Rake

Just two eps into season three, "Rake" was looking like one of the best TV series from anywhere, ever. I was dimly aware of Richard Roxburgh as a veteran Aussie actor who's done a lot of action flicks; he's a revelation here as Cleaver Greene, a Sydney trial lawyer with a gambling habit, multiple substance-abuse issues and a private life that can only be described as a f---in trinewrick.

The scripts are inventive and very funny, Cleaver's drunken harangues in inappropriate venues especially so; the cases are sometimes based on real-world causes célèbres (like the cannibal who advertised online for a dinner partner), the ongoing dramedy of Cleaver's personal life is involving (and very funny), and the ep where Cleaver gets out of a slump by defending an Assange-like activist who's charged with treason is positively uplifting.

The supporting cast is amazing; Australian TV seems to have a very deep bench of beautiful actresses who can really act, starting with Adrienne Pickering as Cleaver's love interest and onetime Xena sidekick Danielle Cormack as a cougar prosecutor. Guest spots by Aussie notables like Rachel Griffiths as a race-baiting shock jock, Toni Collette as a randy politician and Hugo Weaving as the cannibal--and those crispy accents with the foot-long vowel sounds--make this fabulous show even more delightful.

2018 update: All five seasons are now available for streaming on Netflix. Some of the later eps are a bit loosely plotted, to put it mildly, but the kangaroo court scene from season three (Rake makes the best jailhouse lawyer ever) is truly one of the funniest things I've ever seen!

I was overjoyed to hear this show is back, and stunned to realise I'd forgotten about it (although it's been a year without a season).

Being reminded of its existence, let alone the prospect of another season, was enough to cause uncontrollable grinning.

I love everything about it. The production values, the writing, the casting, the acting, it's all superb. But what I love most about it is the show's timbre; its aim and stance; its beautifully human angle. Many bonus points also for the regular moments of absolute hilarity.

After watching the first episode of the second season, I can't wait for next week... this will get the long months waiting for the final instalment of Breaking Bad off to a good start.

Every once in a (long) while the Australian TV industry can dig up a gem. You're never quite sure which network will produce the next 'East West 101' or 'MDA', but chances are that an intriguing new show will turn up on the government-owned ABC.

That is certainly the case with 'Rake', which I understand has been signed off for a third season - and is also the model for an American version to go into production shortly.

I wouldn't have bothered writing a review for this series, but felt compelled to respond to remarks from reviewer colbur-1. Many of the actors making cameo appearances in this show are well-known names, as other reviewers have noted, but of the regulars probably only Richard Roxburgh would be well known outside the framework of this series.

Regrettably, I don't see any of the "cringeworthy jingoism" or 1960s insularity. This is an immensely entertaining show if you can stand the robust language and moral ambivalence. But even in that context the heroic stature of Matt Day's character serves as a foil to Roxburgh's.

The beauty of this series, beyond the wonderful character development, is that the stories overcome that stumbling block of Australian film and TV: mediocre script writing. Being based on reality and frequently drawing on true life situations 'Rake' eases willing suspension of disbelief even as it descends further into the surreal.

It's a show that will shock and amuse; it's by no means a typical sitcom, but it's real life, with its flawed villains and cynics - mostly with their redeeming virtues. Even farm girl-turned-mobster and part-time lusty wench Kirsty - played by Robyn Malcolm - has her own reasons for her actions.

And if that isn't enough to draw you in to watch this show, I don't know what will.

The news that Series 4 of "Rake" is to begin on Australian free-to-air TV on 19th May this year has brought me out of the cupboard to comment on this series as a whole (so far.)

Brilliant doesn't even begin to describe it. The names Peter Duncan and Andrew Knight as co-writers of much of the first 3 series' is generally a recipe for classy, tight writing. The concept, the delivery, the moral ambiguities, the lines nudged and then stepped over - it is all very, very Australian, and so typically modern Australia is it that perhaps it should not have been re-made with a US cast. The cast of this is universally brilliant, with Richard Roxburgh receiving a special mention from me, because any other actor may not have been able to walk that fine line between (almost) law-abiding citizen and absolute rogue, coming out after all his scrapes and gaol terms as someone we are prepared to forgive (almost) anything. The writing and acting of Cleaver Greene's relationship with his son is worth a special mention, in particular the odd turn this relationship takes in S.3 - just classic.

I'll make mention also of the subject matter in Ep 5 of S.1, where Sam Neill guest stars with Heather Mitchell. It's the "family dog" episode, and on first viewing I thought, 'did I just see that, or did I imagine it?'. According to Charles Waterstreet, whose experiences as a Barrister in Sydney provided the inspiration for the character of Cleaver Greene, the case of the stolen DVD made by the good doctor and his wife was based upon a real life case. This is an instance of real life being far more outrageous than fiction.

I can give this series - so far, at least - no less that 10/10.

This TV series tries not to lecture too much in order to recognize that people who are good at their jobs can have many other flaws. In other words, this series is very engaging because it has characters who are not wooden or black and white. Most characters in the show are somewhat dysfunctional and yet they have decent core values. And the most dysfunction is the main character who happens to be an excellent lawyer dealing with very difficult to defend cases or sometimes guilty people.

The acting and the dialog is superb. Every single episode that I have seen has been well written and that is not always the case even for many great TV shows. This show also manages to incorporate comedy, drama and suspense very well.

I love it and I wish that there were more episodes.