Predicament

Great to be taken on a good old fashioned, tongue in cheek, dark comedic ride.. Stand out performances from lead and support cast just add to the roller coaster!

Encouraging to once again see a New Zealand film designed and shot with the cinema screen in mind, a credit to all involved!

The film makers have obviously 'made the most' of their resources, Predicament definitely has a big picture feel

Yet another example of the brave 'can do' ingenuity from independent NZ film makers.

Fun to watch, having read the book!

Thoroughly enjoyable, thank you!

The cringe factor is definitely back in New Zealand cinema. This could have been a fantastic story (in fact, the book was.) Betrayal. Blackmail. Dysfunctional characters. Humour. Intrigue. Murder.

But somehow it just didn't hold together. The characters were too stereotypical and evoked too much cringe factor (with the exception of Jemaine Clement's Spook, who injected some genuine fun into the film.) The script lacked a vision for capturing the darkness of the themes of the film (or conversely lacked sufficient humour to make up for the lack of darkness.) Overall it was too light hearted for the themes covered in the story - a story of blackmail, revenge and murder. Such a story required a liberal dose of black humour, but the script barely delves into somewhat-grey humour.

There are genuinely funny moments. But overall it was a disappointment and a missed opportunity to translate Morrieson's dystopian world to the screen.

Predicament was a thoroughly enjoyable film. Set in 1930's small town New Zealand and adapted from a Ronald Hugh Morrison novel of the same name, Predicament is a hard film to categorize as it touches on many genres. The overall theme of the film is a crime drama, with a fantastic comedy element woven throughout, which kept the plot intriguing and the characters quirky. What makes the casting and story really interesting is that the main character Cedric (film newcomer Hayden Frost), even when partnered with two fantastic comedy heavyweights Flight of the Conchords Jemaine Clement, and Heath (Chopper) Franklin, never gets lost in the cast or upstaged as the main character. Both Spook (Jemaine) and Mervyn (Heath) provide lots of character personality, features & flaws that Cedric's character doesn't have, which creates an unlikely trio of mischief that never lets up from the opening to the closing credits. All the supporting actors are great too, including kiwi icon Tim Finn, who plays a great character that adds to poor Cedric's woes. I love fun films and that is exactly what Predicament delivers - by the spade full. Amazing sets, cars & costumes all come to life in the rich vivid colourful directing by Jason Stutter.

My whole family watched predicament when it opened the NZ film festival, and we all loved the film, including my "tweenage" kids who would have been some of the youngest in the audience, yet they too said it was now one of their favourite films. Predicament is a gem of a movie in that it delivered everything I could want from a film - great story, great laughs, great suspense and set to a fantastic musical score, with a catchy new Tim Finn song "Predicament" that I have been singing in my head ever since.

Set in a stylised 1930s New Zealand that we wish we'd had, Jason Stutter's PREDICAMENT manages to be both faithful to the book on which its based, the period in which its set and to tip its hat to plenty of movies made since that time (it would be silly to ignore them!).

Lonely and awkward (nerdy, in today's parlance) teenager Cedric (Hayden Frost) is delighted to be befriended by burly blowhard Mervyn Toebeck (Heath Franklin), but it isn't long before he's starting to regret inviting the freeloading oaf into his family home. When Mervyn's old chum The Spook (Flight of the Conchords' Jemaine Clement, in a scene-stealing turn) starts hanging around and suggesting voyeurism and blackmail, things get quickly out of Cedric's depth.

The film is not slave to a page by page adaptation of the book. It rearranges a handful of key elements from the source novel -- mostly for chronology reasons -- and ventures, with sensitivity and success, into some of the psychology of Cedric's father (Tim Finn) and the tower he's building.

The film looks terrific, and is shot with a larger than life verve that captures the period but not without contemporary punch. It rolls along with tawdry fun and plenty of laughs -- particularly when Clement's Spook is playing off Franklin's Mervyn.

At times the fluid turns of the plotters' scheme may befuddle viewers unfamiliar with Ronald Hugh Morrieson's novel, but the character colour and unflagging likability of the puppyish Cedric will keep most people engaged until all the strands come together at the end.

Stutter's script is a lucid and thoughtful adaptation of a difficult book to adapt; Simon Raby's cinematography is superb; Clement is, as usual, batty fun. Aussie Franklin sometimes has trouble getting long tracts of period kiwi dialogue out 100% convincingly and Tim Finn is, oddly, better when he's being less kooky later in the film ... but the film is satisfying result for a film that's taken a long time to reach the screen and a fitting companion to the Came a Hot Friday and Scarecrow adaptations.

Ronald Hugh Morrieson's novel Predicament is a humorous, dark tale of the seedy underbelly of a small New Zealand town. This movie keeps the humour and tone of the book while also adding to it a modern freshness to make it relevant to today's audience.

The lead cast all turn in excellent performances, not only to give the movie a great dramatic feel but also to deliver truly comedic moments that lighten what could otherwise, at times, be a pretty dark tale. Hayden Frost is perfect as Cedric, the awkward, friendless, and yet good- hearted teenager. Heath Franklin delivers a great performance as Mervyn, a manipulative and at times slightly threatening bludger. Tim Finn provides some special moments as Cedric's befuddled dad. But for many the highlight will be Jemaine Clement's creepy and yet deeply funny Spook.

A great script and terrific performances aside, this movie also looks fantastic. The art direction and costume design are impressively stylish and make the 30s look like a pretty cool time to be around. On top of this, the cinematography delivers a movie with lush colours and, at times, a darkness that is just perfect for the tone of the movie.

I thoroughly enjoyed my night out seeing this movie during the film festival, and the rest of the audience did too. This movie is bound to become a New Zealand classic and must be seen on the big screen to be truly appreciated.