A Horrible Way to Die

A very mature, organic, moody, restrained, dark, character driven drama/thriller that took its time going down a tense, sometimes terrifying path. The movie was filmed in a very artistic, independent, simplistic way that connects the viewer with the characters in a personal way that makes the ordeal effective and all too real which makes the sinister acts very disturbing and chilling. The film has a very familiar theme that we've seen before as a serial killer escapes from prison and begins to kill again but to me it hasn't quite been done like this before and makes the thriller different from the norm and ends on a surprising and powerful note. The movie did have suspense in it and some bloody scenes but it's done in a less is more way making it have a classic feel but this movie is smarter than that and relied more on character depth, performances and story than anything else which it mostly succeeded on. Overall if you like your serial killer movies to have a more deeper meaning and not over the top like it was back in the day you might find something to appreciate about A Horrible Way To Die but don't expect a lot of gore, scares and action but more on mood, atmosphere and suspense and even at that it a pretty slow burn of a movie but a decent one at that. 6 out of 10

Billing itself as a realistic portrayal of insanity in the mind of a serial killer, I was left bitterly disappointed.

Expecting something like "Tony : London Serial Killer" what I got was a very disappointing and shallow look at a movie that wants to be more than it is.

There are many problems. One of them being the irritating way that the film has been shot. Being a very shaky cam, at first I liked it and appreciated it for being different and gave it realism, but after a while it began to become a distraction. Deliberate out of focus shots were also contributing to the irritating value that the movie was rapidly growing.

The fact is, you never feel like you are getting into the mind of this killer. You simply feel as though you are following him. Neither investing time in anything he is doing. You know he is a bad guy because he kills people, but any depth to this killer as a person, is non existent.

The acting was fine and there were some genuine decent moments, but the film wants realism, and the biggest killer to the realism is in the ending. I am not going to spoil it, but I thought "no way, this is basic horror movie stuff". I thought that it was a cheap way to end what was a film that was lacking the positives that made films like "Henry" and "Tony" the films that they are in the Serial Killer sub genre.

If you want a good serial killer movie, check out the films I just mentioned. You could probably give this one a miss!

A horrible way to die is nothing more than a horrible way to make a movie. It looks like they just blasted some lights, cranked the shutter speed and did hand-held to make an "artistic" movie. Well, there is nothing "artistic" about this, and this is coming from someone who is a huge fun of unique and original F-U Hollywood film making. I'm a huge fan of Gaspar Noe, and I appreciate directors who "break the rules." These guys do nothing but shaky hand-held the whole time, and man is it annoying! The acting and music is good, but I feel like the camera man has never operated a camera before! It's the same type of shot over, and over, and over. You couldn't beat a dead horse any more than they used out of focus shots to transition scenes, and hand-held shakiness to show hectic moments in the movie.

I could understand if they used some hand-held and shakiness, but maybe for 5 percent of the movie, not 95 percent! Even if your a film student, I don't think you'll like this. It looks like they shot it all in 3 days. The camera work is a far cry from human vision. Human's don't float their eyes aimlessly in a shaky haze. The only point of view shot is the point of view of a really bad camera man! It's like a really depressing and poorly made reality show.

Please don't compare this movie to anything Gaspar Noe has done. Gaspar Noe's camera style isn't shaky vision, it's Gaspar Noe vision, and isn't easy to replicate, as these guys probably found out. Everything Gaspar Noe does is delivered with an original and innovative sense of technical brilliance, which this movie doesn't touch with a mile long pole. Gaspar Noe films make you interested and actually want to watch the rest of the movie, not take your eyes off screen because you have a head ache.

This movie is not much more than a student film with a really nice camera and good actors. The camera work just makes it impossible to actually get into. The script doesn't really go anywhere, and there's not much suspense. The music, color grading, and acting are all decent but unfortunately, they don't know how to set up a tripod or dolly, so you have to torture yourself to see if the acting is good or not. Please invest in a tripod, or Steadicam, or just quit floating around like a film student trying to be artistic! Hand-held film making can be really awesome, but this is a very poor example. The camera-work in Blairwitch Project was better, and they didn't even know how to use a camera! Hold the camera against your head if you have to, the more points of contact the more stable. What a horrible way to make a movie.

Other than knowing a brief plot outline of an escaped murderer on the hunt of his ex-girlfriend, I had no idea what I was getting into when going to see Adam Wingard's latest, A Horrible Way To Die. Just so you're aware, as far as plot goes, that is all you have to know before heading off to see this film. As for an overall visceral pleasing experience… well, as they say, beauty is in the eye of the beholder. As long as the beholder isn't epileptic or easily prone to motion sickness, that is. Both of which I am not, enabling me to absolutely love this film.

