- Prêmios
- 8 vitórias e 16 indicações no total
Kelly Hitman
- Doll Girl #1
- (as Kelly Devoto)
Brynn Bowie
- Kali Lambert
- (não creditado)
Madison Bowie
- Kali Lambert
- (não creditado)
Avaliações em destaque
Insidious is totally in my list of favourite horror movie. I will not say that this will be the greatest horror movie ever but the cinematography is great and makes the whole mundane plot seems interesting and manage to crap the hell out of me.
I hate it when some so-called horror movies use old cheap tricks like the creepy music or sound effects to compensate their poor performance. I watched many scary movies and Insidious is the one that really made it sound and seems so real that it allows audience relate to it. I was expecting to see some people died in horrible way where their guts and bloods are everywhere and floor splashed with red tomato juices. You'll never have to see that kind of scene in here, they keep it as close as possible for you to relate in your real life and in your room while you are struggling to sleep.
I hate it when some so-called horror movies use old cheap tricks like the creepy music or sound effects to compensate their poor performance. I watched many scary movies and Insidious is the one that really made it sound and seems so real that it allows audience relate to it. I was expecting to see some people died in horrible way where their guts and bloods are everywhere and floor splashed with red tomato juices. You'll never have to see that kind of scene in here, they keep it as close as possible for you to relate in your real life and in your room while you are struggling to sleep.
Of all the genre's that Hollywood has to offer, the most tattered of the bunch is without a doubt the horror department. I am so sick of these wannabe 'so called' horror flicks that belong on late night lifetime channel. Im sick of the same old parlor tricks and scare tactics that have been used for the past 10 years. And i am even more sickened by the fact that they keep making the same crap year after year. You would figure after great horror flicks like "The Decent" and "Paranormal Activity", studios would start realizing what actually works and what audiences want to see. Hopefully in the coming years, this genre' will come back to life.
When it comes to horror movies, i think the two most crucial elements are the cinematography, and the musical score. Actually, i prefer there to be no music at all. Almost all the great horror movies never use it, because they rely on scaring the audience with disturbing images, not raised music that makes everyone jump. If i want that, I'll go to a haunted house. When i go to see a horror flick, i want it to leave a lasting impression. However, movies like this are the one exception.
This film had such amazing cinematography, that i didn't even care about those 'raised music' sequences. I rarely get creeped out at the theater, and this movie scared the crap out of me. I'm talking' sweaty palms, eyes wide open, my body sunk all the way down in my chair scared. And for those of you who have read my reviews in the past, i hardly ever say that about a horror flick. And what really sold it was the cinematography. This film is packed with tons of really creepy and disturbing images. So much in fact, that you will hate walking into your dark house alone. Yes, they do use the same scare tactics, but since everything in the movie looked so damn creepy and demented, i for once didn't want the lead female to hurry up and open the basement door and get it over with.
The storyline is pretty decent. It's not an amazing concept or genuinely creepy on it's own. But it does a decent enough of a job to keep your interest and sell what your seeing unfold on screen. And it's safe to say that this is a very different take on your typical haunted house.
Bottom Line......holy crap, i just realized that this movie is only PG-13. Is it possible for a movie to be scary as hell and only be rated PG-13? The answer is yes, and this is a prime example of that. You know when a horror movie has done it's job? It's when it scares you both in the theater, and hours later when you try to sleep at night. Tonight, i will have lots of trouble sleeping. I can easily say that this will probably be the best horror movie of the year.
When it comes to horror movies, i think the two most crucial elements are the cinematography, and the musical score. Actually, i prefer there to be no music at all. Almost all the great horror movies never use it, because they rely on scaring the audience with disturbing images, not raised music that makes everyone jump. If i want that, I'll go to a haunted house. When i go to see a horror flick, i want it to leave a lasting impression. However, movies like this are the one exception.
This film had such amazing cinematography, that i didn't even care about those 'raised music' sequences. I rarely get creeped out at the theater, and this movie scared the crap out of me. I'm talking' sweaty palms, eyes wide open, my body sunk all the way down in my chair scared. And for those of you who have read my reviews in the past, i hardly ever say that about a horror flick. And what really sold it was the cinematography. This film is packed with tons of really creepy and disturbing images. So much in fact, that you will hate walking into your dark house alone. Yes, they do use the same scare tactics, but since everything in the movie looked so damn creepy and demented, i for once didn't want the lead female to hurry up and open the basement door and get it over with.
The storyline is pretty decent. It's not an amazing concept or genuinely creepy on it's own. But it does a decent enough of a job to keep your interest and sell what your seeing unfold on screen. And it's safe to say that this is a very different take on your typical haunted house.
Bottom Line......holy crap, i just realized that this movie is only PG-13. Is it possible for a movie to be scary as hell and only be rated PG-13? The answer is yes, and this is a prime example of that. You know when a horror movie has done it's job? It's when it scares you both in the theater, and hours later when you try to sleep at night. Tonight, i will have lots of trouble sleeping. I can easily say that this will probably be the best horror movie of the year.
