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IMDbPro

Brats

  • 2024
  • 1 h 32 min
AVALIAÇÃO DA IMDb
6,5/10
7,1 mil
SUA AVALIAÇÃO
Demi Moore, Emilio Estevez, Rob Lowe, Andrew McCarthy, Judd Nelson, and Ally Sheedy in Brats (2024)
Centers on 1980s films starring the 'Brat Pack' and their profound impact on the young stars' lives.
Reproduzir trailer2:26
1 vídeo
46 fotos
Documentário

Centra-se nos filmes dos anos 1980 estrelados pelo "Brat Pack" e seu profundo impacto na vida das jovens estrelas.Centra-se nos filmes dos anos 1980 estrelados pelo "Brat Pack" e seu profundo impacto na vida das jovens estrelas.Centra-se nos filmes dos anos 1980 estrelados pelo "Brat Pack" e seu profundo impacto na vida das jovens estrelas.

  • Direção
    • Andrew McCarthy
  • Roteirista
    • Andrew McCarthy
  • Artistas
    • Andrew McCarthy
    • Emilio Estevez
    • Ally Sheedy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    7,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Andrew McCarthy
    • Roteirista
      • Andrew McCarthy
    • Artistas
      • Andrew McCarthy
      • Emilio Estevez
      • Ally Sheedy
    • 187Avaliações de usuários
    • 35Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 2 indicações no total

    Vídeos1

    Official Trailer
    Trailer 2:26
    Official Trailer

    Fotos45

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    Elenco principal60

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    Andrew McCarthy
    Andrew McCarthy
    • Self - Actor
    Emilio Estevez
    Emilio Estevez
    • Self - Actor
    Ally Sheedy
    Ally Sheedy
    • Self - Actor
    Demi Moore
    Demi Moore
    • Self - Actor
    Rob Lowe
    Rob Lowe
    • Self - Actor
    Timothy Hutton
    Timothy Hutton
    • Self - Actor
    Lea Thompson
    Lea Thompson
    • Self - Actor
    Jon Cryer
    Jon Cryer
    • Self - Actor
    David Blum
    David Blum
    • Self - Journalist, New York Magazine
    Lauren Shuler Donner
    Lauren Shuler Donner
    • Self - Producer St. Elmo's Fire & Pretty in Pink
    Howard Deutch
    Howard Deutch
    • Self - Director, Pretty in Pink
    Bret Easton Ellis
    Bret Easton Ellis
    • Self - Author, Less Than Zero
    Kate Erbland
    Kate Erbland
    • Self - Film Critic
    Malcolm Gladwell
    Malcolm Gladwell
    • Self - Author
    Susannah Gora
    Susannah Gora
    • Self - Author, You Couldn't Ignore Me if You Tried
    Marci Liroff
    Marci Liroff
    • Self - Casting Director, Pretty in Pink, St. Elmo's Fire: Footloose & All the Right Moves
    Ira Madison III
    Ira Madison III
    • Self - Pop Culture Critic
    Michael Oates Palmer
    Michael Oates Palmer
    • Self - Screenwriter
    • Direção
      • Andrew McCarthy
    • Roteirista
      • Andrew McCarthy
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários187

    6,57.1K
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    Avaliações em destaque

    6wbagot1

    It went long ... no mention of Anthony Michael Hall?

    The idea was interesting. But the documentary sometimes took itself too seriously, and sometimes was too flippant. It could be overly harsh and other times too forgiving. It would have been good to hear how lives were specifically changed, but instead talked around what happened so no one would be labeled as bitter or brooding.

    One poignant point was how movies had changed in the early/mid 80s to be youth oriented with movies about teenagers and played by younger actors. It created a swelling of new, young stars never seen to that degree before or since.

    The focus was on a hit piece article by an envious reporter that labeled them "the brat pack." It was supposed to be article on what it was like hanging out with Emilio Estavez for a few days before it was morphed into a scathing denunciation of an entire group. The article was pretty sloppy in its writing and tried to tar and feather as many people as possible, including Nicholas Cage and Tom Cruise.

    It changed the lives of all the actors. They stopped talking to each or seeing each other to distance themselves from the insinuation. But the damage was done. The label went "viral" before that was a term and for a group that was already getting older and would be looking for more adult roles, many found a wall they didn't expect and didn't know how to overcome.

    Many of the actors most deeply immersed in the time weren't interviewed. Some in the documentary were barely on the outskirts. And again what was truly missing was the nitty gritty of how it impacted rather than hearing again and again versions of wow, that was really something and quite an experience. How did it feel to break contact? What was it like going to movie auditions after that? Had the public reaction change? How did it change their lives?

    That was the part that was missing.
    7rdavisq

    80's kids this one's for you.

    From an 80's kids perspective, there were so many young, cool actors that it's easy to lump dozens of people in the mix. Andrew really focuses on "The Breakfast Club" "St Elmo's Fire" and John Hughes creations in general. He really digs his fingers in the sand to find the root of his personal feelings towards the term and also commonalities from the other members. It's interesting to see the wide spectrum of perspectives from the (finger quotes) brats. Some were fine with it, some didn't even want to be included and McCarthy does well in making both points valid.

