Notícias

September has arrived, bringing with it an onslaught of library titles to ensure your Halloween horror watchlists will remain packed through November. Hulu, HBO Max, Netflix, Peacock, Paramount+, Pluto TV, Shudder, and Tubi have announced their September 2025 lineups, so we’re compiling them all into a handy horror guide for your watchlists.

Be sure to catch up on Screambox’s lineup this month, too.

Check out the September 2025 horror streaming lineup below.

HBO Max

‘Splinter’

September 1

Evil Dead II (1987)

Misery

Prometheus

Se7en

Splinter (2008)

The Cabin in the Woods (2012)

Hulu

‘Trap’

September 1

Devil’s Due

Donnie Darko (Theatrical Cut)

Evil Dead Rise

Jennifer’s Body

The Meg

The Meg 2: The Trench

The Nun II...

Paramount+ is heading into the fall season by bringing TV watchers a whole new round of TV shows and films.

Our hearts were ringin’ in the key that our souls were singin’ for these new titles that are dropping on the streamer this September, just like Earth, Wind and Fire said. And if you love the group, you’ll have to check out the the TV special “A Grammy Salute to Earth, Wind & Fire Live: The 21st Night of September,” which drops on Sept. 21.

But let’s not get ahead of ourselves, because they are some absolute goodies that are landing at the top of the month that you’ll...

Lauren Lavera is back this year in director Joe Lam‘s indie The Fetus, a horror-comedy with a wild pregnancy horror premise. The film will have its streaming premiere on September 9, and while you wait we’re debuting the official prequel music video this afternoon.

It’s titled The Devil Inside, and it comes courtesy of independent metal band To Die For. The video for the officially licensed track features The Fetus co-star Evan Towell, and it serves as a prequel to the movie, expanding upon the world of the upcoming horror-comedy feature with Easter eggs that shed light on the significance of specific characters and events.

The collaboration between...

Kris Collins’ directorial debut tackles the found footage genre with a tale of paranormal activity that gets lost in predictable scares and an uninspired ensemble.

“I already made one shitty horror film in my lifetime. I don’t need to make another.”

Filmmaking has become increasingly accessible and technology has reached a point where someone can deliver exceptional visuals and tell a complete story with something that was filmed on a phone. Not every story lends itself to a low-budget and small-scale setup. However, these elements are not just accepted, but expected in many found footage horror films. There’s something naturally enticing about a low-stakes, low-budget found footage film that’s presented as a social media personality’s standard content. There can be such powerful payoff when these types of movies work, yet it’s become more common to ride on the subgenre’s coattails than to genuinely innovate...

Michelle Randolph is trading in the rugged landscapes of Taylor Sheridan’s empire for something far darker — and far more subterranean. The 1923 and Landman breakout is in talks to star in Malibu, a new horror thriller from Paranormal Activity 2 director Tod Williams, being developed at Screen Gems, as per THR. The film, which is being produced by horror heavyweights Roy Lee and Steven Schneider under their appropriately named Spooky Pictures banner, is being described as a “subterranean horror thriller.” Plot specifics are being held tightly under wraps — possibly in a basement with no windows — but production is set to begin later this year.

After gaining attention for her role as Liz Strafford in 1923 alongside Harrison Ford, Helen Mirren, and Brandon Sklenar, Randolph quickly became a rising name in the Taylor Sheridan TV universe. Her next major role came in Landman, the modern-day oil drama on Paramount+ led by Billy Bob Thornton,...

Interrogation Raw returns with a chilling new case in its season 3 premiere, “The Devil Inside.” The true crime series continues to explore the pivotal moments within the interrogation room, where the line between guilt and innocence blurs. This episode focuses on a seemingly routine traffic stop that takes a dark turn when a parole […]

Interrogation Raw Season 3 Episode 1 “The Devil Inside” – Shocking Confession...

The climax is arguably the most important part of a movie. It is the last thing the audience is left with. Hence, an ending needs to be powerful. How the plot concludes can make or break the film experience. Some endings imprint themselves on the viewers’ minds, while others do not have as much of a lasting impact. Some endings are polarizing. After all, not every cinematic project garners unanimous praise or even acceptance. They leave with controversy in their wake.

Controversial endings lead to some jaws dropping and some brows scrunching. A masterfully curated climax can inspire a plethora of feelings in the audience. Or it can ignite serious disputes, debates, and discussions; which gain a cult following and last for years on end. For instance, Was there enough room on the door for Jack to stay afloat alongside Rose in Titanic might go down as the most debated movie ending of all time.

The excitement builds for the return of “Interrogation Raw” with its Season 3 premiere titled “The Devil Inside.” This gripping episode is set to air on Thursday, November 7, 2024, at 11:01 Pm on A&e. Fans of the true crime series can expect a chilling story that dives deep into the mind of a suspect whose confession changes everything.

