Intrusos

People are too uneducated these days about scary movies, they think they should all be 'horror' movies. You'll see this 'disappointment' in a lot of reviews for this movie: Oh it was the worst horror movie ever, not scary enough, blah blah. But see,.. it's a Psycho Thriller.

It's about the mind. Not blood and gore, not melting flesh. It's about how horror comes to life around us - when it is real, when it is imagined, and when it's real because it has been imagined.

Good movie. Enjoy.

This sentence is here just because IMDb thinks reviews have to be longer than they need to be, and most reviewers agree, so they spend a lot of time telling you the same thing you just read in the movie description and how pleased they were to catch it at some film festival.

'INTRUDERS': Two and a Half Stars (Out of Five)

A Spanish and British horror film starring Clive Owen and directed by Juan Carlos Fresnadillo (who also directed the Spanish/British horror sequel '28 WEEKS LATER'). The film was written by Nicolas Casariego and Jaime Marques and tells the story of two children in different countries who are both haunted by the same demon looking to possess them. It co-stars Carice van Houten, Pilar Lopez de Ayala, Ella Purnell, Izan Corchero and Daniel Bruhl. The movie contains some frightening sequences and some decent acting but for the most part is a bore.

One story is set in Madrid and focuses on a young boy named Juan (Corchero) who is terrorized by a monster called Hollowface. His mother (Ayala) sees the demon as well but is unable to stop it so she calls on a local priest (Bruhl) to help exorcise it. Another story focuses on a young girl named Mia (Purnell), in London, who is haunted by the same ghost. Before seeing the monster she had found a box with the story of it hidden in a tree at her grandparents' house. She had been telling the story of 'Hollowface' to other students at her school before being stalked by it as well. Her father John (Owen) is extremely close to Mia, and protective of her, so when he sees the monster as well he becomes obsessed with stopping it. Unfortunately it's unclear whether the monster is in fact real or just a figment of their imagination and John's wife Susanna (Houten) is starting to believe the latter (as well as the priest in Madrid).

The movie has decent enough production values and looks great (for a low budget horror film); the monster looks cool as well and is pretty frightening. Like I said earlier the acting is all adequate as well, especially another passion filled performance by Owen: he kind of holds the movie together. The directing is decent enough as well but the overall storytelling leaves much to be desired. It's just too slow paced and uninvolving, despite the passionate performance of Mr. Owen. If you're just looking for some cheap monster movie thrills you could do a lot worse but you could also do a lot better.

Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=n9aLxA71Z4k

This film seems to have a very low key marketing and I haven't even seen many critics reviews for it despite it already opening.

I found this to be a pretty decent supernatural bogeyman type thriller with some intriguing psychological twists and turns. The scares are sparsely spread but are effective when they do come. The storyline is quite compelling and is told in two completely separate strands whose only apparent connection is the bogeyman. It had me very engaged and a very creepy atmosphere is maintained.

The performance from all the actors including the children were good, nothing outstanding, just played to realistic levels. There isn't a lot of emotional weight to the characters but I cared about the child protagonists, who are victimised by the "Freddie Nightmare" style dream monster.

The last act is a good one but unfortunately, it was sloppily executed. The finale should have been more dynamic with a bigger impact on its revelations. Given the storyline, its a missed opportunity for the director. Also, there is a big chance you might see some twists coming due to the film's narrative giving too many clues, again a bit sloppy. I did see the revelations coming to an extent but there was still a twist that I didn't expect. I do like the story, its a satisfying one but the execution could have been much better which is a pity. Still the journey was an intriguing one, at times scary and definitely worth a watch.

Ah, the twist! The "surprise ending", the "shocker", or lack there of. There is an art to surprising people at the end of the movie that is the lifeblood of films like this. This one, unfortunately, is dry. They do a good job of setting up the scenes, making you thoroughly confused before explaining everything. If you can make it that long, which you might not be able to, it is a boring show and the pay off is somewhat weak.

Now, the acting is top notch, Clive Owens does an very good job of playing father, and the supporting cast really commits to this movie. That said, it isn't enough to carry the film through the normal jumps and grabs while you just sit there saying, 'get on with it!'

Two children, one in Spain, the other in England, are experiencing terrifying visits by the same demon who wants to possess them. The only viable link is that both children are writing a story...

A joint Spanish/English language production, Intruders is the sort of frustrating picture that has big and bold ideas on the page, but sadly on the screen in unfolds laboriously as it bites off more than it can chew. It came as no surprise to myself to find that upon opening internet sites frequented by horror fans, Intruders has greatly disappointed them. It's rarely frightening, sags desperately in the middle section, the pay off is weak, and ultimately it only skirts the boundaries of being a "horror" film.

So, the lack of shocks and suspense in bona fide horror terms needs to be tempered with genre expectation levels, this is more a family drama with fantastical horror elements lurking around the edges of the frame. This of course doesn't help anyone, like myself, who has bought into plot synopsis and the marketing strategy that accompanied the picture, but if able to see past the faceless demon that appears occasionally and promises something else? There's a decent and honest adult film pulsing away here.

Clive Owen plays the troubled father of the piece and he once again, as he did in Trust, shows that given this type of material he can deliver a performance of emotional substance. He's backed up by a very strong turn from young Ella Purnell as his daughter, and with the tech credits high - most notably Roque Baños' superb musical score - there is much to enjoy here. But as thoughtful as it is, and as solid as the film makers credentials are, its reputation is unlikely to be enhanced anytime soon. 6.5/10