    Documentary films have a specific formula to follow that can make it seem like, sort of, if you've seen one you've seen them all. This one is no different. It really just depends on is the subject matter interesting to you. If you were a kid at the time then yes, these people were rock stars. Ninety minutes feels a bit long, they could have trimmed the fat a bit more. All in all great walk down memory lane. I can almost smell the shopping mall food court, adjacent to the cinema where we dumped quarters into Donkey Kong. Good times.
    7godmotherprod

    Impact of Journalism

    Sadly, watching this, I felt bad for the young actors. It did not impact movie goers like it did the actors. I felt the documentary was about the fact that McCarthy let it hit him so hard that it affected his career. Watching the other actors talk about their experience wasn't the same. They were upset, but they moved on, in some ways by separating themselves from the group, which is sad.

    As a journalism major I was taught to be truthful, but be thoughtful and kind in my approach. Don't leave a trail of bones to make a personal attack, unless you have the experience or talent of the person you're interviewing. You're job is to report the facts, not personal opinion, unless its an editorial, which should hold no weight. The man who wrote the article did not have the same training apparently, nor did the editor. Before you demolish people, talk to them all and walk a mile in their shoes.

    I'm sorry to see how it affected them personally. I would have enjoyed seeing them together in more movies. As a child of the 80s we related to the characters. I wish Andrew peace and happiness and hope he finds his bliss.
    8ugagolferdawg

    Reflections on what life could be

    It's interesting to hear what other reviewers have to say about director Andrew McCarthy's vision and compilation of this documentary. Words such as whiny or whack always seem to accompany people's shortsidedness and forget that even though this is not the typical life, it is still someone's life.

    What was most interesting is to see the different reactions of those who were in the Brat Pack and those who were Brat Pack "Adjacent." McCarthy's story comes from a perspective that an article written by a journalist, which we come to find out had gotten his idea from a dinner where he was labeled. Being 29 in the 80's wasn't considered young and he was looking for something to propel him to the next stage of his career. So were McCarthy, Nelson, Ringwald, Sheedy, Lowe, Moore and Estevez. The main difference is that the journalist's life wasn't nearly affected the way he wanted, and had no remorse for how it might have affected the lives of those he wrote about.

    The issue is that we as humans root for people to be successful until we feel they're too successful, become jealous and ultimately find a way to knock them down a peg. Granted it comes with fame and it just so happened that it hit McCarthy, Nelson and Ringwald the hardest. The others have gone on to much longer and more diverse careers, yet we have a hard time feeling sorry for those people who seemingly had it easy.

    Ask yourself if there's an event in your life that you still haven't dealt with. If you have adjusted to all trauma, kudos to you! Do you know someone in your family that hasn't? I think this was the crux of what McCarthy was trying to figure out through the exploration of people that meant a great deal to him at one time, yet never really got the answers to why it bothered everyone so. You can see the natural catharsis he goes through as he talks to Sheedy, Lowe, and even a casting director that gave him a different spin on the stigma of the Brat Pack.

    All in all, the lesson that they all took mostly 30 years to learn is that you're presented with two choices when being pigeon holed in Hollywood. You can allow it to dictate your career for the worse or you can rise above it like several of them did. I believe that McCarthy got the peace he was searching for.

    Regardless if you like the documentary or not, movies would not be the same without their generational success.
    6Littlemicki

    A slightly awkward look back in time

    Like most Gen X, I grew up with the brat pack so this was an interesting look back at the actors and how the name originated.

    A lot of the interviews become quite awkward as we see Andrew spend the entire documentary basically lamenting the brat label as though it ruined their lives. Emilio Estevez looks nothing short of uncomfortable as he stands there barely getting a word in other than politely nodding and agreeing.

    Malcolm Gladwell's section was quite interesting as he offered some great insight into why the Breakfast Club was as popular as it was, pointing out how there was no social media at the time and the movie was one of the first to show 80s kids something they felt genuinely represented them, and how the idea of being brats was cool to them. The producer Lauren Shulee Donner adds to this idea, finally getting Andrew to see that Brat Pack was something seen as cool to teenagers, while Andrew seems to have spent his life being negatively defined by this term.

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Andrew McCarthy reached out to Judd Nelson to join The Brat Pack reunion but Nelson "politely declined".
    • Citações

      Andrew McCarthy: For those of us experiencing the brat pack from the inside, it was something very different.

    • Conexões
      Features Today (1952)
    • Trilhas sonoras
      Don't You (Forget About Me)
      Written by Keith Forsey and Steve Schiff (as Steven W. Schiff)

      Performed by Simple Minds

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 13 de junho de 2024 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Brats: las jóvenes estrellas de los 80
    • Locações de filme
      • Malibu, Califórnia, EUA(Location)
    • Empresas de produção
      • ABC News Studios
      • Liebman Entertainment
      • Neon
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 32 min(92 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital

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