. But the award must go to Aayan Boradia who is one of the best child actors I have ever come across in Indian cinema. He is so real, so cute and you will just fall in love with him. He is somewhat aware of what is going on but obviously at his age he just can;t do anything about it as his understanding does not go that deep. And then lastly Ram Kapoor as Jimmy, Bhairav's younger brother brings a very good contrast between his authoritarian brother and his practical chilled out of sorts character. He understands Rohan's dreams and aspirations but he can only do so much to convince his big brother to change his mind. A very intriguing relationship between the two brothers I must say.

Running time of over 2 hours, this might at times seem a little slow, but you gradually understand the importance of those long silent shots as the film progresses to its climax. There are scenes that will send chills down your spine. There scenes that will inspire you to 'fly out of a cage' if you are in one, metaphorically speaking of course. Its just filled with those moments that will be with you for sometime to come. It won't be easy to forget this movie soon. And let me assure you, you will come out highly satisfied after watching this movie. A big thumbs up for Motwane! Looking forward for more! Cheers to all the actors as well!

You might find the poster of the movie a bit misleading – because the poster and the trailer of the movie seem to suggest that it is college- teen story. And Udaan is anything but that. It is, however, a intensely heartfelt movie with a strong emotional connect – and with so much realism, that I cant shake the feeling it is, to a large extent, autobiographical. Even though it is populated with largely unknown faces, set in a bleak industrial city, yet this movie will linger in your minds for a long time after you exit the hall.

The plot of the movie is essentially a two liner. A 17 year old is kicked out of boarding school for playing truant and is forced back to an apathetic father – and to a 6 year old half brother he didn't know existed. Stuck in a small town with no friends, forced to study engineering and work in his father's iron and steel works, Udaan is a story of Rohan's struggle with his loneliness and desperation. It is not pure entertainment, but it has got a lot of soul

The overbearing character in the movie is Bhairav Singh, played by Ronit Roy. A despotic father (with some probable army background, though its never suggested) – who does not listen to any opinion that doesn't match his own and runs his life with army-like discipline. He even insists his sons call him Sir. He stands starkly in contrast with his younger brother, the affable Ram Kapoor. He is the only beacon of light in Rohan's new world.

And amongst them, sitting quietly in a corner is his younger brother Arjun – who doesn't speak much, yet wins your heart.

Everything from the background music to the photography is perfect for the movie – Amit Trivedi's music melodious yet not distracting from the movie and the bleak shots of Jamshedpur accentuating the void that Rohan feels around him.

Udaan is a coming-of-age movie that you will identify with because of its honesty and sincerity. Newcomer Rajat Barmecha delivers one of the most subtle, yet effective roles in sometime – putting up a stoic face against the circumstances, yet showing us the vulnerable teenager within. The movie takes a slow pace, which in my opinion is essential for the viewers to share Rohan's desperation – but some of my friends thought otherwise. That is probably the only slight flaw in this fabulous movie. Highly recommended

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For some reason I have been postponing watching 'Udaan' until finally I watched it last night. I figured, why shouldn't it be the first film I watch this year? I had only heard many good things about it but even then it surpassed my expectations. 'Udaan' is one of those rare Indian films that scores high on every component of filmmaking, be it, direction, writing, cinematography, casting, score... It looks authentic and it feels honest.

What particularly stands out about 'Udaan' is how true to life it is and at the same time it's not a documentary style film but one with a great big heart that tells an inspiring story of a teenager fighting for his dream to become the man he aspires to. Vikramaditya Motwane and Anurag Kashyap have done an outstanding job in the writing department. It's very detailed without being showy, poetic without being operatic, subtle without being too restrained and poignant without being preachy.

In addition, Motwane does a phenomenal job translating the words from paper to screen. The narrative style is superb and remains consistent throughout. The characters are very human and easily recognizable mostly because of how the relationships are depicted, with sincerity.

Shetty's cinematography works in a subtle way. Every frame is photogenic but not to the point of looking like a postcard or being distracting. Trivedi's score is used very efficiently, never intrusive but rather contributing by echoing the mood of the sequences. Kalra's editing is solid as never does the pace feel uneven nor does the film lose its focus at any point.

Now coming to the performances, each and every actor's portrayal is genuine. Starting with newcomer Rajat Barmecha who is spot on as he looks the part and acts sublime. Ronit Roy finally gets a role that showcases his previously unknown talent. This is definitely a breakthrough performance for the actor who's been in movies for almost two years. While his portrayal of the authoritarian father is haunting one can also sympathize for him as he himself is a victim of abuse and he really does believe that he's doing the best for his sons and yet shows signs of regret at some of the wrong decisions. Ram Kapoor is equally convincing as the supportive light-hearted uncle who is the polar opposite of the quick tempered father. And of course, last but not least, there is young Aayan Boradia who delivers one of the most accurate performances of a child. It's amazing how, mostly through non-verbal gestures, he displays Arjun's innocence, loneliness, quiet suffering and longing with such precision

While most of the first act and second act of the film depicts Rohan and Arjun's quiet suffering, the final act is excellently cathartic. I don't mean cathartic in the sense that events take an explosive turn that involves loud confrontations. Here it's rather matter-of-factly but at the same time energetic, invigorating and symbolic. Even though I was expecting what Rohan would eventually do for himself to escape his father's imprisonment, there are some precious little surprises that happen along the way, making 'Udaan' a one-of-a-kind gem.

