Burning Man

Tom Keaton (Matthew Goode) is struggling with a mess of sexual encounters with various women after the death of his wife Sarah. He is estranged from his son Oscar. He's a top chef in a chic restaurant.

The acting is good here. The reason for his dysfunction is compelling. However, many movies nowadays think they need the added tension of shredding the time line. They think they need to confuse the viewers so they have the added tension of trying to figure out the storyline. Instead, they should have the confidence in the story to allow it to unfold. Sure flashbacks may be preferable to a strictly linear time line but there's no need to put the film thru a blender.

"Burning Man" is one movie which can be tagged under Art-house. Stories about grieving men ain't that novel nowadays, yet Burning Man slaps at the very thought of giving us yet another clichéd piece, this one with all its brilliance is indeed refreshing a watch for the story it deals with.

The drama which unfolds in reverse chronological order - just like in "memento" - goes deep into the lives of the characters, all shown so roughly with incoherent fragments from the story that we feel like watching digged out incidents from the protagonist's memory. It did irk me at first, and i really had to be patient to get the hang of it. Its awfully slow at times that you would start hating it or, the worse, might stop watching it just like my cousin :D - I hate to stall in between. After I finished watching the movie, was amazed by the simplicity of the plot, which was fed to the viewer in a rather unconventional but powerful manner.

The pain the characters go through was brilliantly acted and shot. With some absorbing performances - my first Mathew Goode movie and am already a fan - amazing locale and soulful background score, this drama easily gets into my top Art-House Movies list - stressing on the term "Art house", for it might not be enjoyable outing for all. A good watch for serious movie buffs. 7/10

this is a great movie. One of the best portrayals I have seen of a man experiencing loss and grief. The burn he is acting and the way it is expressed is portrayed in a realistic way. Men can grieve in the arms of others and to the soft well intentioned actions and ministrations of those around them. I find most men do work through the issues with space to brew and rage, talk is important but space to work it out is better.Sitting on the kitchen floor with a bottle of red wine at 2 in the morning nutting it out with someone who cares is where the healing starts. A real visceral portrayal...thank God the only therapist in sight was an ex-shag. The redemption of this guys sad state is due to something greater then himself, his son and the need to carry on. OK, there are a few tears to be had.

Burning man tells a story about coping with loss and fighting inner demons. Although the topic might not be appealing to everyone, the authors chose an approach that might alienate a lot of possible viewers. Here i mean the non-linear storytelling and characters potentially seen as egoistic.

There were no surprises in Matthew Goode delivering an exquisite performance. The treat of the movie is Bojana Novakovic. Virtually unknown, or only if you've seen obscure movies such as Skinning (2010), was at every moment on par with Matthew Goode.

I was unsure whether the main character's struggle has been coping with grief or his own descending into madness. Either way, this wasn't a light topic to handle and might add to aversion of some viewers.

We didn't stick around to find out what was eating Jessica Chastain in "Eleanor Rigby," but in "Burning Man," the big reveal isn't delayed too long, and the opening barrage of short, very intense, non-sequential flashbacks—a car crash, a dreary sex scene, a rugby game colliding with a kid's birthday cake—really got our attention. These memories belong to Tom Keaton (Matthew Goode), a tightly wrapped Sydney chef who's blocked out the unbearable crucial fact of his life, so it takes awhile to figure out what's really going on. Even before that though, we were riveted.

Despite its tricky, timeshifting structure, the film's perfectly paced, and after the storyline levels out, "Burning Man" gets to the heart of things in an affecting, unsentimental way. Great cast — good work by MG and lovely Bojana Novakovic (Frank Gallagher's latest paramour on "Shameless"!); too bad Rachel Griffiths was only available for a day's shooting, or so it seems.

This one reminded me of another Aussie film, "Adore," which also could have come off as gimmicky and contrived but had real dramatic impact. "Burning Man" provides a fine emotional workout, though there are a couple of rowdy comic scenes as well—including an haute cuisine version of the french toast bit from "Road Trip." Great soundtrack ("ethereal singing," the CC calls it) by Lisa Gerrard of Dead Can Dance fame.