Julian, um traficante de drogas que vive no submundo do crime em Bangcoc, vê sua vida ainda mais complicada quando sua mãe o obriga a encontrar e matar a pessoa responsável pela recente mort... Ler tudoJulian, um traficante de drogas que vive no submundo do crime em Bangcoc, vê sua vida ainda mais complicada quando sua mãe o obriga a encontrar e matar a pessoa responsável pela recente morte de seu irmão.Julian, um traficante de drogas que vive no submundo do crime em Bangcoc, vê sua vida ainda mais complicada quando sua mãe o obriga a encontrar e matar a pessoa responsável pela recente morte de seu irmão.
- Direção
- Roteirista
- Artistas
- Prêmios
- 14 vitórias e 20 indicações no total
Kowit Wattanakul
- Choi Yan Lee
- (as Kovit Wattanakul)
Avaliações em destaque
Other reviewers have done a better job than I could. In all truth - i think I really have to see the film again. It's a movie that will offer up levels, after review( I think...maybe) At times I was thinking: Tarkovsky.
If you've seen Drive, then you should know that this movie is nothing like it, except perhaps in the fact that they are both beautifully shot. Drive had a pretty brisk pace, good dialogue, a plot that went somewhere, and a likable character.
Only God Forgives had none of that. This is a movie which moves along at a snail's pace, and even at a runtime of 90 minutes, it feels like many hours go by before even a single thing happens. Even the characters move and turn slowly.
The plot, such as it is, you would probably find worth watching, but Nicolas Winding Refn peppers it with pseudo-dream sequences and many pointless scenes that drag on for ever, so that the plot becomes hard to stay interested in.
Now, some things you might care about.
The acting. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He speaks about 5 lines during the whole movie, and has fewer different facial expressions. Kristin Scott Thomas is very good, although she feels underused. She is definitely the strong point of this movie. Vithaya Pansringarm, who plays a prominent role in the movie, is as expressionless as Gosling, although he is somewhat better, in my opinion.
Action scenes do exist, and they do resemble those from Drive, in that they are very matter-of-factly and visceral. Here, Winding Refn has really indulged in a lot of gratuitous gore, although overall, I found the action scenes quite entertaining. One particular one showcases Byron Gibson's acting talents, and it is particularly (and hilariously) cringe-worthy.
All the characters in this movie are unlikable. It is extremely difficult to get yourself to care for any of them, including Gosling's, who is arguably the protagonist here.
Aside from Scott Thomas' acting, the only other redeeming quality of this film is the excellent way in which most scenes are set up and shot. The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots.
Overall, sad as I am to say it, I cannot recommend seeing Only God Forgives.
Only God Forgives had none of that. This is a movie which moves along at a snail's pace, and even at a runtime of 90 minutes, it feels like many hours go by before even a single thing happens. Even the characters move and turn slowly.
The plot, such as it is, you would probably find worth watching, but Nicolas Winding Refn peppers it with pseudo-dream sequences and many pointless scenes that drag on for ever, so that the plot becomes hard to stay interested in.
Now, some things you might care about.
The acting. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He speaks about 5 lines during the whole movie, and has fewer different facial expressions. Kristin Scott Thomas is very good, although she feels underused. She is definitely the strong point of this movie. Vithaya Pansringarm, who plays a prominent role in the movie, is as expressionless as Gosling, although he is somewhat better, in my opinion.
Action scenes do exist, and they do resemble those from Drive, in that they are very matter-of-factly and visceral. Here, Winding Refn has really indulged in a lot of gratuitous gore, although overall, I found the action scenes quite entertaining. One particular one showcases Byron Gibson's acting talents, and it is particularly (and hilariously) cringe-worthy.
All the characters in this movie are unlikable. It is extremely difficult to get yourself to care for any of them, including Gosling's, who is arguably the protagonist here.
Aside from Scott Thomas' acting, the only other redeeming quality of this film is the excellent way in which most scenes are set up and shot. The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots.
Overall, sad as I am to say it, I cannot recommend seeing Only God Forgives.
This film is worth watching, it is very gripping and suspenseful. There isn't much dialouge at all, it is mostly just atmospheric. The plot is relatively simple, a chain of people killing others who are then linked to someone else. The ending is left open to your imagination too. There are some really gruesome scenes in this movie but this sort of thing was needed to keep the viewer gripped on the way the story was unfolding. Ryan Gosling was a very mysterious character again (as in Drive) and he portrayed this very well. The supporting cast were also good.
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
An absolute masterpiece. My favorite movie of all time.
Probably only in 30 years will the world fully appreciate it and recognize how far ahead in time it was.
I was expecting something more shocking. Don't get me wrong. This is violent and misogyny at it worst. But we've seen it all before. Especially the worldly movie reviewers that are so eager to give it a zero. If anything, it's the minimalist acting that's unique here. And not just the limited dialog but it's the movement. They don't even move that much.
The minimalist acting, the over saturation of color red, the grotesque violence, the misogyny, all of it adds to a unique feel unlike anything I've seen before. Even with all its oddness, it was compelling and mesmerizing. This is like nothing I've ever seen before and that's worth something to me.
The minimalist acting, the over saturation of color red, the grotesque violence, the misogyny, all of it adds to a unique feel unlike anything I've seen before. Even with all its oddness, it was compelling and mesmerizing. This is like nothing I've ever seen before and that's worth something to me.
Você sabia?
- CuriosidadesJulian (Ryan Gosling) only speaks seventeen lines throughout this movie.
- Erros de gravaçãoWhen Julian fought Chang, Chang kicked Julian in the left leg several times leaving Julian unable to walk normally, but later on Julian is seen stumbling on his right leg rather than the left.
- ConexõesFeatured in Showreel: We've Got Keanu Reeves (2013)
- Trilhas sonorasJai-Orn
("Falling in Love")
Lyric/Melody by Kanokwan Kung-noi
Performed by Fon Thanasuntornas (first recorded in the album titled "Jai-Orn , released in B.E.2543)
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Só Deus Perdoa
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 779.188
- Fim de semana de estreia nos EUA e Canadá
- US$ 313.958
- 21 de jul. de 2013
- Faturamento bruto mundial
- US$ 10.658.332
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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