In this episode, local police pull over a man for a simple parole violation. However, what follows is far from ordinary. The man unexpectedly confesses to committing multiple brutal murders, leaving the officers stunned. This shocking twist sets the stage for a complex investigation that unravels the dark secrets lurking beneath the surface.

As the episode unfolds, viewers will witness the intense interrogation process and the psychological tactics used by law enforcement. The narrative promises to explore not only the confessed crimes but also the motivations behind them. With each revelation, the tension escalates,...

January is the least exciting time for new movie releases due to factors like bad weather and people's frugal spending habits. Studios use this month to release films that didn't perform well in test screenings or at the box office. Some successful films have been released in January, including limited-release award contenders that expand nationwide in the month and horror films that face little competition. While there have been some surprise hits in January, it is unlikely that the reputation of the month as a dumping ground for Hollywood's leftovers will change anytime soon.

2023 is finally gone, and with the awards season about to kick into full swing, the major Oscar contenders have all been released. But as we wait to see what the Academy decides to crown this year, we unfortunately have to endure the least exciting time of the year for new releases. For at least the last few decades,...

Kerry Condon follows up her Oscar nomination with a thankless piece of Blumhouse schlock that tries, and fails, to make swimming pools scary

It’s long been an extreme palate cleanser, the first weekend of January following a season of weighty awards fare with a froth of schlock horror, from fine dining to a guilty stop at McDonald’s after. Masterworks such as The Devil Inside (6%), Texas Chainsaw 3D (19%), The Forest (10%) and The Unborn (10%) have all crept out of the gate in previous years, often unscreened for critics, and despite a consistent lack of quality, the practice has become profitable, audiences happy to see in the new year with the very worst the industry has to offer. Then last year, there was an unlikely win with sly evil doll horror M3gan, bucking the trend as not only a major commercial smash but also a critical one, and backers, horror hit-factory Blumhouse,...

Horror enthusiasts have been on a roll all year long and the fun is continuing all through to the end of the year. If you love your spine-chilling narratives with a hint of some good old folklore then the trailer for Lord of Misrule, an upcoming indie folk-horror helmed by William Brent Bell, will excite you. Bell's track record speaks for itself as the director has in the past created gems such as The Devil Inside, Stay Alive, Orphan: First Kill, and The Boy. The recently unveiled trailer hints at yet another potential triumph from the director. For starters, there's an eerie mask-wearing cult in the movie's town and there seems to be some mysterious dark history behind the town legacy.

More than three and a half years have gone by since it was first announced that William Brent Bell – the director of Stay Alive, The Devil Inside, Wer, The Boy, Brahms: The Boy II, Separation, and Orphan: First Kill – would be making a folk horror film called Lord of Misrule. Two years have gone by since we heard the movie was in production, with filming taking place in Hertfordshire, UK. Now a trailer for Lord of Misrule has finally made its way online, and with that comes the news that the film will be receiving a theatrical and VOD release on December 8th. So check out the trailer in the embed above to see if this looks like a movie you’d want to watch in a couple months!

Starring Tuppence Middleton (Mank), Lord of Misrule was scripted by Tom de Ville and follows Rebecca Holland, who has recently taken over the parish church.

For horror fans hoping that David Gordon Green's (overall) successful reboot of Halloween would translate equally well to the Exorcist franchise, we hate to be the bearer of bad news. The Exorcist: Believer is getting eviscerated by critics; as of this writing, it holds an outright dire Rotten Tomatoes score of 20%. Not only is that a lower score than any of Green's Halloween films, it's the third-lowest rating in the franchise. Only Exorcist II: The Heretic and Exorcist: The Beginning got worse reviews.

So what happened, considering Green showed such initial promise as a horror director with 2018's Halloween legacy sequel? Do the reviews spell box office disaster for his intended trilogy before it even begins?

Box Office Trouble?

The answer thus far seems to be no... at least for now. Current box office projections predict The Exorcist: Believer to earn between $30 and $36 million in its opening weekend,...

Screamfest Horror Film Festival today announced its first-wave lineup of competitive features and shorts for its 23rd edition.

Running October 10-19 at the Tcl Chinese Theater, Screamfest welcomes horror cinephiles to experience twisted tales and frightening films together on the big screen. Tickets will be on sale soon and can be purchased via the festival website.

Before we dig into the line-up, Bloody Disgusting is excited that Screamfest will be hosting a very special advance screening of Screambox’s upcoming 80s-inspired horror comedy Onyx the Fortuitous and the Talisman of Souls ahead of the film’s theatrical release. Director and star Andrew Bowser, among others, will be in attendance!

