O casamento de longa data de uma romancista é repentinamente abalado quando ela ouve seu marido dando sua reação honesta ao seu último livro.O casamento de longa data de uma romancista é repentinamente abalado quando ela ouve seu marido dando sua reação honesta ao seu último livro.O casamento de longa data de uma romancista é repentinamente abalado quando ela ouve seu marido dando sua reação honesta ao seu último livro.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Avaliações em destaque
This is indeed a movie about feelings - the small stuff that feels huge, the little insecurities that loom large, the daily omissions that's pile up into dishonesty. And the thing is: every moment feels real enough to be recognizable and hilarious (and uncomfortable) all at once. And that's not just because I'm a middle aged guy who wants to be a writer and is scared to death his story/stories suck. This film felt relatable less because the circumstances mirrored my own and more because I'm a self conscious human. And my guess is we all are. This may not be a laugh at loud comedy, but it is about as relatable add it gets.
The issue of how we, if not lie, fib to our loved ones in order to either spare their feelings or be supportive. And the consequences of that well-intentioned lack of honesty are thoughtfully dramatized, as are the family dynamics between spouses, parents and children, and siblings. But even at a short (by today's standards) 90 minutes, the movie feels overlong, and while there is an occasional laugh, the entertainment quotient is disappointingly low given the talents of the parties involved. Bottom line: a worthwhile watch if one's expectations are very measured. And much more of a family drama than a comedy.
Well, I sat down for this one trusting A24, and it delivered more than what I asked for. It's a pretty simple drama alright, with conflicts not carrying the greatest of stakes. There's a sense of softness to the leads here, and they are, by nature, "good people". While it wouldn't have worked if that aspect was shoved down our throats, but the writing is careful when it comes to its subtleties. The lead performances are also great; the relationship equations between Beth and Don, Beth and Sarah, Mark and Sarah, the daughters' relationship with their mother, the couple's relationship with their young son - each of these were adequately portrayed. I loved the few scenes featuring the feisty, opinionated, and encouraging mother (Jeannie Berlin).
The other beautiful scene is the one where the couple resolve their key issue, and the dialogues are especially well-written in this portion. It's a realization that shared journeys (of life) mean a lot more than individual journeys. It's natural for spouses to think that they're unconditionally supporting each other in their efforts, but sometimes, it's difficult to convey your opinion without even hurting them in the slightest. All that said, there were a few elements that didn't exactly work, such as the badly sketched robbery scene and the one where Don randomly suggests a solution to a patient's family issue. But that shouldn't stop you from checking the film out. It has Julia LD reuniting with writer-director Nicole Holofcener after Enough Said, in a very candid role.
The other beautiful scene is the one where the couple resolve their key issue, and the dialogues are especially well-written in this portion. It's a realization that shared journeys (of life) mean a lot more than individual journeys. It's natural for spouses to think that they're unconditionally supporting each other in their efforts, but sometimes, it's difficult to convey your opinion without even hurting them in the slightest. All that said, there were a few elements that didn't exactly work, such as the badly sketched robbery scene and the one where Don randomly suggests a solution to a patient's family issue. But that shouldn't stop you from checking the film out. It has Julia LD reuniting with writer-director Nicole Holofcener after Enough Said, in a very candid role.
If you like Julia Louis-Dreyfus or Tobias Menzies, you may find this enjoyable to watch, as both do a fine job with their roles. Otherwise, this will seem like a slow way to spend a couple hours. The plot wanders around searching for a dramatic climax or a storyline that leads somewhere. However, it doesn't get anywhere in particular. It's much like a comedy routine that just wanders from one story to another. Not too surprising, as Julia Louis-Dreyfus helped make "Seinfeld" the somewhat chaotic program it was. Funny, often, but as a movie, it leaves me wanting a more structured story.
A better title would have helped too. Something more like, "How we offend people when trying to be supportive" would have been illustrative, albeit not as pithy. The one theme that did seem to be reinforced was scenery of New York, especially as experienced by privileged people. That was interesting for about 30 minutes, but then the movie needed to deliver more message, if it had hopes of being satisfying. I rate it a 5 for the fine acting of the leading characters, but no higher for lacking a better script and story development. The result looked like it needed refining to clearly communicate a message.
A better title would have helped too. Something more like, "How we offend people when trying to be supportive" would have been illustrative, albeit not as pithy. The one theme that did seem to be reinforced was scenery of New York, especially as experienced by privileged people. That was interesting for about 30 minutes, but then the movie needed to deliver more message, if it had hopes of being satisfying. I rate it a 5 for the fine acting of the leading characters, but no higher for lacking a better script and story development. The result looked like it needed refining to clearly communicate a message.
You seem to so often see in reviews a statement along the lines of "don't believe the low scores" when there is a generalised trashing of a film. You watch the film based on the fairly sane sounding good reviews and find indeed it wasn't really bad at all.
Everyone's taste is their own and I wouldn't want to watch films like this everyday but it's a delightful, slow-paced, droll, witty and warm delight.
There's no killer plot but it's not saccharin either. The characters are warm and quirky, the humour wry and knowing. People had fun, me included, no-one was hurt.
Really good effort, like a good evening with friends.
Recommended.
Everyone's taste is their own and I wouldn't want to watch films like this everyday but it's a delightful, slow-paced, droll, witty and warm delight.
There's no killer plot but it's not saccharin either. The characters are warm and quirky, the humour wry and knowing. People had fun, me included, no-one was hurt.
Really good effort, like a good evening with friends.
Recommended.
Você sabia?
- CuriosidadesIn a 2023 interview with Filmmaker magazine, Nicole Holofcener spoke about the personal thoughts and feelings that inspired the film: "A lifetime of wondering if people are lying to me inspired the idea. And when they don't lie, can I cope with that? I guess my experience of being vulnerable to other people's opinions about me and my work, and the fact that my work is so autobiographical. My movies feel like they're me. I really feel like they are so close to my personality and values and the things I think and worry about. And the characters-at least one usually-are so clearly based on me. And if they don't get it, can they get me? Can I also live with the possibility that they don't get it, or like it, and still love me? But yeah, sometimes I can cope with it well, and sometimes I can't. I still want approval, of course. Don't we all?"
- Erros de gravaçãoIn the first scene when Julia Dryfus visits her son in a weed shop he takes a donut and seconds later his donut has a good chunk bitten out of it, but 11 seconds later it's whole again.
- Trilhas sonorasTattoo
Performed & Written by Henry Hall
Courtesy of Henry Hall Music
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.830.788
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.396.448
- 28 de mai. de 2023
- Faturamento bruto mundial
- US$ 5.742.597
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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