The film revolves around the visit of a Punjabi-Malayali entrepreneur named Lucky Singh, who is ferried around Kochi by cab driver Bhamini. His intrusive ways also mean he becomes an unwelcome guest at her first wedding anniversary. But after Lucky departs, Bhamini is caught up in a mess she has no explanation for. Is Lucky who he claimed he was and what were his true intentions ? - the answers of these form the plot of this Udaykrishna directorial, which has his usual staple of 'mass' moments, a convoy of cars and the male gaze.
For Mohanlal, the role is a cakewalk. As Lucky Singh, he is jovial and loud, and sometimes irritable too. But that's what the writer seems to have gone for. He also gets his share of moments that play to the gallery. The rest of the cast, however, fails to raise the energy. You could feel this by how the movie's pace slackens when the actor is not there. Honey Rose is probably the only other actor to stand out here, partly getting the audience to empathise with her situation in the first half.
In a scene in director Vysakh's Monster, two cops tell their superior that they have done all that they have been asked to but are still confused about what's going on. This happens after they have apprehended a suspect of a murder case and also have gone great lengths to verify the suspect's claims by bringing a man who was in another State. At times, while watching the Mohanlal-starrer, it won't be too far-fetched to say that the cops' thoughts also reflect what the audience is feeling. This greatly has to do with how the script of the film has been structured - mainly to hold off the middling suspense.
Mohanlal's Monster is a mishmash of several genres and only works when the makers focus on the crime thriller aspect. Apart from a few scenes, which the makers are pushing as new territory for mainstream superstar-driven movie, the film leaves much to be desired.
