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Spielberg's film is his vision of Michael Morpurgo's beloved book, which must surely now be essential reading for all kids, if it wasn't before.

Superficially it's about a horse named Joey and a boy called Albert, who become inseparable through a series of unfortunate events – World War I being one of them. A closer look reveals a story of such overwhelming humanity that I was bowled over. Spielberg was the only director for this film because he knows what it means to be a child.

Whether or not it is apparent in the book, there's no doubt this is a war film, one that ranks with Spielberg's 'Saving Private Ryan' and 'Schindler's List'. Emily Watson's character utters a line about the refusal of being proud of killing, which is the line one might use to summarise the film's point. Because Spielberg is Jewish, this line is pregnant with meaning. It's his noble way of saying that, despite the suffering received by his kin, he is willing to forgive their oppressors.

There's a scene where Joey is trapped by barbed-wire in no man's land and is freed by the combined effort of an Englishman and a German, who put aside their differences under the name of human decency. The scene is breathtaking, and it's the sort which no-one does better than Spielberg.

Long-time collaborator John Williams provides a moving score, regardless of its resemblance to the one he composed for 'Saving Private Ryan'. Director of Photography Janusz Kaminski reminds us of the beauty of our rural regions by photographing the Devonshire countryside with reverence.

Jeremy Irvine, Peter Mullan, David Thewlis, Benedict Cumberbatch, Niels Arestrup and Tom Hiddleston form the principal cast and are wonderful. Nothing could have prepared me for how much I'd be moved. There's no reason why you won't be.

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When it was announced that Steven Spielberg was directing a film adaptation of War Horse, fans across the UK were a little apprehensive.

After all, the stage play and book were massive hits, so the film would have a lot to live up to. Early reviews are now saying that this film will be in the running for major Academy Awards — a statement that seems accurate after watching the film.

Based on the book by Michael Morpurgo, War Horsedepicts the story of Albert Narracott, played by Jeremy Irvine, and his treasured horse Joey in Britain where World War I is about to begin. Joey is sold to the cavalry by Albert's alcoholic father and finds himself trapped in the devastating fields of war while Albert is trying to find him.

Spielberg finds a balance between heartfelt emotion, especially from seeing the war through Joey's eyes and the people he meets along the way, and the tragic problems the main characters face, for example the separation between Joey and Albert after we have watched them bond and connect in the first part of the film. It is those emotional contrasts that Spielberg translates onto the screen well, perhaps the best one being the contrast between the overall setting of the devastation and trauma of World War I and the love between the main character and his horse portrayed throughout the film.

Although some of the cast are newcomers to cinema, they put on a stellar performance. Jeremy Irvine perfectly portrays on screen the character's determination and devotion to find his horse. Practically unknown before this film, his performance in War Horse has now made him one to watch. The rest of the cast include Emily Watson, Peter Mullan, Tom Hiddleston, and Niels Arestrup.

War Horse is the perfect film to settle down with the family for Christmas. It is a touching, beautiful depiction of the relationship between a boy and his horse, and of life in the countryside during World War I. The usual bloodbath and gory murder scenes are ditched in favour of a genuine story that manages to provoke passion and deep emotion in the audience, and overall this fits into the beauty of the narrative.

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I was lucky enough to see War Horse in a special pre-screening last week, and I can safely say I will be seeing it again when its released on Christmas day. I went in with relatively low expectations, after watching the series of mediocre trailers, and walked out being able to safely say that War Horse is one of the best movies of the year, one of Steven Spielberg's best films, and, quite possibly, one of the best war films ever made, up there with my personal favorites The Thin Red Line, Apocalypse Now and Paths of Glory.

Steven Spielberg had long said that he didn't want to make Saving Private Ryan again. He said he wanted War Horse to be a war movie that parents cant take their children to and teach them something about love and war, and in this respect I can say that he more than succeeded. Spielberg comes close to the clinical perfection of Private Ryan, but more importantly, from an emotional perspective, War Horse far exceeds Private Ryan. There are many people apt to cry at Private Ryan, but War Horse is more likely to cause tears at a similar level to, say, Schindler's List. More importantly, unlike either Schindler or Private Ryan, War Horse is unlikely to cause any sort of political or moral complaints. He never tempers the anti-war message with nationalist tripe. Rather, he plays war straight. War is evil, men are good. There are no sides in this movie. In fact, at various points throughout the film, he seems to directly reject Saving Private 's heroism is dying for country message.