‘Onyx the Fortuitous and the Talisman of Souls’ – Screambox Gets Silly With 80s-Inspired Horror-Comedy!

From the press release:

Considered the “Sundance of Horror,” Screamfest is proud to showcase new work from independent filmmakers from across the globe. This past year the festival screened the following films,...

Exclusive: Screamfest Horror Film Festival has unveiled the first-wave lineup for its 23rd edition, taking place at the Tcl Chinese Theatre from October 10-19, announcing that it will kick off with a screening of Eddie Alcazar’s much-discussed Sundance 2023 mind-bender Divinity.

Tickets to the fest go on sale soon.

Set in an otherworldly human existence, Divinity follows scientist Sterling Pierce (Scott Bakula), who has dedicated his life to the quest for immortality, as he slowly creates the building blocks of a groundbreaking serum named Divinity. Jaxxon Pierce (Stephen Dorff), his son, then comes to control and manufacture his father’s once-benevolent dream. When two mysterious brothers (Moises Arias and Jason Genao) arrive with a plan to abduct the mogul, with the help of a seductive woman named Nikita (Karrueche Tran), they will be set on a path hurtling toward true immortality. Also starring Bella Thorne, Michael O’Hearn and Emily Willis,...

Warning: Contains spoilers for various movie endings.

Bad movie endings can ruin the entire movie, including poorly executed plot twists and vague conclusions. For example, the ending of "Identity" relied on shock value over substance, revealing that everything that happened in the film was just in someone's head. Another example is "The Devil Inside," which had an abysmal ending, cutting to black without any resolution and providing a website link for viewers to learn more.

Landing a good movie ending is extremely important, as a poor conclusion can leave audiences with a bad taste in their mouth. A film, or any story for that matter, is often defined by its ending. For example, Game of Thrones was a massive cultural phenomenon in the 2010s, but the widely criticized ending caused it to almost immediately be wiped from relevance. The third act of a film is perhaps the most important to sell,...

Exclusive: Signature Entertainment has acquired UK rights to William Brent Bell (Orphan: First Kill) folk horror Lord of Misrule from Bankside Films.

Lord of Misrule follows Rebecca, who has recently taken over the parish church of a small English village. When her young daughter goes missing at a winter festival, secrets of the town’s dark past emerge and soon she must decide how much she is willing to sacrifice to rescue her daughter from the grip of evil.

Pic stars Tuppence Middleton (Possessor), Ralph Ineson (The Witch) and Matt Stokoe (Rose: A Love Story).

Currently in post-production, the film is produced and directed by Bell who most recently steered Orphan: First Kill for Paramount. The genre filmmaker is well known for box office hits including The Boy, The Devil Inside and Stay Alive. Script comes from Tom De Ville.

Producing are Nik Bower (Selma), Deepak Nayar, Jason Newmark, Laurie Cook,...

Director David Gordon Green aims to preserve the tone and feel of the original classic in the new movie, The Exorcist: Believer. The movie is the sixth entry in the franchise and follows two young girls exhibiting signs of possession. Green compares The Exorcist with his Halloween trilogy, stating that it is more researched and academic, aiming to preserve the original's dramatic integrity.

The Exorcist: Believer director David Gordon Green has discussed the way the movie sets out to preserve the tone of the original classic. The movie, which is set to premiere in theaters on October 13, is the sixth entry in the movie franchise that kicked off with 1973's The Exorcist, based on the William Peter Blatty novel of the same name. It will follow two young girls who exhibit signs of possession after going missing for several days, leading one of their fathers (Leslie Odom Jr.) to approach...

While twist endings can be great, some movie endings are so frustrating that they render the entire proceeding plot pointless in retrospect. Some movies can have incredibly uplifting, hopeful endings. Other movies have cruel endings that stun audiences but are undeniably fitting in terms of theme and tone, such as Darabont’s later King adaptation The Mist. Then there are the movies that have endings that make their whole story seem like an exercise in futility. These endings aren’t always necessarily surprising, but they do leave the viewer feeling oddly cheated.

While some movies change their original premise halfway through the story to focus on new characters or another plot, this sort of playful experimentation can be rewarding. However, movies that wait until their last scene to lose all interest in their characters are much more annoying. These movies set up intriguing plots and compelling characters only to leave...

Netflix is reshuffling its streaming offerings once again, and the latest round of movies set to leave the platform includes a few new horror classics. More specifically, if you're looking for a scary movie to watch in September, you'll have to cross Oren Peli's 2009 horror phenomenon "Paranormal Activity" off your to-watch list before then, as it's due to leave the streamer at the end of this month.

