O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.
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but have rectified that with desperate anticipation driven out of absolute addiction.
It is magnificently written, cast, structured and performed.
What makes it most riveting to those of us blessed with living in and around the actual locations and situations, is that lots of the stories are absolutely true (given a few exaggerations here and there) with "only the names changed to protect the guilty".
I can't imagine how they got filming permission for the scenes in the actual NSW parliament, when the story line revolved around the rottenness of our recently evicted government.
If only the real party hacks were as funny as their corruption is real. Maybe we could actually forgive them. Instead they are dull, boring, incompetent and corrupt, very little amusement value there.
Hard to imagine anyone ever playing the role of Cleaver Green to the hilt the way Richard Roxborough has. Having seen the dull, American rendition, makes Richard's performance only shine the more brilliantly.
I hope there are many more series in the pipeline. This show is honestly the best I have seen in decades. Right up there with Boardwalk Empire and Game of Thrones. And a whole lot funnier! :)
It is magnificently written, cast, structured and performed.
What makes it most riveting to those of us blessed with living in and around the actual locations and situations, is that lots of the stories are absolutely true (given a few exaggerations here and there) with "only the names changed to protect the guilty".
I can't imagine how they got filming permission for the scenes in the actual NSW parliament, when the story line revolved around the rottenness of our recently evicted government.
If only the real party hacks were as funny as their corruption is real. Maybe we could actually forgive them. Instead they are dull, boring, incompetent and corrupt, very little amusement value there.
Hard to imagine anyone ever playing the role of Cleaver Green to the hilt the way Richard Roxborough has. Having seen the dull, American rendition, makes Richard's performance only shine the more brilliantly.
I hope there are many more series in the pipeline. This show is honestly the best I have seen in decades. Right up there with Boardwalk Empire and Game of Thrones. And a whole lot funnier! :)
10kimmoth
I was overjoyed to hear this show is back, and stunned to realise I'd forgotten about it (although it's been a year without a season).
Being reminded of its existence, let alone the prospect of another season, was enough to cause uncontrollable grinning.
I love everything about it. The production values, the writing, the casting, the acting, it's all superb. But what I love most about it is the show's timbre; its aim and stance; its beautifully human angle. Many bonus points also for the regular moments of absolute hilarity.
After watching the first episode of the second season, I can't wait for next week... this will get the long months waiting for the final instalment of Breaking Bad off to a good start.
Being reminded of its existence, let alone the prospect of another season, was enough to cause uncontrollable grinning.
I love everything about it. The production values, the writing, the casting, the acting, it's all superb. But what I love most about it is the show's timbre; its aim and stance; its beautifully human angle. Many bonus points also for the regular moments of absolute hilarity.
After watching the first episode of the second season, I can't wait for next week... this will get the long months waiting for the final instalment of Breaking Bad off to a good start.
While the cases in this series are over the top, believe it or not the main character in this is based on real person. Charles Waterstreet a Sydney barrister whose life is apparently every bit as colorful as the series would have you believe . Real life is stranger than fiction. Especially at the New South Wales bar, apparently. Waterstreet is mate of Richard Roxborough the star of the series who plays him in it. A younger and more handsome version as Roxborough smilingly says in one interview. The point is if you enjoy this series you should google waterstreet and find out more about him. As for me while something tells me he is the kind of guy who creates chaos in the lives of people around him, there is something about him that I find admirable and engaging. And this comes across in the show. PS love the show.
Every once in a (long) while the Australian TV industry can dig up a gem. You're never quite sure which network will produce the next 'East West 101' or 'MDA', but chances are that an intriguing new show will turn up on the government-owned ABC.
That is certainly the case with 'Rake', which I understand has been signed off for a third season - and is also the model for an American version to go into production shortly.
I wouldn't have bothered writing a review for this series, but felt compelled to respond to remarks from reviewer colbur-1. Many of the actors making cameo appearances in this show are well-known names, as other reviewers have noted, but of the regulars probably only Richard Roxburgh would be well known outside the framework of this series.
Regrettably, I don't see any of the "cringeworthy jingoism" or 1960s insularity. This is an immensely entertaining show if you can stand the robust language and moral ambivalence. But even in that context the heroic stature of Matt Day's character serves as a foil to Roxburgh's.
The beauty of this series, beyond the wonderful character development, is that the stories overcome that stumbling block of Australian film and TV: mediocre script writing. Being based on reality and frequently drawing on true life situations 'Rake' eases willing suspension of disbelief even as it descends further into the surreal.
It's a show that will shock and amuse; it's by no means a typical sitcom, but it's real life, with its flawed villains and cynics - mostly with their redeeming virtues. Even farm girl-turned-mobster and part-time lusty wench Kirsty - played by Robyn Malcolm - has her own reasons for her actions.
And if that isn't enough to draw you in to watch this show, I don't know what will.
That is certainly the case with 'Rake', which I understand has been signed off for a third season - and is also the model for an American version to go into production shortly.
I wouldn't have bothered writing a review for this series, but felt compelled to respond to remarks from reviewer colbur-1. Many of the actors making cameo appearances in this show are well-known names, as other reviewers have noted, but of the regulars probably only Richard Roxburgh would be well known outside the framework of this series.
Regrettably, I don't see any of the "cringeworthy jingoism" or 1960s insularity. This is an immensely entertaining show if you can stand the robust language and moral ambivalence. But even in that context the heroic stature of Matt Day's character serves as a foil to Roxburgh's.
The beauty of this series, beyond the wonderful character development, is that the stories overcome that stumbling block of Australian film and TV: mediocre script writing. Being based on reality and frequently drawing on true life situations 'Rake' eases willing suspension of disbelief even as it descends further into the surreal.
