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7,6/10
3,6 mil
SUA AVALIAÇÃO
As provações e tribulações cotidianas da unidade de homicídios de Detroit.As provações e tribulações cotidianas da unidade de homicídios de Detroit.As provações e tribulações cotidianas da unidade de homicídios de Detroit.
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- 5 indicações no total
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I love the character of Fitch. I want to know why he left New York. Michael Imperioli plays him with such quiet intensity...I think that I am falling in love with him. I love that he calls everyone when he has "feelings" -keeping his distance and making it less personal. It says things about technology, our culture, a cop's plight to compartmentalize his life as to not be touched by hatred and crime.
However, even though this character is strong, the whole ensemble is equally strong. The lieutenant played by Ms. Hinds is right on. Trying to juggle her teen and put in a day's work. I really want to walk a day in her shoes and find out how she got where she is.
I also love James McDaniel as Jesse Longford who lives half his life on the mean streets of Detroit and half in a Tuscan fantasy in a desperate attempt to cope with his wife's death and rigors of his job...always giving us his unique glimpse of a light at the end of the tunnel.
So many dramas these days revolve around one character and you only see the one side of it. The writers of this drama and the strong actors playing out the written characterization have created a world that is real in the sense that the drama is personal for everyone. I would love to see this show developed so that there is not one lead, but every episode shows us different aspects of all the characters. They are all so very interesting and not the kind of cookie cutter people you see portrayed in other dramas of this type.
I watch a lot of cop/crime dramas... and though everyone is saying that this replaces Law & Order, I believe this is something so much more. It is not impersonal the way that L&O can sometimes be. We have to go through it with the personalities -it affects them. It is easy to say that there is one way -that things are black and white, but with this series we find a structure imposed on a chaos that has good people trying to keep their sanity in any way possible. I think that is what makes it real.
As to the setting, I think that the show tries to keep some of the integrity of Detroit. You can hear it in the music selections. Detroit is rife with problems there is no doubt. What the show tells me is that even though there is crime and violence in the inter-city neighborhoods, there are still people living there that care about their city, e.g. I love Natalie Martinez's rendition of Ariana Sanchez who sets the detectives straight when they bad-mouth her neighborhood.
Mr. Richman please keep writing stuff like this -an ensemble where all the characters are important and matter. It is great programming.
Thank you.
However, even though this character is strong, the whole ensemble is equally strong. The lieutenant played by Ms. Hinds is right on. Trying to juggle her teen and put in a day's work. I really want to walk a day in her shoes and find out how she got where she is.
I also love James McDaniel as Jesse Longford who lives half his life on the mean streets of Detroit and half in a Tuscan fantasy in a desperate attempt to cope with his wife's death and rigors of his job...always giving us his unique glimpse of a light at the end of the tunnel.
So many dramas these days revolve around one character and you only see the one side of it. The writers of this drama and the strong actors playing out the written characterization have created a world that is real in the sense that the drama is personal for everyone. I would love to see this show developed so that there is not one lead, but every episode shows us different aspects of all the characters. They are all so very interesting and not the kind of cookie cutter people you see portrayed in other dramas of this type.
I watch a lot of cop/crime dramas... and though everyone is saying that this replaces Law & Order, I believe this is something so much more. It is not impersonal the way that L&O can sometimes be. We have to go through it with the personalities -it affects them. It is easy to say that there is one way -that things are black and white, but with this series we find a structure imposed on a chaos that has good people trying to keep their sanity in any way possible. I think that is what makes it real.
As to the setting, I think that the show tries to keep some of the integrity of Detroit. You can hear it in the music selections. Detroit is rife with problems there is no doubt. What the show tells me is that even though there is crime and violence in the inter-city neighborhoods, there are still people living there that care about their city, e.g. I love Natalie Martinez's rendition of Ariana Sanchez who sets the detectives straight when they bad-mouth her neighborhood.
Mr. Richman please keep writing stuff like this -an ensemble where all the characters are important and matter. It is great programming.
Thank you.