Constant shots of close-ups and not just on the actors' faces but knuckles, waists and other body parts (get your mind out of the gutter) as well as random objects around them effectively brought me into the characters' personal space with an intimacy most other mainstream films lack. Never is the camera shaky either, it's more of a purposeful fluidity, like imitating the human eye as it occasionally wanders while in conversation with another person. A good example of a film to compare the camera movement to would be Gaspar Noe's Irreversible. I don't me to drone on and on about one technical aspect of the film, but when something even the most casual moviegoers can not ignore is applied in such a non-gimicky way it's praise can not go unnoticed.

So, now that my praise for the way in which the film was shot has gone on the record I'll briefly dive into other elements of the film, mainly acting, plot and score:

Acting - The two stars of the film, Aj Bowen and Amy Seimetz, both turn in a-list performances. Can't wait to see these two make the leap into Hollywood and gain the larger attention that they both deserve. Plot – Keeping the story simple and absent of any convoluted sub-plots might be too dull for some to sit through… sucks for those people. Personally, I was ready for it to be an hour longer. Score – Nothing too extraordinary here, but it works for what it's trying to accomplish. Overall I'd say A Horrible Way To Die is a great way to spend 85 minutes

I'm clearly running out of movies to watch on Prime and Shudder, which is why I eventually gave in and decided to settle for A Horrible Way To Die. Before delving further into the review, to be fair, I should state that just a couple hours before watching it, I saw one of the most incredible films I've ever had the pleasure of watching-'Magic Magic'; so 'A Horrible Way To Die' had a lot to live up to.

I had been reading around about this movie for a while. After all, with a title like that, you can't help but wonder what it's all about. I, of course, presumed that AHWTD was just another B-Horror movie belonging to the 'torture-porn' genre, and therefor, most likely a waste of time. But after reading several reviews which hailed the film for it's magnificent writing and acting, I decided to give it a go.

The first thing that I'll say about this movie is that the cinematography is terrible. I mean, really, it's almost unwatchable-maybe the director had some artistic statement in mind (attempting to give the film a feeling of 'visceral reality'?), or if the camera man just didn't have a the ability to stay in focus or to keep a steady hand. Regardless, it didn't work. I'm a man that values aesthetic, and I like movies to look beautiful-and if they don't..Well, I expect there to be a reason for that (for instance, it makes sense that the camera work looks shaky in a movie like 'The Blair Witch Project'). I suppose some might argue that the hand-held shaky camera-work adds a flair of 'grit' to the film, but I would argue that it does not (after all, Bad Leutenant got it's point across while still staying in focus), and instead creates the impression that the cinematographer was relying on a corny gimmick to cover up his lack of talent. There is absolutely no reason that half the film has to be out of focus.

Secondly, I would have to disagree with the assertion that the writing in 'A Horrible Way To Die' is anything above average. In fact, I would say a lot of the dialogue seems forced. It's hard to tell in movies like this if this is the product of the script itself or bad acting, but I'm going to go with the latter. I've seen some of these actors in other films and they were capable enough, and at times their talent does shine through the dull dialogue.

Another thing that annoyed me was the depiction of Alchoholics Anonymous. Having struggled with addiction for many years, I know the format of a 12 Step meeting like the back of my hand. Now do not misinterpret what I'm saying-I am no 'Big Book Thumper', but I am starting to get really annoyed by how all these movies are depicting Alchoholics Anonymous/Narcotics Anonymous. To me it just shows sloppiness..After all, how hard would it be to approach a member and just ask, 'Hey, we're making this movie, and a central theme is alcoholism, so do you think you could help us out to accurately depict a 12 Step program?". Clearly that conversation never took place. I almost feel as if they got their impression of 'The Program' from other movies.

Anyway, I have to admit, I only watched 3/4 or the film, because quite frankly, the quality became to abrasive for my taste. I don't mind low-budget films if the film-maker knows how to work within that limited budget (a great example of this is Mark Flannegans' 'Absentia', or the Sci-Fi time travel film 'Primer', supposedly filmed with a $7,000 budget), but that is not the case with 'A Horrible Way to Die', which instead looks at best like an ambitious student film that despite it's efforts, fails.

I will say that for what they were given to work with in terms of the script, the acting was pretty good, and that's probably the movies' one redeeming quality. Still though, I wouldn't waste my time with this one. I see a lot of people making claims like it's a 'hidden gem', and I imagine if you went into the movie with the expectation that it was going to be the the worst film in the history of cinema you might walk away with that point of view, but in to me it was an incredibly mediocre, predictable thriller.