War Horse is based on the children's book and play of the same name. It is about a boy who's father, on a whim, buys a horse for his son that he knows will never be what is needed for the farm work it is purchased for. The boy forms an incredible bond with the horse. The first forty five minutes of the film is spent establishing the relationship between boy and horse. This part of the film is rather slow, but is necessary to establishing the film's central relationships, and is quickly made up for by the shift in pace as soon as the war begins. From the Scottish country side, after this important turning point in world history, War Horse shifts to France, where the titular horse is serving after being sold to the army. The boy is a year or two too young to follow his horse to Europe at this point, so for the next section, the film follows the horse only. From here on out, I will leave the plot a mystery, but it is gripping, thrilling, and very emotional.

There are two scenes in War Horse that I think are worthy of further mention. The first is a charge across no man's land. For anyone not familiar with the bulk of World War I's combat, it consisted of months at a time of back and forth shooting between trenches, broken up by awful charges across no man's land, to take a few hundred yards of enemy territory. These charges, as short as they were, as a result of the machine gun, came with death tolls in the thousands or higher. War Horse contains one of these charges, and it is carried out with both taste, and near perfect artistry. It is just grisly enough to get the reality across, but not so grisly that it makes the movie impossible to show to younger audiences. In fact, this trench charge ranks up with Steven Spielberg's other famous World War battle scene, the beach landing in Saving Private Ryan. It doesn't quite make it, but it comes close.

The other scene worthy of mention also occurs in the trenches, and reflects the other side of War Horse. The titular horse gets caught in the barbed wire in No Man's Land. The soldiers on either side spot it. No one knows what to do, as it is clear that its in incredible pain, but they know that leaving their respective trench would expose them to machine gun fire. Eventually two soldiers, one British, the other German both move to free the horse. The soldiers on both sides know what is going on, so no one fires a shot. This scene is unbelievably touching. The discussion they have (the German soldier happens to speak good English, explained adequately through a joke) will move even the most cynical of viewers, and gives a good idea of just what perspective War Horse takes to the act of war.

There are a few small problems in War Horse that, in most films, I would take issue with, but I will forgive in this case as I feel that they are so necessary for this film to appeal to younger audiences. The German soldiers speak English to one another, a big pet peeve for me. I would have preferred for French characters to speak subtitled French and German characters to speak subtitled Germans, but I recognize that many younger viewers refuse to read subtitles. There are a few unnecessary jokes, but again, younger viewers will enjoy these. Spielberg, as always, has three different endings tacked onto the movie, in this case necessary to provide the cut and dry resolution younger viewers require. As I said, these are still problems, but they are, for better or worse, required to accomplish what Spielberg was trying to.

I can say with absolute certainty that when Christmas rolls around, I will be dragging all my younger relatives to a screening of War Horse. I have never seen a movie so able to pull its punches enough to get a PG- 13 rating, but show enough to explain just what it is about war that makes it such an odious, disgusting, awful affair. In short, see War Horse as soon as you possibly can.

A strong war story detailing the horrors of war and the underlying common bond that all men share. The acting was fairly good from the whole cast, and the war scenes felt authentic. Beautiful cinematography brought this story to life.

It is well understood from the first few scenes that the typical cliché of both war films and animal dramas will stain Spielberg's canvas, yet the film pushes forward, earning well-deserved praise. Quite a few scenes are captivating to say the least; as is the scene with the horse, Joey, forging through heavily barb-wired no man's land.

'War Horse' surely reminisces the older WW1 films, and epic war films in general, such as Lawrence of Arabia, that drag on forever, yet do not fail to keep you enthralled with their stunning visuals and top-notch acting. Jeremy Irvine's performance was acceptable for an actor fairly new to the game, as were the performances of the gamut of child actors in the film, but honorable mentions must go to Emily Watson, Niels Arestrup, and Peter Mullan. The production did a wonderful job to give the horse Joey a deeper personified image, as if he were an actor. The same goes for the other horses in the film, who seem to converse amongst each other and reveal a chemistry shared between animal and animal, as well as animal and man. A wonderful job on the whole. Certainly Spielberg's finest work in recent months (yes, I don't think cowboys and aliens should ever mix).

For what its worth, this picture will move you deeply, as it has done to many. 'War Horse' inspires anti-war sentiments, as Joey's endeavors help him sympathize with men on both sides of the trenches, and ultimately reminds us of the beauty of Earths beasts. Each one has its own character that strikes a chord with the audience, and this is undeniable.

Enjoy!