Rake

Every once in a (long) while the Australian TV industry can dig up a gem. You're never quite sure which network will produce the next 'East West 101' or 'MDA', but chances are that an intriguing new show will turn up on the government-owned ABC.

That is certainly the case with 'Rake', which I understand has been signed off for a third season - and is also the model for an American version to go into production shortly.

I wouldn't have bothered writing a review for this series, but felt compelled to respond to remarks from reviewer colbur-1. Many of the actors making cameo appearances in this show are well-known names, as other reviewers have noted, but of the regulars probably only Richard Roxburgh would be well known outside the framework of this series.

Regrettably, I don't see any of the "cringeworthy jingoism" or 1960s insularity. This is an immensely entertaining show if you can stand the robust language and moral ambivalence. But even in that context the heroic stature of Matt Day's character serves as a foil to Roxburgh's.

The beauty of this series, beyond the wonderful character development, is that the stories overcome that stumbling block of Australian film and TV: mediocre script writing. Being based on reality and frequently drawing on true life situations 'Rake' eases willing suspension of disbelief even as it descends further into the surreal.

It's a show that will shock and amuse; it's by no means a typical sitcom, but it's real life, with its flawed villains and cynics - mostly with their redeeming virtues. Even farm girl-turned-mobster and part-time lusty wench Kirsty - played by Robyn Malcolm - has her own reasons for her actions.

And if that isn't enough to draw you in to watch this show, I don't know what will.

For shows this damn good the seasons just come to an end WAY too quickly. From the very first episode you're hooked, and streaming them is a pita cause you can't stop watching 'em. It becomes a marathon, and you only must stop cause you're seriously cutting into your zzz-time. Haven't looked it up yet, but I truly do hope this one stays around.. I know I could see myself enjoying it for a minimum of a handful of seasons...(but did read somewhere that more than likely three will be the last). There are so many outstanding performances, just select most any name, but just to single out one, and although she only appeared ever so briefly, Toni Collette shows in such an absurdly brief time how magnificent an actor she truly is, her range of character is just incredible. BRAVO Australia!!.. for such an outstanding production. Not all seasons are equal.. the third weaker than the the first two (prison doing a lot of the damage). Still pretty good overall, and had they allotted more air time to Adrienne Pickering .. bit.ly/1dvp5g5 .. (and TC), it could've been that much better. PS.. and I'm absolutely clueless why the US counterpart on Fox was ever produced and aired at all.. it is atrocious.

I was overjoyed to hear this show is back, and stunned to realise I'd forgotten about it (although it's been a year without a season).

Being reminded of its existence, let alone the prospect of another season, was enough to cause uncontrollable grinning.

I love everything about it. The production values, the writing, the casting, the acting, it's all superb. But what I love most about it is the show's timbre; its aim and stance; its beautifully human angle. Many bonus points also for the regular moments of absolute hilarity.

After watching the first episode of the second season, I can't wait for next week... this will get the long months waiting for the final instalment of Breaking Bad off to a good start.

I tripped over this show on my way to the US remake, which caught my attention because of the presence of the always-likable Greg Kinnear. I'm very glad I tried the Australian original first. The US version is derivative and downright dreary; the original sparkles, with both razor-sharp satire and equally sharp-edged drama.

Rake manages to fuse comedy, courtroom trickery, human drama and even some odd moral allegory. All these facets are apparent in the first show, when Greene must defend a cannibal (brilliantly played by Hugo Weaving) - who just happens to be a free-market economist, and who (like most free-market economists) sees nothing wrong with what he has done. In the next show, Greene tries to get an innocent woman convicted, then is forced to switch and get a guilty one acquitted. Then he defends a bigamist, who just happens to be a model husband - more than once.

Greene's approach to the defence in each case is both clever and believable, in a way that most courtroom fiction is not. It reminds me of the best of Rumpole, with that series' ability to feel sympathy even for the guilty, and its reliance on astute legal trickery to make things come out 'right' in the end. Not to mention its ability to make us question just what 'right' means, in each case.

Rake has immediately leaped onto my list of top ten TV shows *ever*. It's as funny, vulgar and painfully real as the brilliant British sitcom Still Game. Yet it's equally compelling dramatically. It definitely has things to say, but it slips these points in subtly, slyly, when you're not looking.

Jack Lemon (speaking about The Apartment) said his ideal role was one that was both comedy and drama. That describes Rake perfectly. Richard Roxburgh may not be the equal of Lemon (who is?), but he comes through superbly as Cleaver Greene. The other roles are similarly well-handled, many of them by actors who will be very familiar to fans of Australian cinema.

The US version of Rake seems like a quality production, and I may give it another try, though I admit I was unable to get through the first episode. The show seems predictably gutless, unable to embrace the moral ambiguity of the Greene character. Kinnear ends up playing a dysfunctional loser, where Roxburgh scintillates as exactly what he should be: a rake - an utterly likable rogue, a womanizer, a vagabond. A man who has no choice but to live by his own rules, and who adheres to no moral code but his own.

I don't register a 10/10 rating very often, but in this case I felt like it was barely high enough. My advice: track down this show by whatever means necessary, and see it immediately.

UPDATE: Rake is back for a 4th season. There's no question that the original brilliance has dimmed just a bit. The first season focused on legal shenanigans. Successive seasons have become more of an improbably Rake-ish soap opera. They're still a load of fun, but maybe in the 8-9/10 range. Still, the approach remains unique, and it's always a pleasure to see Roxburgh chewing up the scenery as the quintessentially Australian anti-hero, Cleaver Greene.

The news that Series 4 of "Rake" is to begin on Australian free-to-air TV on 19th May this year has brought me out of the cupboard to comment on this series as a whole (so far.)

Brilliant doesn't even begin to describe it. The names Peter Duncan and Andrew Knight as co-writers of much of the first 3 series' is generally a recipe for classy, tight writing. The concept, the delivery, the moral ambiguities, the lines nudged and then stepped over - it is all very, very Australian, and so typically modern Australia is it that perhaps it should not have been re-made with a US cast. The cast of this is universally brilliant, with Richard Roxburgh receiving a special mention from me, because any other actor may not have been able to walk that fine line between (almost) law-abiding citizen and absolute rogue, coming out after all his scrapes and gaol terms as someone we are prepared to forgive (almost) anything. The writing and acting of Cleaver Greene's relationship with his son is worth a special mention, in particular the odd turn this relationship takes in S.3 - just classic.

I'll make mention also of the subject matter in Ep 5 of S.1, where Sam Neill guest stars with Heather Mitchell. It's the "family dog" episode, and on first viewing I thought, 'did I just see that, or did I imagine it?'. According to Charles Waterstreet, whose experiences as a Barrister in Sydney provided the inspiration for the character of Cleaver Greene, the case of the stolen DVD made by the good doctor and his wife was based upon a real life case. This is an instance of real life being far more outrageous than fiction.

I can give this series - so far, at least - no less that 10/10.