"Paranormal Activity" may not be the most enduringly scary horror touchstone of the past two decades (its slow burn scares were polarizing even upon initial release), but it's certainly among the most replicated. The shoestring-budget flick about a couple who set up security cameras to pinpoint the source of unusual happenings in their home was inescapable upon its release, earning nearly $200 million at the box office and spawning six sequels and spinoffs and counting. Along with J.J. Abrams' "Cloverfield," the film...

Movie fans debate disappointing endings that make movies feel like a waste of time. Reddit users discuss other films with disappointing endings, but I Am Legend and Jurassic World Dominion receive the most criticism. I Am Legend famously has an alternate ending that reverses the movie's disappointing finale.

Warning: This article contains spoilers for a variety of movies.An online debate about wasteful movie endings has turned up several key titles, especially I Am Legend and Jurassic World Dominion. I Am Legend is notable for having an alternate ending where this is not the case, but the theatrical version ends with Will Smith's character Robert Neville sacrificing himself to save two other post-apocalyptic survivors as well as the cure for the virus plaguing humanity. Jurassic World Dominion, on the other hand, follows humans and dinosaurs learning to coexist.

Recently, Reddit user w_paskee posted a thread asking for users...

From the unfaithful ending of the Watchmen film to the surname appropriation at the end of Star Wars: The Rise of Skywalker, there are plenty of controversial movie endings. Endings are always tricky, because they have to resolve the film’s themes and narrative in a satisfying way. Twist endings don’t always feel earned, or land the way they’re intended to land. Some movie endings are wildly controversial, either because they deal with offensive subject matter, like the lighthearted crucifixion at the end of Monty Python’s Life of Brian, or because they fail to provide closure, like the anticlimax of The Devil Inside.

There are many reasons why an ending might divide audiences. If it’s a remake or adaptation that alters the ending of the source material, the new ending might be deemed to be inferior. If it’s too ambiguous and leaves too many questions unanswered,...

Beginning with Rosemary's Baby and The Exorcist in the '60s and '70s, the best exorcism movies have deftly combined the psychological thrills of the unseen with the visceral and grotesque manifestations of malevolent spirits. Whether it is demons, tormented human souls, gods, or creatures from folklore, exorcists in movies confront the worst and most dangerous entities to crossover into the physical realm. Scary exorcism movies are traditionally based on Catholic or Judeo-Christian mythology. However, Asian filmmakers have also been tapping into Eastern folklore and mythology to contribute to the world's best exorcism movies, giving the overplayed horror subgenre a much-needed shakeup.

Indeed, while movies about demonic possession such as The Pope's Exorcist and The Exorcism of God keep the genre's core traditions alive, others like The Medium, The Wailing, and Keeper of Darkness tread new ground and open new creative avenues for the exorcism subgenre to grow. Today,...

Movies about possession and exorcism must scratch a very particular itch for American viewers. Going back to the mother of that horror subgenre, "The Exorcist," you can see one of the biggest box office hits of 1973, and in the fifty years since, many movies have played with that premise. A filmmaker can do it relatively cheaply, often just needing to rely on fearless performers willing to contort themselves and speak in tongues. And seeing an ordered world enter total disarray is what horror is all about.

William Brent Bell's 2012 film "The Devil Inside" took that to heart, dealing with the threat of possession through a mockumentary, found-footage lens. In the movie's universe, it's a documentary about Isabella (Fernanda Andrade) as she investigates her mother, particularly the grisly murders she committed when Isabella was a child. The mockumentary takes the form not just of a horror movie, but of an expose,...

Orphan

Stars: Vera Farmiga, Peter Sarsgaard, Isabella Fuhrman, Cch Pounder, Jimmy Bennett, Margo Martindale, Karel Roden, Aryana Engineer, Rosemary Dunsmore, Genelle Williams | Written by David Leslie Johnson-McGoldrick | Directed by Jaume Collet-Serra

Devastated by the loss of their unborn baby, Kate (Vera Farmiga) and John (Peter Sarsgaard) decide to adopt a child. At the orphanage, both feel drawn to a little girl (Isabelle Fuhrman) named Esther, and soon the couple take their new daughter home. But when a dangerous series of events unfolds, Kate begins to suspect that there is something evil lurking behind the child’s angelic exterior.

Although the horror genre is by far my favorite film genre nowadays, the same thing cannot be said for when I was young. As a matter of fact, I was scared to death of practically every horror movie. I remember still to this day, seeing some sort of Chucky parody on some...

Stars: Isabelle Fuhrman, Julia Stiles, Rossif Sutherland, Hiro Kanagawa, Matthew Finlan | Written by David Coggeshall | Directed by William Brent Bell

After escaping from a psychiatric facility in Estonia, Esther travels to America by impersonating the missing daughter of a wealthy family. Yet, an unexpected twist arises that pits her against a mother who will protect her family at any cost.

