Balaur
- 2021
- 2 h 3 min
AVALIAÇÃO DA IMDb
6,7/10
1,3 mil
SUA AVALIAÇÃO
Ecaterina, professora de religião do ensino médio e esposa do padre da cidade, se envolve com Iuliu, uma estudante de 16 anos com um passado conturbado. Ecaterina tenta mantê-lo sob controle... Ler tudoEcaterina, professora de religião do ensino médio e esposa do padre da cidade, se envolve com Iuliu, uma estudante de 16 anos com um passado conturbado. Ecaterina tenta mantê-lo sob controle, mas perde seu próprio senso de controle.Ecaterina, professora de religião do ensino médio e esposa do padre da cidade, se envolve com Iuliu, uma estudante de 16 anos com um passado conturbado. Ecaterina tenta mantê-lo sob controle, mas perde seu próprio senso de controle.
- Prêmios
- 3 vitórias e 19 indicações no total
Avaliações em destaque
The fear of infidelity is the theme of Balaur (2021), based on a real from Piatra Neamt, where a religion teacher, wife of a priest, was involved in a public scandal after a relationship with one of her students. Because Transilvania Film Festival offers this extraordinary opportunity to meet the makers of a film immediately after the screening, Balaur (2021) seemed to me an even more impressive directorial debut listening to the way Octav Chelaru argued his cinematic choices and seeing the unity of his team of actors including Alexandru Papadopol, Sergiu Smerea and Mãlina Manovici, protagonists who, I have no doubt, will receive some awards for this interpretation. Liana Alexandru.
The slow pace, deliberate classicism, and thematics of this debut film would easily serve as arguments for shipping it off as "another one of those East European dramas" that have been practically mass-produced in recent years. This would be to overlook the fact that Chelaru's feature film unmasks the patriarchal workings with astonishing maturity, often at the turn of a shot or a dialogue.
Passed under all the major radars, this story about the perilous relationship between a Religion teacher married to an Orthodox priest and one of her underage students certainly does not have the subversive charge of a Radu Jude, but can boast of a beautiful suspense where we can guess the influence of Michael Haneke.
Passed under all the major radars, this story about the perilous relationship between a Religion teacher married to an Orthodox priest and one of her underage students certainly does not have the subversive charge of a Radu Jude, but can boast of a beautiful suspense where we can guess the influence of Michael Haneke.
This film exceeded my expectations and the group of filmmakers who did this have a lot of potential!
I didn't think it was mediocre at all, the performance of the main actress was excellent, you could feel that constant tension, especially in the scene when she was looking for her son and was teaching him how to cover her lies. She transforms very unexpectedly into a different person she couldn't know she could be.
The ending was somehow surprising and served exactly what it needed. It made me think and it still does. There are lots of interpretations for the final scene and I recommend everybody to see the film and find the suitable meaning for themselves.
I didn't think it was mediocre at all, the performance of the main actress was excellent, you could feel that constant tension, especially in the scene when she was looking for her son and was teaching him how to cover her lies. She transforms very unexpectedly into a different person she couldn't know she could be.
The ending was somehow surprising and served exactly what it needed. It made me think and it still does. There are lots of interpretations for the final scene and I recommend everybody to see the film and find the suitable meaning for themselves.
A very well written and well made film. I only say well done and not perfect because it felt a bit too long. Maybe an extra dynamism would have made it much more attractive. But besides this, I can say that I really liked it. It managed to capture my attention and kept me in suspense till the end. Congratulations to the whole team!
I want to refer particularly on the actors. The two boys Florin (Voicu Dumitras) and especially Iuliu (Sergiu Smerea) are very good. They succeed in roles in which they are natural, deeply assumed, believable. They leave the impression in everything they do that there's a connection between them and the director, with the help of which he's been able to convey to them what he wants from them, and they feel comfortable with the lessons learned, so to speak. Good for them!
I don't want to end without mentioning the main actress: Mãlina Manovici, who practically carries all the burden of this film, plays an extraordinary role here that can be a good example for any acting student. And in her case, as with the boys, there is a good collaboration with the director, with whom she managed to create memorable moments. I just want to mention the scene in the principal's office which I really liked and which shows that you can write good dialogues that give the actors the opportunity to act something worth watching. Bravo, Gabriel Spahiu, Richard Bovnoczki and Mãlina Manovici!
Also, wonderful frame with the two doors and the crucifix between them. Bravo! I wonder if those two doors really exist or were specially made. Anyway, awesome.
I'll say now what I didn't like: I don't like the title and I don't think it helps the movie, on the contrary. It probably means something. I didn't understand what, but... well, that's the filmmakers' option. A lot of scenes that could be missing and so maybe it would have been a little more dynamic.
I can't say anything about the cinematography, editing, production design, nothing caught my eye because I was stolen by the story, so everything is fine.
What a pity that there are so few good films. This one is a drop in the ocean of bad Romanian films produced in recent years. Unfortunately, those movies have ruined the mood for cinema for the majority of Romanian viewers.
Congratulations, everyone!
I want to refer particularly on the actors. The two boys Florin (Voicu Dumitras) and especially Iuliu (Sergiu Smerea) are very good. They succeed in roles in which they are natural, deeply assumed, believable. They leave the impression in everything they do that there's a connection between them and the director, with the help of which he's been able to convey to them what he wants from them, and they feel comfortable with the lessons learned, so to speak. Good for them!
I don't want to end without mentioning the main actress: Mãlina Manovici, who practically carries all the burden of this film, plays an extraordinary role here that can be a good example for any acting student. And in her case, as with the boys, there is a good collaboration with the director, with whom she managed to create memorable moments. I just want to mention the scene in the principal's office which I really liked and which shows that you can write good dialogues that give the actors the opportunity to act something worth watching. Bravo, Gabriel Spahiu, Richard Bovnoczki and Mãlina Manovici!
Also, wonderful frame with the two doors and the crucifix between them. Bravo! I wonder if those two doors really exist or were specially made. Anyway, awesome.
I'll say now what I didn't like: I don't like the title and I don't think it helps the movie, on the contrary. It probably means something. I didn't understand what, but... well, that's the filmmakers' option. A lot of scenes that could be missing and so maybe it would have been a little more dynamic.
I can't say anything about the cinematography, editing, production design, nothing caught my eye because I was stolen by the story, so everything is fine.
What a pity that there are so few good films. This one is a drop in the ocean of bad Romanian films produced in recent years. Unfortunately, those movies have ruined the mood for cinema for the majority of Romanian viewers.
Congratulations, everyone!
A truly enjoyable cinema experience. It has humour, tension, rhythm and very, very good performances from all the main cast. Alexandru Papadopol is very convincing as a the dispassionate priest.
Você sabia?
- Erros de gravaçãoIn Romania the local police have plates with the region (in this case VL), not MAI, which is the national police plates.
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- A Higher Law
- Locações de filme
- Râmnicu Vâlcea, Romênia(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 30.133
- Tempo de duração2 horas 3 minutos
- Cor
- Proporção
- 2.35 : 1
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