It's a show that will shock and amuse; it's by no means a typical sitcom, but it's real life, with its flawed villains and cynics - mostly with their redeeming virtues. Even farm girl-turned-mobster and part-time lusty wench Kirsty - played by Robyn Malcolm - has her own reasons for her actions.
And if that isn't enough to draw you in to watch this show, I don't know what will.
10fung0
I tripped over this show on my way to the US remake, which caught my attention because of the presence of the always-likable Greg Kinnear. I'm very glad I tried the Australian original first. The US version is derivative and downright dreary; the original sparkles, with both razor-sharp satire and equally sharp-edged drama.
Rake manages to fuse comedy, courtroom trickery, human drama and even some odd moral allegory. All these facets are apparent in the first show, when Greene must defend a cannibal (brilliantly played by Hugo Weaving) - who just happens to be a free-market economist, and who (like most free-market economists) sees nothing wrong with what he has done. In the next show, Greene tries to get an innocent woman convicted, then is forced to switch and get a guilty one acquitted. Then he defends a bigamist, who just happens to be a model husband - more than once.
Greene's approach to the defence in each case is both clever and believable, in a way that most courtroom fiction is not. It reminds me of the best of Rumpole, with that series' ability to feel sympathy even for the guilty, and its reliance on astute legal trickery to make things come out 'right' in the end. Not to mention its ability to make us question just what 'right' means, in each case.
Rake has immediately leaped onto my list of top ten TV shows *ever*. It's as funny, vulgar and painfully real as the brilliant British sitcom Still Game. Yet it's equally compelling dramatically. It definitely has things to say, but it slips these points in subtly, slyly, when you're not looking.
Jack Lemon (speaking about The Apartment) said his ideal role was one that was both comedy and drama. That describes Rake perfectly. Richard Roxburgh may not be the equal of Lemon (who is?), but he comes through superbly as Cleaver Greene. The other roles are similarly well-handled, many of them by actors who will be very familiar to fans of Australian cinema.
The US version of Rake seems like a quality production, and I may give it another try, though I admit I was unable to get through the first episode. The show seems predictably gutless, unable to embrace the moral ambiguity of the Greene character. Kinnear ends up playing a dysfunctional loser, where Roxburgh scintillates as exactly what he should be: a rake - an utterly likable rogue, a womanizer, a vagabond. A man who has no choice but to live by his own rules, and who adheres to no moral code but his own.
I don't register a 10/10 rating very often, but in this case I felt like it was barely high enough. My advice: track down this show by whatever means necessary, and see it immediately.
UPDATE: Rake is back for a 4th season. There's no question that the original brilliance has dimmed just a bit. The first season focused on legal shenanigans. Successive seasons have become more of an improbably Rake-ish soap opera. They're still a load of fun, but maybe in the 8-9/10 range. Still, the approach remains unique, and it's always a pleasure to see Roxburgh chewing up the scenery as the quintessentially Australian anti-hero, Cleaver Greene.
Rake manages to fuse comedy, courtroom trickery, human drama and even some odd moral allegory. All these facets are apparent in the first show, when Greene must defend a cannibal (brilliantly played by Hugo Weaving) - who just happens to be a free-market economist, and who (like most free-market economists) sees nothing wrong with what he has done. In the next show, Greene tries to get an innocent woman convicted, then is forced to switch and get a guilty one acquitted. Then he defends a bigamist, who just happens to be a model husband - more than once.
Greene's approach to the defence in each case is both clever and believable, in a way that most courtroom fiction is not. It reminds me of the best of Rumpole, with that series' ability to feel sympathy even for the guilty, and its reliance on astute legal trickery to make things come out 'right' in the end. Not to mention its ability to make us question just what 'right' means, in each case.
Rake has immediately leaped onto my list of top ten TV shows *ever*. It's as funny, vulgar and painfully real as the brilliant British sitcom Still Game. Yet it's equally compelling dramatically. It definitely has things to say, but it slips these points in subtly, slyly, when you're not looking.
Jack Lemon (speaking about The Apartment) said his ideal role was one that was both comedy and drama. That describes Rake perfectly. Richard Roxburgh may not be the equal of Lemon (who is?), but he comes through superbly as Cleaver Greene. The other roles are similarly well-handled, many of them by actors who will be very familiar to fans of Australian cinema.
The US version of Rake seems like a quality production, and I may give it another try, though I admit I was unable to get through the first episode. The show seems predictably gutless, unable to embrace the moral ambiguity of the Greene character. Kinnear ends up playing a dysfunctional loser, where Roxburgh scintillates as exactly what he should be: a rake - an utterly likable rogue, a womanizer, a vagabond. A man who has no choice but to live by his own rules, and who adheres to no moral code but his own.
I don't register a 10/10 rating very often, but in this case I felt like it was barely high enough. My advice: track down this show by whatever means necessary, and see it immediately.
UPDATE: Rake is back for a 4th season. There's no question that the original brilliance has dimmed just a bit. The first season focused on legal shenanigans. Successive seasons have become more of an improbably Rake-ish soap opera. They're still a load of fun, but maybe in the 8-9/10 range. Still, the approach remains unique, and it's always a pleasure to see Roxburgh chewing up the scenery as the quintessentially Australian anti-hero, Cleaver Greene.
Você sabia?
- CuriosidadesCleaver Greene's character is loosely based on one of Sydney's most colourful barristers, an author and co-creator of Rake, Charles Waterstreet. Both (fictional) Greene and Waterstreet have a Bachelor of Law from the University of New South Wales.
- ConexõesFeatured in The 7PM Project: Episode dated 12 June 2024 (2024)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Рейк
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h(60 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
- 16:9 HD
- 576i (SDTV)
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