“There’s always been something wrong with Esther,” says the tagline on the poster for William Brent Bell‘s brand new psychological horror film Orphan: First Kill, which serves as a prequel to the 2009 film Orphan, which features one of the most insanely brilliant twists in film history.

The tagline of this film is absolutely true, as well. This tightly constructed 99-minute thrill-ride is a gritty, thrilling, and chillingly dark exploration of Esther’s origins, brought to life beautifully by a sharp script and a powerful performance from Isabelle Fuhrman,...

Headed to the Cannes market from Odin’s Eye Entertainment, Ryan Kwanten (“True Blood”) stars in Devil Inside, a new horror movie from Jonathan auf der Heide (Van Diemens Land). Deadline reports, “Pitched as an elevated horror-thriller in the vein of 28 Days Later and It Comes at Night, Devil Inside explores the ‘what if’ question of a cross-species contagion, […]

The post Ryan Kwanten Battles a Tasmanian Devil in Upcoming ‘Devil Inside’ appeared first on Bloody Disgusting!.

Exclusive: Australian sales firm Odin’s Eye Entertainment has acquired Jonathan aux der Heide (Van Diemens Land) film Devil Inside and will launch the Ryan Kwanten-starring picture at the Cannes Market.

Kwanten is starring, and is picture is currently in pre-production ahead of a Q3 2023 delivery date. Odin’s Eye will bring it to Cannes this month.

Pitched as an elevated horror-thriller in the vein of 28 Days Later and It Comes at Night, Devil Inside explores the ‘what if’ question of a cross-species contagion, in this case from a Tasmanian Devil.

It follows Eva, a young virologist, who helps the local park ranger research the Tasmanian Devil Facial Tumour Disease — a contagious cancer that has wiped out nearly 90 of the population. But when her husband is bitten by a stray dog, she suspects the virus has mutated to cross species and is causing violent outbursts in the hosts.

Photo: Campy Movies In the world of Cinema, there are endless amounts of different types of films that don’t simply fall into only the genre category. We got films such as classics that are beloved by the majority of people like ‘The Wizard of Oz’, ‘Jaws’, and ‘Psycho’. And on the other side of that, we have movies that the majority of people seemed to hate (but are still widely watched) like ‘Movie 43’, ‘Cats’, and ‘The Devil Inside’. Related article: The Hollywood Insider’s CEO Pritan Ambroase: “The Importance of Venice Film Festival as the Protector of Cinema” Related article: The Masters of Cinema Archives: The Hollywood Insider Pays Tribute to ‘La Vie En Rose’, Exclusive Interview with Director Olivier Dahan Related article: – Want Guaranteed Success? Remove these ten words from your vocabulary| Transform your life Instantly But, there also becomes an intersection between these two where...

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Need a movie to watch this Halloween? “Paranormal Activity: Next of Kin” officially arrived on Paramount+ on Friday.

The David Eubanks-directed horror film, about a woman searching for information on her mother’s disappearance, marks the seventh installment in the “Paranormal Activity” franchise.

Emily Bader stars in the horror flick as Margot, a documentary filmmaker who heads to a secluded Amish community in the hopes of meeting and learning about her long-lost mother and extended family. After a string of strange occurrences and discoveries, she soon realizes that people in the community could be hiding a sinister secret.

Roland Buck III, Henry Ayres-Brown, and Tom Nowicki round out the cast.

“Paranormal Activity: Next of Kin...

Exclusive: Principal photography is underway in the UK on contemporary folk horror, Lord Of Misrule, from The Boy and The Devil Inside filmmaker William Brent Bell.

Tuppence Middleton (Mank) and Ralph Ineson (The Witch) are starring alongside Matt Stokoe (Outlaw King).

Based on a screenplay by Tom de Ville (The Quiet Ones) and set in a rural English village, the film follows Rebecca Holland who has recently taken over the parish church. When her young daughter goes missing at a winter festival, villagers and local police join in the desperate search. However, the closer they edge towards finding the girl, the more secrets emerge from the town’s dark past; soon Rebecca must decide just how much she is willing to sacrifice to rescue her daughter from the grip of evil. Pic is currently shooting in Hertfordshire, UK.

Bankside will be selling the horror film at the upcoming virtual AFM.

There’s a terrifying amount of scare-centric programming this October, whether it’s being broadcast or streamed.

Paramount+ has announced its “Peak Screaming” package, which will encompass scary movies, kids shows and originals. Amazon, of course, is releasing four original Blumhouse films this month: Bingo Hell, Black as Night, The Manor and Madres. Peacock may have the largest cache of Halloween goodies, none more tasty than the latest installment of that most seasonally-appropriate of franchises, Halloween Kills. It debuts on October 15 on Peacock and in theaters.

