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IMDbPro

Sequestro no Espaço

Título original: Lockout
  • 2012
  • 16
  • 1 h 35 min
AVALIAÇÃO DA IMDb
6,0/10
102 mil
SUA AVALIAÇÃO
Guy Pearce and Maggie Grace in Sequestro no Espaço (2012)
A man wrongly convicted of conspiracy to commit espionage against the U.S. is offered his freedom if he can rescue the president's daughter from an outer space prison taken over by violent inmates.
Reproduzir trailer2:25
11 vídeos
99+ fotos
Conspiracy ThrillerDark ComedyOne-Person Army ActionSpace Sci-FiActionSci-FiThriller

Um homem erroneamente condenado por conspiração para cometer espionagem contra os Estados Unidos é oferecido sua liberdade se ele puder resgatar a filha do presidente de uma prisão tomada po... Ler tudoUm homem erroneamente condenado por conspiração para cometer espionagem contra os Estados Unidos é oferecido sua liberdade se ele puder resgatar a filha do presidente de uma prisão tomada por prisioneiros violentos.Um homem erroneamente condenado por conspiração para cometer espionagem contra os Estados Unidos é oferecido sua liberdade se ele puder resgatar a filha do presidente de uma prisão tomada por prisioneiros violentos.

  • Direção
    • James Mather
    • Steve Saint Leger
  • Roteiristas
    • James Mather
    • Steve Saint Leger
    • Luc Besson
  • Artistas
    • Guy Pearce
    • Maggie Grace
    • Peter Stormare
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    102 mil
    SUA AVALIAÇÃO
    • Direção
      • James Mather
      • Steve Saint Leger
    • Roteiristas
      • James Mather
      • Steve Saint Leger
      • Luc Besson
    • Artistas
      • Guy Pearce
      • Maggie Grace
      • Peter Stormare
    • 315Avaliações de usuários
    • 309Avaliações da crítica
    • 48Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos11

    No. 1
    Trailer 2:25
    No. 1
    International Version
    Trailer 1:57
    International Version
    International Version
    Trailer 1:57
    International Version
    Lock-Out
    Trailer 2:23
    Lock-Out
    "You Are Adopted"
    Clip 0:36
    "You Are Adopted"
    "Mouth to Mouth"
    Clip 0:27
    "Mouth to Mouth"
    "That's to Stop the Bleeding"
    Clip 0:22
    "That's to Stop the Bleeding"

    Fotos195

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    Elenco principal34

    Editar
    Guy Pearce
    Guy Pearce
    • Snow
    Maggie Grace
    Maggie Grace
    • Emilie Warnock
    Peter Stormare
    Peter Stormare
    • Scott Langral
    Vincent Regan
    Vincent Regan
    • Alex
    Joe Gilgun
    Joe Gilgun
    • Hydell
    Lennie James
    Lennie James
    • Harry Shaw
    Jacky Ido
    Jacky Ido
    • Hock
    Tim Plester
    Tim Plester
    • John James Mace
    Mark Tankersley
    • Barnes
    Anne-Solenne Hatte
    Anne-Solenne Hatte
    • Kathryn
    Peter Hudson
    Peter Hudson
    • President Warnock
    Nick Hardin
    Nick Hardin
    • Hostage Negotiator
    Dan Savier
    • Duke
    Damijan Oklopdzic
    • Slick
    Bojan Peric
    • LOPD Technician 1
    Evan Moses II
    • LOPD Technician 2
    • (as Evan Timothy Moses)
    Greg De Cuir
    • Radio Technician
    Thomas Kelly
    • White House Doctor 1
    • (as Tom Kelly)
    • Direção
      • James Mather
      • Steve Saint Leger
    • Roteiristas
      • James Mather
      • Steve Saint Leger
      • Luc Besson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários315

    6,0102.4K
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    Avaliações em destaque

    8nikolobg

    Oh, what surprises we find in such unexpected places.

    I believe that the enjoyment of a movie is directly proportional among other to your beforehand expectations about it. So with that in mind, let me tell you about this movie; It has a completely unoriginal story, terrible special effects and acting that will never be considered, even in a slow movie year, Oscar wordy. In short it's an action / science fiction that should leave you empty.

    Yet, it is not boring, quite the contrary. It has a very special 'Je ne sais quoi' to it. I so wanted to use that in a review for which I want to apologies to you.

