O Olho do Mal

I hadn't heard about this 2022 Mexican horror movie titled "Mal De Ojo" (aka "Evil Eye") prior to sitting down to watch it. All I knew about it was that it was a horror movie. And that was essentially also all I needed to give it a go.

Writers Junior Rosario, Edgar San Juan and Isaac Ezban put together a rather enjoyable script for the movie. Though I had figured out the plot about 40 minutes into the movie, and it actually panned out as I had predicted it to.

The storyline and narrative in "Mal De Ojo" was good and entertaining. It was a well-written story and concept, and it provided me with genuine entertainment.

I was by no means familiar with the cast ensemble in this movie as I have next to no experience with the Mexican cinema. But the actresses and actors in the movie put on good performances.

Visually then "Mal De Ojo" was quite good. I liked the special effects in the movie.

My rating of director Isaac Ezban's "Mal De Ojo" movie lands on a six out of ten stars.

We all know the story behind The Evil Eye. Actually, many stories- and in most countries those stories are taken quite seriously. Mexico is one. It's been said that just a strong glance can cast a spell on those most vulnerable- babies and small children- resulting in illness or even death. The Aztec and Mayan Cultures date this phenomenon back as early as 1300 BC. Even today, almost all countries have bracelets designed to either repel or absorb this "negative energy".

Now, take the truly original imagination of one of Mexico's most gifted young filmmakers- and you may have something really special.

This story revolves around a family of 4 - William & Rebecca, and their two young daughters- Nala (played by promising Paola Miguel) and Luna- who is ill. The movie begins with her hospitalization. She has organ failure and there is nothing more they can do. In desperation, Rebecca turns to her estranged mother- played brilliantly by Ofelia Medina. She has not seen her mother in years, and the family have never met her. Ezban creates immediate sustained tension between all 3 women. Parents go away for a few days, leaving both kids alone with Grandma and her Maid - Abigail. Right off the bat, Nala and Grandma are at each other's throats. Their angst grows while little Luna's life hangs in the balance.

One night, Abigail tells both kids a scary tale about Triplets. In the story, an evil Witch pays them a visit at night to suck a child's blood in order to steal their youth. One girl got so sick, that the other 2 sisters in the story sought help from a Sorcerer and struck a deal- She taught the girls how to make a "Baca"- a Caribbean mythical being who grants wishes but in turn- brings evil. The stage is set.

What fascinates me with Witchcraft are the details. For example, they remove their skin - when they fly- only to "reskin" themselves later, and Salt proves deadly. Ezban creates this horrifying creature with little to no CGI. This film is a battle to the end between Grandma and Nala until reaching its shocking, conclusion.

Shout out to the amazing Production Design by Adelle Achar- Her work was brilliant in "El Incidente" as well. Her imagination and attention to detail perfectly complements Ezban's unique vision. Solid 8/10.

"Mal de ojo" is one of the best Mexican horror films of recent years, Isaac Ezban has shown his talent as a director and now he comes with his best film to date. Ezban masterfully brings a script of folk horror to the screen, including witches and related themes with a touch of fairy tale. The production design is tremendous, the special effects are realistic and beautifully crafted, the skinless witch is incredible. The performances are good, highlighting the legendary Ofelia Medina. The cinematography is well done with several nods to the giallo. The filming locations are a success, both interior and exterior are perfect. It is worth mentioning that the film pays tribute to several horror classics such as "Carrie", "Suspiria" and "Hellraiser", achieving a nostalgic effect that is appreciated. A modern classic of Mexican horror cinema.

From an audiovisual point of view, this is a really successful film. Mysterious scenes promise a pure atmospheric experience, but the creators, in the pursuit of a final surprise, commit more and more illogicalities over time, and the initial incomprehensibility of the story, reflected in the rumor about the triplets and the witch, is therefore not only due to the mysterious atmosphere. The creators are equally trying to create an effective, well-thought-out horror film, but they run into the aforementioned illogicalities and an immoral or unethical conclusion that arises due to the initial incomprehensibility of the story, and as a result, it is also not certain whether the film is supposed to be a black comedy or a mysterious horror.

"Nala, a 13-year-old girl from the city, travels with her family to her grandmother's home in the countryside, to try to find a cure for her little sister's mysterious illness - But she'll soon find her granny is not exactly what she seems."

7/10

A kind of folk horror about the cruelty of time. I find Mexican and Spanish horror films very different and I like to explore other Latin genre flicks. This is the first film I watch by Isaac Ezban and I got to admit that it felt like a pleasant surprise.

Sure, I hoped to find more subtext and it certainly have its plot flaws, but overall it's a solid horror picture.