Avaliações do Metacritic

People might not find it all that pleasurable, but “Get the Gringo” is, refreshingly, 100% Mel.

Gibson still has all the energy, impulsive gear-shifting ability and growly vocal command to anchor a muscular film such as this; he co-wrote it for himself, after all, and he certainly knows by now what he does best. Hernandez is entirely credible as a tough little customer with real guts, and all the actors playing bad guys seize their opportunities with relish.

Gibson knows how to play to the camera, and Grunberg is savvy enough to maximize what the star gives, spinning a slick package around the crazy scenario.

There’s no escaping the fact that this is a nasty, vicious little film – the climax is startlingly unpleasant. But with its sharp dialogue, beautifully streamlined story and fistful of surprises, the Mel haters are going to have to find another brickbat for now.

However agonising it is to admit it, this film isn't half bad, a sparky black-comic actioner with a cute "con trick" scene showcasing Gibson's Clint Eastwood impression.

A Mex-set spaghetti Western featuring toilet humour, organ transplants and the closest Mel Gibson’s come to playing Martin Riggs since the last Lethal Weapon.

If the story doesn’t strain itself in pursuit of originality, it does build to a satisfying conclusion.

Get The Gringo is a passable addition to the action genre but it might have been better had the need to keep Gibson’s fan base happy not been so pressing.

Subpar stuff with a few multiplex-worthy bits: a gonzo opening chase with the US Border Patrol, some wisecracking narration, and grungy location atmosphere. [15 July 2012, p.N10]

Gibson wisecracks with a weary panache, and the tech credits are sharp: production designer Bernardo Trujillo and director of photography Benoît Debie make El Pueblito look almost as disreputable as their leading man’s pebbledashed phizog.