    I enjoyed it more than most films I have seen this year. Perplexed to explain what makes it unique without spoiling it for you and considering my first sentence, I will say after much reflection, seeing it with very low expectations would be the best. It will allow you from the start to get into the world the directors are painting for you, couple that with a possession of a twisted sense of humor and you will find a gem of a movie in there.

    In short, for what it is, it is a gem.
    7metalgtrist17

    A Phenomenal Action Movie, in a world without them

    I found this to be a great, fun, well-acted, funny, and "unique" take on the typical action films of our our past. I say "unique", because it is not, in any way, unique. I give that the setting is something new, but all in all, this movie pulls from great movies past, and in doing so, made off with a seasoned, enjoyable film.

    Guy Pearce was flawless and oddly fresh as the standard "I don't care" action hero. The Snake Plisken-gone right character was the driving point of the whole film, and definitely the best part. Maggie Grace pulls off her best performance yet, even well above her LOST and Taken characterization, showing that a "Taken"-style damsel doesn't have to be in distress. The villains were all over the board in this film, with neither one taking complete center stage. All of them equally hold the necessary torch for the situation.

    This is a story that has been told before, but in a new way that is fresh and fun. The acting makes this movie truly what it is, and with solid action, and excellent pace, I believe this subtle action film may be the best yet of the year (future films not comparable).
    8christophershugg

    Die Hard on a Space Station

    Come on people, watch it for what it is. Yes it's silly, it's supposed to be. It looks great and slides down easy. Guy Pearce is a blast to watch as he struts and mouths off throughout the film in a manner I haven't seen since Bruce Willis in the Last Boy Scout. This is an 80's action movie at it's core set in space. One of failures of recent action movies trying to be an 80's action flick is that they forgot that the hero needs to go up against a memorable villain. In this we get 2 brothers that actually deliver the goods. Add in a fancy Star Wars inspired ending and you have fine Friday night escape.

    Don't think too hard and enjoy the trip.
    7seany_c

    Good Fun

    Caught this late Friday night with my girl after the Drake gig and had a good night overall. After being on my feet for hours it was good to sit on my arse at twelve on the night and just switch off and enjoy a mindless bit of action. And that's exactly what 'Lockout' offers. If you've seen Luc Besson's Europacorp action flicks you know what to expect. I love all of them and this was no exception. Guy Pearce is the show stealer as Agent Snow, the John McClane of the space age. His wisecracks and mindless violence keep your attention. Maggie Grace is as good as ever as the damsel in distress and the supporting actors do a bang up job as well. Almost stealing the show from Pearce, but not quite, is Joseph Gilgun as the nutty Scot, sure to make you laugh once or twice, even if you're hating the film. The effects are well done, the action over-the-top and exciting and it's overall good late night entertainment. As with all these sorts of films, I'm sure critics and serious Sci-fi nuts are going to hate. But as I always say, for people who can switch off and enjoy a bit of brainless fun, this is a must. Let the haters hate and the watchers watch.

    ***/*****.
    6Movie_Muse_Reviews

    Thinks it's more fun than it is, but 'Lockout' is still effective

    It's fair to say Luc Besson has gotten a bit giddy ever since "Taken." The man who once upon a time brought us "La Femme Nikita" and "Leon: The Professional" has instead taken to lighter action fare, in this case recruiting amateurs James Mather and Stephen St. Leger to help write and direct his "original idea." Exactly—not a "story by" credit, but "original idea."

    That's not to say "Lockout" isn't creative, but it's definitely not original. Some might dub it "Taken in space," especially considering it borrows that film's starlet in Maggie Grace, but it's much more akin to "Escape from New York in space." Either way, "Lockout" is another simple- concept action film from Besson, only it has a bigger ego that gets in the way sometimes.

    "Lockout" is good for kicks, a fact of which it's very aware. Guy Pearce's Snow, the morally questionable and reluctant hero written so closely to the archetype he almost transcends it, weirdly. He has a sense of humor best described as abundant (though sometimes quite clever), and Pearce plays him especially wry; most actors (think Nicolas Cage) would've hammed it up too much or been unconvincing.

