Mulholland Dr.

A great David Lynch film, augmented by a tour de force acting job by the very great Naomi Watts.

This is a film that is brilliant in every way, surrealism at its best, and so very el lay.

Love this film to death.

I can't get over this movie. WOW.

How do I put what I feel into words? OK, let me give it a shot. Have you seen or felt something that leaves you wondering or sweeps your feet away? This movie does exactly that. The twists and turns that happen along the way just blows you away.

I think you'd need to watch this movie a couple of times so you can at least "TRY" and comprehend what Lynch is trying to say.

If this isn't the best movie I've watched, I don't know what is!

20/10 rating if that was possible.

In 1999 David Lynch was tasked with this TV series pilot that was ultimately rejected by ABC. Once Lynch said in an interview that he is "a sucker for a continuing story". I think the remark is pretty down right. Look for instance at "Twin Peaks" and Lost Highway, both of which I am a big fan of. Also consider Inland Empire as well as all the post-2001 shorts, of which I am not a fan at all.

Be as it may, in this one case the miracle happened. Lynch took the rejected pilot from the drawer and made it in a great full feature film, released in 2001, after re-shooting a few scenes and adding several others. Mulholland Dr. the feature, an apparently elusive but ultimately full sense-making story, is the best of Lynch's so far, in my opinion, and one of the best movies of the last twenty years.

Now looking back at the pilot, I could not be more grateful that things went the way they did. The episode as such is great looking and builds up a lot of atmosphere. It is definitely of a far superior quality than the average TV show, probably even better than the "Twin Peaks" pilot. But precisely because of this, Mulholland Dr. the pilot deserved more than being just the first episode of a series (and of course more than being left in a drawer).

When you consider it, the pilot has so many merits it is hard to believe it was made for TV. The score by Angelo Badalamenti, the cinematography by Peter Deming, the production design and the technical values in general are all top notch. And what's more, the acting is superb. Harring and Watts are mesmerizing and it is no surprise that they (especially Watts) went on to star careers after the full feature was released. Watts delivers according to her standards, i.e those of one of the best actresses of her generation. While the same cannot be said of Harring, she is nonetheless good and brings forth a lot of noir atmosphere, sheer sexiness and emotion. And the supporting cast also do an exceptional work, making all of the characters memorable. Just think of then relatively unknown Theroux playing the utterly unlikable film director or of veterans Hedaya and Forster. And of course, the characters are good because the dialog is so good.

Overall, this is clearly not required viewing if you are not a hardcore fan of David Lynch, in which case go to the 2001 movie instead. However, if you already saw and liked the movie, the pilot becomes interesting as it shows how Lynch, for once, beautifully closed the loop. Something that I have missed him doing in the last ten years.

Honestly, I am really tired of this kind of movie after Twin peaks series😬 this is getting boring after 20 mins - plot is confusing (as all Lynch works). I really liked twin peaks, but this movie pissed me off. It genius and hot but hard.

Rating: 9/10

I finally watched Mulholland Drive today (6/7/25), after putting it off for years. I had once tried watching it but couldn't find the time. Recently, I saw it listed in The New York Times' Top 100 Movies of the 21st Century, and I knew I had to give it a proper watch - and what an unforgettable experience it was.

David Lynch crafts not just a film, but a dreamlike psychological maze that constantly blurs the line between illusion and reality. Having seen Twin Peaks, I expected something surreal - but this was on an entirely different level. It's not just a mystery; it's a full-blown dive into the subconscious. The narrative unfolds like a puzzle that you're not supposed to solve, but feel.

Naomi Watts delivers one of the most astonishing performances I've seen - the kind that makes you sit up and say, who is this actress and where has she been all this time? Her transformation throughout the film, her expressions, her vulnerability, and raw emotion - it's simply haunting. This was my first time watching her, and now I want to explore more of her work.

The score is equally masterful. It keeps you on edge - tense, uncertain, and fully immersed. The way Lynch uses silence and sound is genius.

As the credits rolled, I couldn't help but think of Shutter Island by Scorsese. Both films play tricks on the viewer's mind, but Mulholland Drive stays with you - it lingers like a half-remembered dream.

This is not just a movie. It's an experience. And probably one of the greatest psychological mysteries ever created.