O Caramanchão

'The Arbor' of the title refers to a street called the 'Brafferton Arbor' on the Buttershaw estate in the city of Bradford, West Yorkshire, England. The people who lived there back in the 1980's were not rich, but one of them, Andrea Dunbar, became well known as a playwright. A lot of her work was biographical and this film tells us about her and about her oldest daughter, Lorraine, both through her work and by the use of actors lip-syncing to the voices of her friends and family.

It is no secret that Andrea Dunbar died quite young, but she did have two plays open in London and one of them was made into a film in 1987. This was, of course, Rita, Sue and Bob Too!. If you haven't seen it and you're interested in this documentary, it's one I can recommend. But back to 'The Arbor', it is a very touching film at times, it can be quite dark too, but over all the people speaking are very realistic about life, the universe and everything. I found it quite compelling viewing, partly because I work in the city of Bradford and it's quite sad to think these things are still going on today (particularly around the area where I work). I guess if you're up for a gritty realistic tale of northern folk then I can highly recommend it.

Just as a footnote, there's a piece of archive footage of Andrea getting on a train near the end of the film. She is getting the train at my local railway station… A small claim to fame for the town I frequent.

My Score: 7.7/10

By using actors who are lip-syncing interviews of actual people in Andrea Dunbar's life, this film pushes the documentary genre completely into the dramatic cinema field, with very interesting and moving results. Mix in stagings of her plays in the actual British housing projects where they were set, and vintage TV footage, you get a fascinating very creative mix.

It's also a very enlightening portrait of a woman who used art and the written word to pull herself out of the slums, but failed to change as a human being, basically living the life of the housing project trash that she wrote about, abusing her children as a result.

A fresh and very cinematic take on the documentary form. Check it out.

The Arbor is a very interesting movie . Unique in the way it is filmed , with actors lip sinking the words of real people who are being interviewed about the life of playwright , Andrea Dunbar.

The only work that i have seen of Andrea Dunbar is ' Rita , Sue and Bob too ' a bawdy drama from the 80's. I had no idea the writer if this film lead such a tragic life and that her children suffered so badly too.

While i admire the way this film is made and the obvious skill of the actors and director , i'm still not sure this film totally works. I struggled at times to stay with this movie and i feel it would have benefited from being half an hour shorter.

The Arbor is an experiment that has too much going on for my liking but well done to Clio Barnard for attempting such an ambitious project.

I loved everything about this sad film.

The technique of post syncing shouldn't have worked, nor the acting of the play on the streets either, but they really do.

The pacing of the original interviews is very interesting,very steady. There is something marvellous about the way the accents are subtly yet profoundly different from those that actors generally impose, and knowing that these voices are those of the actual people was very moving.

Seeing the real people in what would normally have been flashback but in this case is views into a previous documentary really worked.

This is a very powerful story of a tragedy with very little joy. When I see Rita, Sue and Bob Too again, one of my favourite films and one that puts most other working class depictions into a cocked hat, I wonder what my mood will be.

Andrea Dunbar wrote two plays before she died tragically young at the age of 29 - 'The Arbor', of which we see snatches and scenes here, and 'Rita, Sue and Bob, Too', which was made into a well-regarded film.

This drama-documentary is rather different to the usual type because not only does it use real interview and actual footage of Dunbar from her TV appearances, but uses real interviews with her family and friends which are then lip-synched (very well) by professional actors. This sounds like a gimmick, but we very quickly forget we are not watching the real people talking about their lives - when we do get jolted out of this by associations with other work (George Costigan 'plays' Dunbar's partner but also of course was 'Bob' in the aforementioned film), it still somehow works.

Dunbar's story was a tragic one, one of wasted talent and a toxic life, to some degree, although her children - mixed-race Lorraine and Lisa - have very different stories about their childhood and the impact their mother had on them. Lorraine's story is just as tragic in its way, and we follow that following the description of Andrea Dunbar's death.

A new and dynamic way of presenting real people's issues and problems, 'The Arbor' is very possibly something Dunbar could have created herself had she lived. As it is, it stands as an interesting memorial to her talent.