October 1

30 Days of Night (Peacock)

Bingo Hell (Prime Video)

Black As Night (Prime Video)

Blippi’s Spooky Spells Halloween (Hulu)

The Blob (Peacock)

Bride of Chucky (Peacock)

Cat People (Peacock)

Child’s Play (Paramount+)

Child’s Play 2 (Peacock)

Child’s Play 3 (Peacock)

Crawl (Paramount+)

Cult of Chucky (Peacock)

Curse of Chucky (Peacock)

Curse of the Fly (Peacock)

Day of the Dead (Peacock)

Devil (Peacock)

The Devil Inside (Paramount+)

Dracula,...

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“Madame X,” the new concert film centered around Madonna’s epic performances in Lisbon, Portugal, began streaming exclusively on Paramount+ on Friday.

The film, directed by Ricardo Gomes and Sknx, delivers an unprecedented, intimate experience that takes viewers on a journey through Madonna’s theater tour as her fearless alter-ego, Madame X, a globe-trotting secret agent who travels around the world, fighting for freedom.

“Sharing my vision with global audiences has been profoundly meaningful to me,” the 63-year-old icon said in a statement. “The opportunity to bring its message and the incandescent artistry of all involved to an even wider audience comes at a time when music is so deeply needed to remind...

Halloween Kills 'Return to Haddonfield' Featurette: "In 2018, David Gordon Green’s Halloween, starring icon Jamie Lee Curtis, killed at the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman.

And the Halloween night when Michael Myers returned isn’t over yet.

Minutes after Laurie Strode (Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor.

But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster.

The Strode...

Netflix has unveiled a massive lineup of original movies, shows, and library content for October — including the return of hit series “You,” a new film from Antoine Fuqua and Jake Gyllenhaal, and the addition of James Cameron’s perennial favorite “Titanic” to the streaming platform. Ahead, a brief look at the best movies and TV shows coming to Netflix in October 2021 before a glimpse at the full lineup of what’s new on Netflix.

“The Guilty” (October 1): Starring Jake Gyllenhaal, this thriller from director Antoine Fuqua was shot during the coronavirus pandemic and focuses on a disgraced cop (Gyllenhaal) who receives a mysterious 9-1-1- call.

“Titanic” (October 1): The most successful Best Picture winner of all-time at the box office, James Cameron’s king of the world is back on Netflix to indoctrinate an entirely new generation into the love story of Jack (Leonardo DiCaprio) and Rose...

Divorce of Force: Bell Peddles Puppets in Congested Ghost Story

“Separate’s always better when there’s feelings involved,” per Outkast’s 2003 track Hey Ya!, and one wonders if William Brent Bell’s blandly titled Separation couldn’t have felt a bit more concise about these same sentiments.

A ghost story divorce drama about a woefully inept husband, his long-suffering wife, and their traumatized daughter who become embroiled in a malevolent haunting following a violent tragedy, on paper this latest offering from the director behind The Devil Inside (2012), The Boy (2016), and Brahms: The Boy II (2020) suggests a continually evolving genre enthusiast honing his craft.…...

A muddled execution undercuts laudable ambitions in the latest effort from director William Brent Bell, who previously demonstrated his talent for turning low-budget horror films into major commercial hits with such movies as The Devil Inside and The Boy. The filmmaker mines deeper emotional terrain than usual with Separation, which attempts to inject scares into a Kramer vs. Kramer-inspired scenario. But the film squanders its intriguing set-up and terrific performances by devolving into familiar genre tropes. Not that it will prevent horror-starved audiences from flocking to see it on the big screen thanks to the further lifting of pandemic restrictions.

The story revolves ...

A muddled execution undercuts laudable ambitions in the latest effort from director William Brent Bell, who previously demonstrated his talent for turning low-budget horror films into major commercial hits with such movies as The Devil Inside and The Boy. The filmmaker mines deeper emotional terrain than usual with Separation, which attempts to inject scares into a Kramer vs. Kramer-inspired scenario. But the film squanders its intriguing set-up and terrific performances by devolving into familiar genre tropes. Not that it will prevent horror-starved audiences from flocking to see it on the big screen thanks to the further lifting of pandemic restrictions.

The story revolves ...

Separation is in theaters on April 30, 2021. Directed by William Brent Bell, the brand-new trailer for Separation, written by Nick Amadeus and Josh Braun. Jesse Korman is one of the films producers. The trailer for Separation premiered today. During a zoom interview with Horrornews.net, Writer/Director/Producer, Jesse Korman talks about …

The post New Trailer for Separation appeared first on Horror News | Hnn.

