If I Were You

What you might expect from a movie about two women, one who is lovely, older, wiser, and not as firm, the other lovely, young and not very bright, except for when it comes to manipulation and adoration of the physical and the moment, would not be what you get in If I Were You . It's a movie that does not underestimate the buddy aspect of a romp, and it turns that inside out by using traditional methods, straight (wo)man, loose limbed physical comedy, and adds a dose of heartbreak not only in the realm of love, but in all relationships including friendship and parent child. It's an exceptional vehicle for Harden and one she readily deserves as she is overlooked and underused in so many ways.

I have to open by saying I've always enjoyed Marcia Gay Harden. But I was a little worried that comedy might not be her strength. I was happily wrong. She delivers a joke well, very well at times and she carries the 2 hour movie right through to the end. She puts her own style into it too, which is memorable.

The movie is light entertainment but it's not irritating. It weaves it's own little path and pops out the other end with a smile on it's face. This is probably going to sound mean but the secondary characters were neither here nor there and only served as billboards for Marcia to graffiti. Though Aiden Quinn does carve out a few good moments for his character.

But It's Marcia's show and she steps up well. Well worth it if you're perhaps on the upper side of 40 and looking for something light, funny and mostly clean.

If I Were You (2012)

Be careful—the first twenty minutes of this movie is so bad (or bad seeming) with improbable dialog and kind of "stupid" characters (and maybe inept actors). Or so it all appears. Keep watching. This smooths out quickly, and you get used to the farcical style, so that by the end it all seems normal and pretty fun.

The idea is simple, and explained really well in the movie. Two women find they can't make good decisions for themselves, so they agree to make decisions for each other. Big stuff, like whether to date someone, or what to say to end a relationship. And so when a biggie comes up they have to call the other person for instructions.

This is tied together brilliantly by a simple first scene (which doesn't give much away, but skip this paragraph if you want the first five minutes of the movie untouched). One woman sees her husband cheating on her with the other (younger) woman. The older woman then sees the younger buy the stuff for a suicide, so follows her to save her. The younger woman thinks this is absolutely beautiful (which it is). And the friendship and the pact are formed.

But of course there is this secret lingering, and a husband who calls (and gets calls from) the two women for different reasons.

As you can imagine, the complications are hilarious.

The other theme that gets going is King Lear, the play, and how the two women get involved with that and why. It's a nice layer that actually doesn't get used very well until near the end when the older woman gives a eulogy quoting the Shakespeare she's been learning. The fellow actors are all terrible on purpose, but they are also thin and clumsy in the movie, especially the director who overacts to distraction.

By contrast, our two women play their roles to a kind of comic perfection. The older, played by Marcia Gay Harden, is actually the key protagonist, and is wonderful. Her younger friend, Leonor Watling, is terrific, too, and a perfect complement. Whatever the other outcomes of the movie, you end up hoping these rivals become good friends.

This is a real gem of a movie written and directed by Joan Carr-Wiggin, who did an outstanding job at both. The writing was witty, highly intelligent and crisp, without being snappy or predictable, but embodying mature depth and strength. This film is one of those unforgettable films that reach into the inner core of the heart - yet is handled unconventionally and with more savvy than one has come to expect in these genres.

Marcia Gay Harden is outstanding in this film. Outstanding, deep, multifaceted. It was a joy just to watch her. There is so much about this movie that felt rich - certainly not your average shallow Hollywood product.

I look forward to more films by Joan Carr-Wiggin.

I only recently discovered this little gem on Netflix and I was really impressed. This independent film is everything that so many Hollywood films aren't (anymore): complex, interesting, challenging, funny. The acting (especially Marcia Gay Harden and Aidan Quinn) is excellent. Despite its 2-hour run-time and complex plot, it never bogs down. Director Joan Carr-Wiggin does an admirable job of keeping the story moving and relatable through all the twists and turns of the plot and subplots. In fact, the story itself mirrors the Shakespearean structure with intrigue, mistaken or confused identities, poignant subtext, etc. And to top it all off, there's no formulaic development or "Hollywood ending" to ruin the great story! This film is truly delightful and its a shame that it did so unbelievably poorly at the box-office. The critics have not done it justice, either, giving one-line reviews that make me wonder if they even watched it. If you check on Rotten Tomatoes, you'll see that the audience score is around 70%, while the critic's score is at 9%! Definitely a disconnect with reality, in my opinion. It's not a perfect film, and if IMDb allowed it I would have given it an 8.5, but it's certainly MUCH better than its critical ratings and box-office earnings indicate.