INSIDIOUS is yet another one of those Hollywood ghost stories involving a possessed child. It follows a predictable format, with minor, isolated incidents gradually giving way to larger-scale, more pronounced apparitions and events before culminating in a full-scale onslaught of evil. And it's all rather silly.
I enjoyed the first half of the movie. It's here where things are kept subtle and straightforward, with effectively creepy scare scenes and half-glimpsed figures spotted lurking in darkened rooms. So far, so good. But around the halfway mark, the film introduces a trio of paranormal investigators and things quickly descent into POLTERGEIST-style farce.
The problem with depictions of a hellish limbo or netherworld is that, in order to make something scary, you have to pretty much identify with the different fears of each viewer. Sorry, but I don't find tussles with greasy-looking hobos and Darth Maul from THE PHANTOM MENACE to be particularly frightening; in fact, there's something pantomime about the whole thing.
The actors, including the dependable Rose Byrne and Patrick Wilson, do their best but at times in the latter stages they seem to struggle to keep a straight face while the ludicrous events increase in scale and speed. It's a shame that the whole thing goes to pot, because if it had been handled more sensitively (and with less sensationalism) by the team behind the SAW franchise then it could well have worked much better.
I enjoyed the first half of the movie. It's here where things are kept subtle and straightforward, with effectively creepy scare scenes and half-glimpsed figures spotted lurking in darkened rooms. So far, so good. But around the halfway mark, the film introduces a trio of paranormal investigators and things quickly descent into POLTERGEIST-style farce.
The problem with depictions of a hellish limbo or netherworld is that, in order to make something scary, you have to pretty much identify with the different fears of each viewer. Sorry, but I don't find tussles with greasy-looking hobos and Darth Maul from THE PHANTOM MENACE to be particularly frightening; in fact, there's something pantomime about the whole thing.
The actors, including the dependable Rose Byrne and Patrick Wilson, do their best but at times in the latter stages they seem to struggle to keep a straight face while the ludicrous events increase in scale and speed. It's a shame that the whole thing goes to pot, because if it had been handled more sensitively (and with less sensationalism) by the team behind the SAW franchise then it could well have worked much better.
The film Insidious has done something many horror movies have failed to do recently, and that is to be scary.
Insidious has a lot of really intense moments that scare, and then grab hold of you. Its not entirely made up of "make you jump" scenes, which it does have, but scenes with genuine horror.
Insidious has taken a risk with doing something original, and It works here for them. Without giving anything away the movie does not just talk about whats scary, or show the the aftermath of something going on in a room that you can only hear until its over and the door magically unlocks. Insidious shows you whats scary, and quite often reminds you whats there, and waiting in the dark.
Insidious has a lot of really intense moments that scare, and then grab hold of you. Its not entirely made up of "make you jump" scenes, which it does have, but scenes with genuine horror.
Insidious has taken a risk with doing something original, and It works here for them. Without giving anything away the movie does not just talk about whats scary, or show the the aftermath of something going on in a room that you can only hear until its over and the door magically unlocks. Insidious shows you whats scary, and quite often reminds you whats there, and waiting in the dark.
I've seen some of this one awhile ago I don't remember much just figured I'd get caught up before the Insidious:Red Door comes out. I appreciate a lot of James Wan projects and Leigh Whannel is phenomenal! Patrick Wilson has also been great for last couple decades he works well with Rose Byrne. The flow and terror is much better than I could've imagined I'd agree with someone else better than Paranormal Activity. I'm surprised more don't appreciate James Wan he's great at his craft since Saw he's had some great movies and some that weren't as good I'd defiantly recommend this! The terror hit the spot especially with the tip toe song that's brilliant.
Você sabia?
- CuriosidadesThe film was shot in just three weeks.
- Erros de gravação(at around 14 mins) At the beginning when Dalton falls, after trying to turn the light on, Josh runs up to go see if he is okay. When Josh is sitting on the couch playing with his newborn his shirt is untucked, unbuttoned, and he has no tie on. When Josh reaches Dalton to pick him up, his shirt is tucked, buttoned, and has a tie on.
- Citações
Foster Lambert: I'm scared, Mom.
Renai Lambert: Scared of what?
Foster Lambert: Dalton. Can I change rooms?
Renai Lambert: Why would you want to change rooms?
Foster Lambert: I don't like when he walks around at night.
- Cenas durante ou pós-créditosAfter the credits finish rolling, Philip Friedman as the Old Woman blows out his/her candle.
- ConexõesEdited into Diminishing Returns: Diminishing Returns Are Dead (2022)
Principais escolhas
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- How long is Insidious?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- La noche del demonio
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 54.009.150
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.271.464
- 3 de abr. de 2011
- Faturamento bruto mundial
- US$ 100.106.454
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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