8-year-old Jenny (Violet McGraw) is constantly caught in the middle of the feuding between her lawyer mother Maggie (Mamie Gummer) and artist father Jeff (Rupert Friend). She leads a lonely but imaginative life, surrounded by puppets called “Grisly Kin”, which are based on the works of her father. When Maggie is tragically killed in a hit-and-run, Jeff and Jenny try to piece together a new life. But when Maggie’s father (Brian Cox) sues for custody, and babysitter Samantha (Madeline Brewer) tries to be the new woman of the house, life in their Brooklyn townhome takes a dark turn. The puppets and frightening characters come to life and Jenny is the only person who can see them. When the motives of the ghoulish creatures become clear, the lives of everyone are put very much in jeopardy.

From the director of The Devil Inside, William Brent Bell, the movie stars Rupert Friend,...

Exclusive: Open Road Films and Briarcliff Entertainment jointly acquired U.S. and Canadian distribution rights to Separation, a horror film directed by William Brent Bell and starring Rupert Friend, Violet McGraw, Mamie Gummer, Madeline Brewer and Brian Cox. The distributor has set an April 23 date for a wide theatrical release.

Pic was acquired from Rainmaker Films, Yale Productions and The Machine Room, in association with Post Film. Scripted by Nick Amadeus and Josh Braun, the film tells of the terrifying consequences of divorce and is the story of a young girl who finds solace in her artist father and her dead mother. Shot entirely in New York City, Separation is produced by Bell, Jordan Yale Levine, Jordan Beckerman, Russ Posternak, Jesse Korman and Clay Pecorin. Executive producers are Seth Posternak, Russell Geyser, Jane Oster, James Masciello, Matt Sidari and Open Road’s Tom Ortenberg.

Ortenberg called the film,...

Exclusive: Respected talent agent Marion Campbell Kammer has left TalentWorks after a 16-year run and has joined Buchwald.

Clients following Kammer to Buchwald include Raymond Cham Jr., Judy Reyes, Fernanda Andrade, Josh Cooke, Tamara Podemski, Matthew Del Negro, Jay Lee, and Hallea Jones (Locke & Key, Let It Snow). Kammer started at TalentWorks two years after its 2002 launch. At the agency, where she served as VP of talent, Kammer represented two comedy stars in key stages of their careers — Melissa McCarthy, whom Kammer signed while the actress was in her last season of Gilmore Girls and guided her to her breakout roles in Mike & Molly and Bridesmaids, as well as Mayim Balik, whom she...

While the last decade that Jaume Collet-Serra excelled in providing a genuine Hitchcockian vision to B-movie concepts, it was 2009’s Orphan that served as a notable breakout. Telling the story of a couple who adopts a nine-year-old girl harboring secrets of her own, it was a stellar showcase for the director to flex his psychological horror muscles. Now, over a decade later, a prequel is moving forward.

Sadly, Collet-Serra will not be returning to the director’s chair, giving the reins to William Brent Bell. However, star Isabelle Fuhrman––who is now 23––will be returning to the role of Esther, Deadline reports. One may wonder how Fuhrman will be embodying the role of someone younger than nine, and it’s reported that the production, which is now underway in Winnipeg, will be utilizing “forced perspective shooting and a world-class makeup team.”

Titled Orphan: First Kill, David Coggeshall and Leena Klammer...

Looks like something is still wrong with Esther.

Isabelle Fuhrman, who broke out in Hollywood as the lead of the disturbing 2009 hit “Orphan,” will reprise her role in an upcoming prequel to the film.

Fuhrman played Esther, an Eastern European child adopted by parents (played by Peter Sarsgaard and Vera Farmiga) overcoming an unspeakable loss of their own. It earned $80 million worldwide on a reported $20 million budget.

While the movie received mixed reviews, it was largely credited with delivering a twist that broke new ground in the sub-genre of disturbed little kids — Esther was not a child at all, but an adult woman with primordial dwarfism masquerading as a nine-year-old. This made her attempts to split up her parents and eliminate her siblings all the more sinister and unforgettable.

While the prequel’s plot is under wraps, Fuhrman will return as star and associate producer on the project. William Brent Bell...

A3 Artists Agency has hired veteran agent Valarie Phillips as partner and co-head of the firm’s Motion Pictures Literary Division.

Phillips will co-run the Motion Pictures Literary Division alongside Adam Kanter who was named Partner and Co-Head of Motion Pictures earlier this summer when he was hired together with A3’s new Partner and Co-Head of the Television Literary Division, Andy Patman.

In addition, A3 Artists has tapped Martin Spencer as Agent in the Motion Pictures Literary Division, and Antoni Kaczmarek and Kasey Muraszko as Agents in the Television Literary Division.