'Udaan' is a celebration of the human spirit. I'm very glad I picked this movie to start the year.

Udaan must be one of the best Hindi films I've ever seen - realistic, simple, engaging, riveting, inspiring and deeply moving. Vikramaditya Motwane's direction deserves the highest of praise, and the script, written by Motwane and the great Anurag Kashyap, is superbly written. The film looks authentic and is easy to relate to and yet it has an impressive larger-than-life quality to it that makes wonders. This poignant story is brought out exceedingly well on-screen, and the depiction of the subject matter is brutally honest, at times disturbing and excruciating and yet totally encouraging. Made with sheer graciousness and sincerity, Udaan perfectly captures the adolescent days of a young teenager named Rohan, and it follows his dreams, desires and growing maturity.

After being in a boarding school for 8 years, Rohan is expelled and is forced to return to Jamshedpur to live with his terribly authoritarian father and a younger half-brother about whose existence he never knew. The story follows Rohan's life with his domineering father, who maltreats him and disapproves of his dreams to become a writer by forcing him to study engineering and work at his steel factory, by treating him like a recruit, by abusing him physically and emotionally, and by scorning his writing skills. But life there actually causes Rohan to mature. His pain inspires him to write and he gradually grows to love his poor and helpless young brother Arjun, who, orphaned from his mother, equally yet quietly bears the brunt of his father's cruelty and is intimidated into silence by his despotism.

Udaan is about chasing your dreams and living your life as fully as possible despite everything. It, in a sense, celebrates the power of the human spirit, showing us that we can fly very high and fulfill our most impossible dreams if we only believe in ourselves and summon up the courage to fight for our happiness. All that is presented through the character of Rohan, which is incredibly well written. He is smart, talented, compassionate and he does not spend time feeling sorry for himself for having a true monster of a father. On the contrary, it gives him the strength to create and write more, never letting his father's attempts to morally abuse him into submission deter him, lose his sense of life or stop writing. That's what makes this movie so spirit lifting.

The narrative style is exemplary. The movie is amazingly realistic and intense and while some may say it is a bit slow in pace, according to me it's thoroughly enjoyable and fascinating and it kept me on the edge of my seat. Not even once does it lose its consistency and integrity. Every scene is brilliantly shot and directed and is important to the film's proceedings. The portrayal of relationships is also aptly done here. Rohan's friendship with his schoolmates is portrayed exceptionally, despite the minimal screen time it's given. You just feel it's always there. Where its technical aspects go, Mahendra Shetty's cinematography is fantastic and so is Dipika Kalra's effective editing. Amit Trivedi's music is absolutely spot on for this movie. The songs bring the film to life and are truly uplifting and fun.

The acting is roundly excellent by one and all. Even the tiniest roles look believable and genuine and they greatly contribute to the film. Rajat Barmecha debuts in this movie in a role that young aspiring actors can only dream of. He is one of the most promising actors of the current breed of fresh talents and although he clearly is going to have a great career, this is probably the role he will be most remembered for. He acts with complete understanding of the character, making it very convincing and relatable by naturally displaying Rohan's anguish, vulnerability and compassion, and later on his coming-of-age, courage and determination to do it his way.

Ronit Roy is excellent as the merciless father. He manages to be as hateful as possible, yet at times he shows sparks of regret and humanity, which may be very few and barely noticeable to some, but are enough to understand that it is his own weakness and struggle that made him act as he did. Ram Kapoor in a relatively small part leaves a mark as the kind uncle of the kids, who is the complete opposite of his hot-blooded brother. The same can be said about Manjot Singh, who makes his second film appearance after a memorable performance in Oye Lucky! Lucky Oye!. His ten-minute role here as Rohan's best friend is so likable and well-played that you feel like having watched him there throughout the entire movie.

The film's brightest spot is undoubtedly Aayan Boradia. He is simply outstanding as Arjun and is easily one of the cutest kids in recent movies. This is a strikingly convincing portrayal; he smiles very few times throughout and conveys so much of his loneliness and pain through his innocent eyes and touching silence, without ever overdoing it. His quiet suffering and heartbreakingly accepting attitude of growing without a mother and without the care of a loving parent, on top of that having a merciless and violent father instead, make you really feel for him. It's almost impossible to believe anyone could harm such a poor creature. This is according to me one of the finest performances by a child actor, up there with the unforgettable Jugal Hansraj of Masoom.

Udaan does not work because of what it 'has' but more because of what it 'is', and that's why it's so great. The ending is extraordinary, and it brings forth the long-awaited catharsis. The climactic sprinting scene is a triumph on its own - exhilaratingly exciting and hauntingly memorable. A magnificent song called "Aazaadiyan" perfectly concludes this terrific story, effectively presenting the film's ultimate 'udaan' (flight). Udaan is an ineffable cinematic experience and to put it simply, the best Indian film I've seen in years. Truly one gem of a movie.

Quite often the cinema of India is unique to its cultures. On this occasion however, we're presented with a universal story. A taut relationship, often violent, aggressive, and abusive, between a father and his son, with two amazing performances taking centre stage. A picture, a perspective, a tale that will sadden and upset, but reflective of so many who have, and continue to find themselves in similar positions within any number of countries and cultures the world over.