Noites Brutais

The first act is pretty good. Atmospheric, nuanced, interesting, decent acting - especially from Skarsgard. I did have to really suspend my disbelief a lot to allow the film to move forward though. Double booked AirBnB, no hotel rooms available, the main charcater had done no research on the area before arriving. Really?

The second act started well and was enhanced because of the events of the first. It works because it sets the audience up in a position where we have more knowledge than the newly introduced characters. It added tension and I was interested in what direction they would take the story.

I liked the way the first two acts played with the personalities / backgrounds of the male leads. Hinting and leaning into social stereotypes but leaving a few clues to the real intentions. It works quite well. I may be crediting the writers too much here, but I think I get the underlying message of this film, but it just gets lost by the end.

The longer the film goes on (and it does feel a bit overlong), the more ridiculous it gets. It feels like it's written by two different people; or they spent so much time on the first half of the movie they had to rush the rest. There are some truly stupid moments that are almost farcical comedy. All the tension drained out of the film, and it just became a series of ridiculous scenes strung together. Events are telegraphed way ahead of time. All the nuance is gone.

It's so disappointing that something so creepy and initially interesting can go so wrong. Ignoring the stupid decisions made by the main charcater in the first act, I would have scored it a 7. The acting is good, the direction is solid, but the story just drags it down so much that by the end I can only give it a 4.

This movie is textbook, to a T, the very definition of a cult film. This is the most "culty" film I've seen since rocky horror.

I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.

I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.

7/10.

A lot of great things can and should be said about Barbarian. It's a masterfully directed film; Creggor always shows us just enough in each shot that we're left wondering about what's lurking in the empty space on the frame.

The first two-thirds of the film are tense when it's quiet and shocking when it's loud. It kept me on my toes for nearly the entire time, which is refreshing for my desensitised eyes.

Efficient work is made of the character introductions. Cregor's script doesn't waste time at the beginning of each character's story. We get to know exactly what we need to know about each of them as a person before they get thrust into the metaphorical depths of hell. It makes the eventual carnage all the more nerve-shredding because no character is disposable.

So, yes, the film is good. But it's not all good.

The film's narrative and pacing are not nearly as compelling and tight, respectively, as they should be due to the fact that it tells the stories of three separate sets of characters (one after the other) before getting to the finale.

Also, the film's last act really took a dive into campy and I found it to be a betrayal of the rest of the story's bleak tone.

The final set piece is so out-of-left-field and ridiculous that it became unintentionally hilarious for me.

This may seem like a minor complaint, but when the ending of the movie leaves a bad taste in my mouth, it kind of sours the whole experience.

I wanted this to be better than it was. But it's still so tense throughout its majority and the many twists are so satisfying that I do heartily recommend this subversive horror flick.

No, they are not mutually exclusive.

First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.

Read that again.

In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.

Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.

I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.

... It is also quite bad in the sense that it is off-the-wall bonkers.

It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.

In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.

(The casting of Alexander Skarsgard was genius).

6.5-7/10.

The good thing about the film: the setting. It's just wonderfully creepy when there's a huge vault under a "normal" house, which is then discovered by the protagonists.

But what doesn't work at all is the plot, because almost none of the protagonists' behaviour makes sense. They consistently make decisions that no normal person in their right mind would make. And so the plot is not driven by authentic behaviour of the characters, but only because the script wants it to be. And you can see this in the movie almost all the time.

If you always tell yourself while watching: I would never do that, what he or she has done now, then that is evidence of bad writing and ultimately of a bad film.