Phillips, Spencer, Kaczmarek and Muraszko will be based out of Los Angeles.

“Since signing the WGA code of conduct nearly a year ago, A3 has remained committed to building a world-class literary team that reflects the philosophy of the agency: putting the client first,” said A3 CEO Robert Attermann in a statement today. “From the rebranding and to launching and revamping of divisions,...

Although it still has a long way to go to catch up to Netflix, HBO Max is gradually building a reputation for both an impressive library of content and its own original programming. As well as reportedly working on a number of Batman-focused series, the WarnerMedia streamer is also absorbing shows from DC Universe, and funding the Snyder Cut of Justice League. We now know what’s coming to HBO Max in September, and there’s plenty there for subscribers to sink their teeth into.

The big original series highlight next month is the Ridley Scott-produced Raised by Wolves, which explores two androids raising human children. Created by Adam Guzikowski, the program could be one of HBO Max’s first big hits with critics and audiences, and is set to arrive on September 3rd. Other notable originals include comedy Unpregnant, wherein a pregnant teenager travels to Mexico with her...

HBO Max is out with its list of everything new coming to the streaming service in the month of September.

Highlights include Ridley Scott’s “Raised by Wolves,” out Sept. 3, which follows two androids raising a human child on a distant planet; “Coastal Elites” starring Bette Midler, Kaitlyn Dever, Dan Levy, Sarah Paulson and Issa Rae, out Sept. 12, and “The Murders at White House Farm,” which is out in Sept. but doesn’t yet have an exact premiere date.

Others without a premiere date coming in Sept. include season one of “Haute Dog,” “Mo Willems: Don’t Let the Pigeon Do Storytime!” and seasons one through three of “The Great Pottery Throw Down.”

Also Read: 'Lovecraft Country' Premiere Draws 1.4 Million Multiplatform Viewers - Including HBO Max

Read the full list below:

Sept. 1

93Queen, 2018

All The Right Moves, 1983 (HBO)

The Astronaut Farmer, 2007 (HBO)

Badlands, 1973

Ballmastrz: 9009, 2018

Bandidas, 2006 (HBO)

Barnyard, 2006 (HBO)

The Best Exotic Marigold Hotel,...

WarnerMedia’s grand streaming experiment continues apace with HBO Max’s list of new releases for September 2020.

This month, HBO Max is bring some serious dramatic heat with the Ridley Scott-directed sci-fi series Raised by Wolves arriving on Sept. 3. And if science fiction isn’t everyone’s cup of tea, then HBO Max has identified something that is: true crime. The Murders at White House Farm will arrive at a date to be determined in September.

In addition to those intriguing original offerings, HBO Max is making the best of its WarnerMedia library this month. Doctor Who season 12 makes its long-awaited streaming debut on Sept. 1. Also arriving on the first of the month are Clerks, Election, and the hopefully-not-too-timely V for Vendetta.

Recent horror hit The Invisible Man arrives on Sept. 19. It is complemented by HBO Max original comedy Unpregnant on Sept. 10.

Here is everything else coming to HBO Max this month.

Joel Schumacher, who directed some two dozen films including Batman Forever, Batman & Robin, Brat Pack pics St. Elmo’s Fire and The Lost Boys along with Falling Down and John Grisham adaptations The Client and A Time to Kill, died today. He was 80.

His publicists at ID PR said he had a yearlong battle with cancer.

Schumacher was revered as one of Hollywood’s great storytellers. He had enormous charm and wit and could walk onto a tense set and instantly change everyone’s mood. It was magic chemistry.

His credits also include the 1980s pics D.C. Cab and The Incredible Shrinking Woman. He also helmed The Phantom of the Opera, Flatliners, Flawless, 8Mm Phone Booth, Trespass and most recently two 2013 episodes of Netflix’s House of Cards.

Notable Hollywood & Entertainment Industry Deaths In 2020: Photo Gallery

The native New Yorker also wrote the 1976 low-budget comedy Car Wash and the...

In something of a surprise announcement, it's been revealed that we're getting a prequel to 2009's Orphan. William Brent Bell, who most recently directed Brahms: The Boy 2, has been tapped to helm Esther. It's not at all uncommon for horror movies that made money to get sequels or follow-ups, but it's certainly less common for a prequel to happen more than a decade later to a movie such as this, which makes it all the more intriguing.

According to several reports, eOne and Dark Castle are behind Esther, which is named after the lead character in Orphan, played by Isabelle Fuhrman. The script was penned by David Coggeshall, whose previous credits include The Haunting in Connecticut 2: Ghosts of Georgia and Prey. He also served as a producer on Spike TV's 1000 Ways to Die. There is no word on casting yet, but production is expected to begin this summer,...