    Snow is tasked with rescuing the president's daughter (Grace), who is stuck on a maximum security prison in space that has incurred a major security breach. These are the world's most dangerous criminals, plus they have been in stasis for any number of years, which has made them even nuttier. Joseph Gilgun as Rydell, one of two Scottish prisoners trying to run the uprising, is a particularly deranged fellow reminiscent of a demented Groundskeeper Willie.

    Both Rydell and the other main baddie, Alex (Vincent Regan), have a cold-blooded edge that could have made for an effective R-rated ransom thriller reminiscent of late '90s films like Air Force One, but the devil-may-care attitude of the entire movie ultimately clashes with these darker moments, even though they do make you take the movie more seriously than you would otherwise.

    After a little bit of context at the beginning to properly motivate Snow, both he and us are effectively shot from a canon. The story only slows down a bit toward the end, but it mostly plays out as a series of dominoes. The action doesn't satisfy so much as the pace and the threat of violence (now here's a good example of how you do PG-13 violence), but it's well done aside from an opening motorcycle sequence shot on green screen and outfitted with an effects job that really shows the budget.

    Aside from that, the futuristic sci-fi elements stay pretty classy—nothing overdone or distracting. The gadgets provide some creativity to a number of the sequences and the script manages to inject some unpredictability into a story that could not have a more obvious trajectory.

    Despite the self-awareness at points, with a lot of that credit going to Pearce, Lockout tries especially hard to be entertaining on too many fronts, aspiring to be the consummate popcorn flick rather than just identifying one tone and sticking with it. The final scene on the space prison strangely evokes the original "Star Wars" Death Star run, as if to make sure the audience gets to munch on some sci fi/fantasy before the credits roll.

    It's hard to fault "Lockout" for aiming to please considering that that spirit seems to be the driving force behind the movie's strengths as well as its weaknesses. Although the number of attempts at humor might catch some folks off guard, "Lockout" offers what anyone interested in the film would expect, if for no other reason than its built upon tons of tropes from previously effective movies. In turn, "Lockout" is effective, but not too much more.

    ~Steven C

    Thanks for reading! Check out moviemusereviews.com

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In October 2015, John Carpenter won a plagiarism case against Luc Besson over 'Lockout' proving clear similarities to Fuga de Nova York (1981) and Fuga de Los Angeles (1996). A French court ruled that enough similar distinctive elements from both Carpenter's films were borrowed to merit a sanction.
    • Erros de gravação
      With the bulletproof glass and other security measures, there is no reason for the Secret Service members to be in the prisoner room during the interview.
    • Citações

      Emilie Warnock: Who are you? Who sent you?

      Snow: Your old man did.

      Emilie Warnock: My dad. What did he say?

      Snow: Well, I didn't get to meet him personally. He kind of delegated your rescue. He had a big conference on the corn surplus.

      Emilie Warnock: You're kidding me?

      Snow: No. No, apparently, we should all be eating more corn.

      Emilie Warnock: About my father?

      Snow: Oh, yeah. I made that other bit up.

      Emilie Warnock: Did he have a message for me?

      Snow: Yes. You are adopted.

    • Versões alternativas
      Available on DVD in a Unrated version that restores violence cuts for a PG-13 rating. The Unrated version is the only version included on Retail DVD/Blu-ray. But Redbox and Rental versions still carry the PG-13 cut. For instance in the Unrated cut, one can clearly see Snow shooting a person in the mouth which is not shown in the PG-13 cut.
    • Conexões
      Featured in Chelsea Lately: Episode #6.54 (2012)
    • Trilhas sonoras
      Strange Matter
      Written by Ian Honeyman

      KPM Music

    Principais escolhas

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    Perguntas frequentes21

    • How long is Lockout?Fornecido pela Alexa
    • Why did Guy Pearce choose this movie?
    • What are the differences between the PG-13 Version and the Unrated Version?

    Detalhes

    Editar
    • Data de lançamento
      • 8 de junho de 2012 (Brasil)
    • Países de origem
      • França
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Lockout
    • Locações de filme
      • Belgrado, Sérvia
    • Empresas de produção
      • EuropaCorp
      • FilmDistrict
      • Canal+
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 20.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 14.326.864
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.231.836
      • 15 de abr. de 2012
    • Faturamento bruto mundial
      • US$ 32.948.113
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 35 minutos
    • Cor
      • Color
    • Mixagem de som
      • SDDS
      • DTS
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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