O Mundo dos Pequeninos

A "smaller-scale" Ghibli movie than what we're used to, but a good one. The Secret World of Arrietty is the story of a family of "borrowers" a tiny race of people who live within the homes of ordinary humans and who are supposed to stay hidden from them at all times. 

It's visually as beautiful as you'd expect from Ghibli, with even simple backgrounds looking as lovely as a painting. Instead of the fantastical lands of most Ghibli films like Spirited Away or Howl's Moving Castle, The Secret World of Arrietty is set in an ordinary home. But the simple beauty of everything and seeing the lovingly-drawn detail in everyday items from the view of smaller eyes makes this one of the more memorable Ghibli movies from a visual standpoint, in my opinion. 

As for the story, it's simple and effective, and deals with nothing more than the human occupants of a home, including a young boy with a heart condition, and the family of borrowers that also lives there unknown. Arrietty herself, the daughter of the family of tiny people, continues the tradition of fantastic female characters that comes from Studio Ghibli. 

This isn't an action-packed movie with a grand climax or anything like that, but I found it satisfying and pleasantly watchable. Arrietty left me with good feelings and avoided being heavy-handed with messages as some Ghibli movies can tend to do. I liked it a lot (better than Howl's Moving Castle and Tales from Earthsea, if not quite as much as Ponyo), and I'll be happily seeing it again at the theater when it comes out in the U.S.

I went into this film with very limited expectations. I'm not especially a fan of animated movies, and have only seen a small handful of anime productions. So it came as a very unexpected surprise to discover that I absolutely loved this movie. It just seemed to get everything pretty much right. The visual artistry was quite beautiful, with a great deal of invention in the scenes where the little Borrowers navigate through the wide expanses of the house they live underneath. The music was quite stunningly appropriate, with the lilting Celtic sound just perfect in tone for this melancholic story, with some lovely vocal work too. And these images and sounds were combined together into a simple narrative that had an enormous amount of heart to it. I felt a warm buzz long after leaving the theatre.

The Borrower Arrietty is a beautiful film. I cannot really find fault with it. So from this reviewer who has very limited knowledge of anime I give it a near perfect nine.

In Tokyo, the boy Sho has a heart condition and is neglected by his parents. He moves to the house of his Aunt Sadako and her housemaid Haru to wait for a heart surgery, but he is depressed with the absence of his mother.

Meanwhile the fourteen-year-old Arrietty lives on the underground of Sadako's house with her father Pad and her hysterical mother Homily. They are Borrowers, tiny people that collect simple things they need in the house. Sho sees Arrietty on the garden and during the night, she participates for the first time of a harvest with her father. Arrietty accidentally drops a sugar cube in Sho's bedroom, but on the next morning Sho leaves the cube near a window in the basement.

Arrietty's parents decide to move to another place since they have been discovered by an inhabitant of the house. But there is the menace of Haru that wants to capture the tiny people.

"Kari-gurashi no Arietti" is a beautiful and melancholic tale of friendship between different ones. Arrietty is a lovely and sweet character and it is impossible not falling in love with her. The conclusion is open despite the message of hope, since the fates of Sho and Arrierry and her family are inconclusive. We hope that the boy recovers from his heart surgery and Arriety and her parents find a new home. My vote is seven.

Title (Brazil): "O Mundo dos Pequeninos" ("the World of the Little Ones")

Arrietty is a worthy addition to the Studio Ghibli canon, with animation that matches some of the best of the studio's past efforts. It's the first film directed by Hiromasa Yonebayashi, and it's based on the novel The Borrowers by English author Mary Norton. The script was written by Hayao Miyazaki and Keiko Niwa. Arrietty is a perfectly admirable first effort by Yonebayashi though it in no way matches Miyazaki's best films. It reminds one of Spirited Away (2001). This is because the story is somewhat similar but also because the hand-drawn animation is used in the same wondrous way to show scenes of everyday life of the characters. The buildup in the story takes a while, however, by then the viewer is immersed in the anime's world. It seems to go by fast though the running time is 94 minutes. The score by French singer Cecile Corbel is a definite benefit, with a sound that's distinctly European. Arrietty is a simple but charming film that, in my opinion, is mostly for children. Adults won't get much out of it, but if you're in the mood to see a good animated film then I recommend seeing Arrietty.

Studio Ghibli have been responsible for some of my favourite animated movies, especially Spirited Away, Princess Mononoke, Grave of the Fireflies, Castle in the Sky and My Neighbour Totoro. In fact I haven't seen a Ghibli I dislike, even their weakest Tales from Earthsea while problematic is worth a viewing. Arietty is not one of Ghibli's best, but that doesn't stop it from being a truly charming film. As with all Studio Ghibli's work, the visuals are stunning, with the colours especially having such an ethereal quality to them, and the music has a pleasant Celtic lilt making the movie even more beautiful than it already is. The script amused and touched me, and the storytelling doesn't rely on wisecracks and action(not that it's a bad thing as such) but instead it is subtle and gentle with a lot of charm and heart, letting us bond emotionally with the characters and their world. True, the ending is a little bittersweet, but considering the storytelling it worked I felt. The characters, especially Arietty, are likable and engaging, and the voice work is terrific, the standouts being Olivia Colman, Geraldine McEwan, Mark Strong and very talented child actress Saoirse Ronan. Overall, a very charming film. 9/10 Bethany Cox