O Último Ato

Honestly, I had no expectations from this movie what-so-ever. Al Pacino has been disappointing his cinema audience for such a long time that despite a few Luke warm positive reviews I'd heard of 'The Humbling', I still thought I'd just pass it this time. But it was only because of Barry Levinson (Director: Rain Man) that I eventually thought of giving the film a try. AND 'wow', I can honestly say after watching this film that it is Al Pacino who eventually saves it, and Levinson who every now and then allows it to slip.

I felt that in the first 50 minutes the film really moves on and gets a grip on the viewer - however the next 30 minutes are too shallow with Peegen's ex-lovers and Sybil, the psychiatric patient, popping up every now and then and to the extent that it gets irritating and the film almost becomes stagnant. I think Levinson should have edited at least 10 minutes from this segment.

In the last 20 minutes or so, thank God, the story moves on, and as it progresses towards the end, Pacino truly shines. He does actually deliver a brave performance throughout the film. Greta Gerwig also does quite well. It is an actors film no doubt.

In the end once again I felt that Levinson dropped this film a couple of times but Al Pacino saved it. I am also happy that Al Pacino was not predictable this time. For any Al Pacino fan I'd say go ahead and watch the film: it will surprise you!!!

What a shocker...Al Pacino INTENTIONALLY funny! Let's face it, when was the last time anyone couldn't wait to see him on the big screen, or anxiously await the next movie directed by Barry Levinson or written by Buck Henry? When the movie started, all actor-y and reeking in pretension, I started to regret my decision to shower and brave the crap weather to see it. Then, enter Greta Gerwig, the lesbian daughter of his friends who has wanted to seduce him since she was 8 and he was 40 and succeeds. Or does she, because Pacino's Skype conversations with his analyst mixes reality with imagination. Enter a psycho who is trying to get Pacino to shoot her husband, a black transgender male who used to be Gerwig's lesbian lover and Dianne Wiest as Gerwig's mother (hysterical performance) among others, that prolonged laughter in the theatre drowned out many funny lines unheard. My one quibble with this movie is that Buck Henry has lost his ear for writing dialogue for younger characters but this movie was a fabulous surprise. Highly recommended.

Let me say immediately that I loved it or to be more precise, I loved him in it and by him I mean Al Pacino. An act of generosity a profoundly moving performance. I connected immediately with his disconnection. Al Pacino, through his character, is telling us something personal, something important. Yes, it became personal to me, important to me. How rewarding to be able to say that, to feel that about the work of one of the giants of the XXth Century and counting. Thank you Mr Pacino, thank you very much.

One of the Problems with Al Pacino Films in Recent Years is His Aging. He Looks Old and one is constantly Reminded as He Performs in various Roles of late, just how Old He is Getting and just How Old He Looks.

That is Definitely Not a Problem in this one. A Dark Comedy from Director Barry Levinson with a Script by Buck Henry from a Book by Philip Roth.

Because, You See, the Character Pacino Plays IS an Old Actor that IS Losing His Grip on His Craft and His Looks are Not Receding, their Lost. It's an Uncanny and Personal Role for Pacino.

It's an Odd Movie and Off Beat with an Awkward Rhythm that Comes Together occasionally and then just as quickly Quirks Up and falls Out of Step. That Keeps Things Interesting and the Cast of one Goofy Character after another Helps Things Stay Frosty.

Greta Gerwig Co-Stars with Pacino as a Scatterbrained Lesbian that has had a Life Long Crush on the Actor and She Helps the Strange Story along with a lot of Unpredictable Behavior. Overall, Worth a Watch for something Different and to See Pacino Finally Playing His Age.

An Arty Film for Lovers of Stage and Screen with enough Gravitas to Entertain Thanks to some Good Performers and some Sharp Writing.

Al Pacino leads Barry Levinson's 'The Humbling', which despite some arresting moments, is an Uneven Comedy. Its a slow-paced tale of an artist losing his mind, but Pacino never makes him melodramatic or nagging.

'The Humbling' Synopsis: A stage actor who is slowly losing his mind engages in a relationship with a sexually confused younger woman.

'The Humbling' is a terrific idea, which doesn't translate into a terrific film. Reason? The Erratic Screenplay, which appeals in bits & pieces. Buck Henry & Michal Zebede's Screenplay, which is based on a book by the same name, is situationally funny, but overall, its erratic. There are moments when you feel for the protagonist, but at times, you just disconnect. Better Writing was the need of the day!

Levinson's Direction, however, is as complex as ever. Cinematography is aptly mounted, while the Editing lacks sharpness.

Coming to performances, Pacino is the life of 'The Humbling'. As an artist losing all he's got, the legend gives us a character that remains with you even after the show concludes. He's excellent. Greta Gerwig & Dianne Wiest deserve a special mention, for their brilliant performances, as well.

On the whole, 'The Humbling' will mostly appeal to Pacino fans.