Breath

One other reviewer writes:

"A particularly insipid example is early in the film the two teenagers get around on under-sized kid's BMX bicycles........." If it is the bikes I saw, they are not 'BMXs, they are classic 70s 'Dragsters" , in Australia often Malvern Star or 'Sportsworld' brand, banana seat,sissy-bar, 3 speed Sturmey gears. They actually would have obtained those bikes as authentic 1970s props. They are sort of the cycling equivalent of Pet Rocks.They are not out of place for the boys in film to be riding, I did not trade mine in until I hit 15 or 16yo.

Loved it. Having grown up in Western Australia in the 70's I loved every bit of this movie. Every bit that I could relate to that is. The feeling of being dumped in the surf, the chopper style pushies with banana seats, the poppity clatter of an old Kombie motor, the sandy WA bush, slipping on the rocks, the feeling of going up and over a wave just before it breaks, the rush of catching a wave, dancing badly at the school social, suntanned young skin, holding a girls hand, getting up at dawn to go surfing.. and of course, holding my breath under water just that bit too long. Couldn't help but not relate to avocado's in WA in the 70's.. I don't ever remember them.. and I'm a bit of a nerd when it comes to WA number plates.. the Kombi had black plates with white characters. The number format was right, even the first letter U was authentic, but sorry I don't ever recall black background with white letters.

Read a lot of positive reviews regarding this movie, which is why my wife and I gave it a go and we were not disappointed. It's a coming of age drama two teenage boys take an interest in surfing and are coached by an experienced older man. The acting and direction were very good but I must mention the cinematography which was outstanding Australia is a beautiful country and the movie took full of advantage of this.

This is an enjoyable film and takes your thoughts away from the current world situation.

My wife and I both scored this a seven and recommend this movie.

I grew up in the South West of Western Australia where this was filmed. I could relate well to the material and clearly Simon Baker has a love for the material as well. This is essentially a 'coming of age' movie.

It may take time to see how Breath is regarded in the list of all-time best Australian movies but regardless of how Simon Baker's debut feature as director ends up being regarded in due time, Breath is easily one of the most impressive local film's in year's and arguably one of the best film's yet made about the power and alluring nature of surfing.

Based on Tim Winton's novel of the same name, Breath centres around teenage mates Pikelet and Loonie (played impressively by newcomers Samson Coulter and Ben Spence) who in a small coastal town in Western Australia begin a love affair with the waves and a friendship with the older and married surf loving Sando that will shape the course of their lives.

Its a personable and relatable tale, one that is very close to Winton's heart as an avid surfer and a long time resident of Western Australia and Baker not only does a great job at mixing in teenage coming of age scenarios but perfectly captures the majestic and ominous beauty of the ocean.

Breath looks beautiful, captured thoughtfully by Baker and his DOP's Marden Dean and Rick Rifici, its one of the more visually captivating local film's to come our way in sometime and therefore justifys an added reason to capture this adaptation on the big screen outside of its nicely crafted character drama.

With Pikelet and Loonie we have two teenage boys we've likely all come across before in our time, Pikelet the quiet and introverted type and Loonie the more carefree and rashly thinking troublemaker and as these two unlikely commrades attach themsleves to the lives of the somewhat sad Sando and his troubled wife Eva (played by Elizabeth Debicki), Breath creates a real and lived in world where things are set in course for the shaping of these characters lives.

Final Say -

Breath is a methodically paced and baggage free coming of age drama that is anchored by a respect and capturing of Australia's relationship with the sea.

An experience long removed from the world of The Mentalist, Simon Baker has here marked himself down as a director of note with what will be one of the year's best Australian films.

4 lamb chops out of 5