We all love Michael and always will. He's been working in films and TV for many, many years and has given his all.
The show is very entertaining and will probably get better as the characters grow.
Non-Detroiters would like the show to be grittier. I've heard some from Detroit say we need to see Detroit shine in this series. It's a drama and a cop show, we want to see the seedy side of Detroit. Make the good people good but keep the bad guys bad.
And, yes, it needs something to set it apart from other cop shows. Give us that, please. You're lucky enough to have Michael Imperioli; don't mess this up.
The show is very entertaining and will probably get better as the characters grow.
Non-Detroiters would like the show to be grittier. I've heard some from Detroit say we need to see Detroit shine in this series. It's a drama and a cop show, we want to see the seedy side of Detroit. Make the good people good but keep the bad guys bad.
And, yes, it needs something to set it apart from other cop shows. Give us that, please. You're lucky enough to have Michael Imperioli; don't mess this up.
I lived in the heart of the Detroit for 21yrs and I still live close by. This show has great potential! And I think that will show in the coming episodes that are shot completely in Detroit and surrounding communities(most of the pilot was shot in Atlanta). It's great to have a show that's set in a city like Detroit and not your typical NY, LA, SF, Chicago, or Miami. To let everyone know, from local news stories on the production of the show, the director is from Detroit and everything (since the pilot) is shot, and produced right here in Detroit. Yes there were a few minor "mistakes" in the pilot I seen people complain about, saying "soda" we call it "pop", and there is no bullet train, but these are very minor things that can't be faulted when all we've seen was the pilot episode. Minor fixes for what I honestly believe will be a great show that is TRUE TO DETROIT because it is being MADE IN DETROIT! Please give it the chance it deserves!
Seven years after this fine series was prematurely buried, I can only wonder dully what possessed the network to cancel it after only one season. Was it a lack of audience, i.e., too little generation of commercial income? It certainly couldn't be that the scripts or cast weren't acceptable! The screen writing was compelling, the cast was a finely-tuned orchestra, and in spite of the small holes in some of its incidental information, everything seemed to be in place for an exciting ride for its viewing audience. Whatever happened to "if at first you don't succeed ..."? Why not give it one more season to see if it could draw a well deserved audience? I don't know what I was watching seven years ago, to overlook this short lived gem, so I'm part of the problem. But this isn't the only potential success that was abandoned after only one season, so it seems to be a general network childishness in their attitudes of "add water and stir" mentality. Not every effort is an instant success, but I think a massive success was aborted by the powers at ABC. Shame on them! Having just watched this, I knew going in that I'd need to resist getting attached to any of the characters, but that didn't help at all. I was attached to the entire cast of characters, so I still felt stunned to know I was approaching its final episode far too soon. I wanted more. I was invested in these people despite my effort to remain detached. Seven years postmortem, I'm still glad that I watched it. I'm thinking once you board this bus, you're going to stay with it, knowing it won't take you to a satisfactory destination.
What a loss!
What a loss!
I look forward to seeing Detroit 187 each week. The characters are so well defined & interesting. The show is more about them..then any crime they are solving. I love the way they follow each partner on their separate investigations and the interaction between each character. I really do not have a favorite character because each one is so well defined. I look forward to finding out more about each one as the show progresses.
Also love seeing the views of a City that was once Grand..the Old Mansonsthat are now in need to rehab are so interesting.
BUT where is my show? It wasn't on last week and I am worried they might have moved to another time...or were canceled. Please keep this show on the air.
Also love seeing the views of a City that was once Grand..the Old Mansonsthat are now in need to rehab are so interesting.
BUT where is my show? It wasn't on last week and I am worried they might have moved to another time...or were canceled. Please keep this show on the air.
Você sabia?
- CuriosidadesIn episode 2, a headline from The Detroit News (a real Detroit newspaper) is shown, with the paper's actual header. However in a later episode a reporter for The Detroit Post appears, which is fake.
- Erros de gravação187 is the California Penal Code for homicide. In Michigan, the various forms of homicide start with 750.
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Detalhes
- Tempo de duração
- 42 min
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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