Adicionar um enredo no seu idiomaJoe May is an aging hustler clinging to the belief that he's one scam away from his big score. With his health failing and resources dwindling, Joe is presented with one last shot at redempt... Ler tudoJoe May is an aging hustler clinging to the belief that he's one scam away from his big score. With his health failing and resources dwindling, Joe is presented with one last shot at redemption.Joe May is an aging hustler clinging to the belief that he's one scam away from his big score. With his health failing and resources dwindling, Joe is presented with one last shot at redemption.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Nydia Rodriguez Terracina
- Latina Woman
- (as Nydia Rodriguez)
Peter DeFaria
- Young Bartender
- (as Peter Defaria)
Avaliações em destaque
The Last Rites of Joe May is Dennis Farina's bittersweet swan song, his final exodus from a long, epic and beloved career, showcasing the actor in the role he was always meant to play, and a lead role no less. He did a few other films after this one and a priceless cameo on Family Guy, but this is the spiritual final entry, and when you look at the story of the film, it's both eerie and fateful that the man would go on to pass away just a few years later. He plays Joe May here, a Chicago wiseguy and short money hustler who has been in the hospital with pneumonia for almost a year. Upon returning to his borough, he finds his apartment rented out to a woman (Jamie Anne Allman) and her daughter (Meredith Droeger), all his belongings sold, and his presence pretty much forgotten, with some even under the belief that he has died. The woman takes pity on him and let's him stay in his apartment with them if he helps her out, and he goes back to the same hustling, or at least tries too. All his ventures have gone dry, his former boss (a splendid Gary Cole) giving the cold shoulder. Joe starts to realize that one must face the eventual consequences of a life lived in selfishness and foolhardy actions, as he finds himself alone in the world and shunned even by his own son. He gets a shot at redemption upon having the little girl in his life, and being there to help out her mother who has one lowlife monster of a boyfriend that just happens to be a cop. Farina is sensational in every scene, and it's a shame the guy didn't ever get more lead roles. He makes Joe a grim yet sympathetic being who serves as a sorrowful reminder of how we all will arrive at the end of our road someday, and how important it is to line said road with good deeds, kindness, respect and worthwhile ventures, even if they only show up in the last few miles of it. This is a Tribeca festival film so it's tough to find, but anyone with a love for Farina or simple, well told and emotional stories should definitely check it out. The beautiful piano score adds to the loneliness of Joe and his state of mind, as does Farina's performance which a a gift to filmgoers and contains see of the hardest work and piercing truth I've ever seen from the guy. RIP.
Only 8 other reviewers but everyone loved this little movie--kinda has the heart of Rocky1 and all the tragedy of Death of a Salesman (in Chicago vs NYC)--It's like I wish I didn't ever see this movie yet bec I always want the excitement you feel when you discover a gem like this--no scares, no SFX or faux artsy it's time to say Oscar BS---more people need to watch this great little movie
About 90% of this film is the main character walking down the street. He goes here and there, occasionally talking to various people in conversations that's never given as much screentime as the shots of him getting there by foot. The actual plot could have been cut down to a 15 minute short, but instead it's padded worse than the main character's leather jacket.
Maybe it's supposed to be a metaphor for the guy always being on his way to somewhere he'll never arrive. Or maybe, more probably, it's just terrible filmmaking that practically screams of student production from a director who thinks it's important to show where the protagonist is going, every foot of the way.
Maybe it's supposed to be a metaphor for the guy always being on his way to somewhere he'll never arrive. Or maybe, more probably, it's just terrible filmmaking that practically screams of student production from a director who thinks it's important to show where the protagonist is going, every foot of the way.
I was pleasantly surprised when I arbitrarily stumbled onto this movie. A talented cast tells an authentic story of the character's personal lives. Though overall a rather sad tale, it did not leave me sorrowful.
(I felt so strongly about this movie, I ventured to write my first ever review)
(I felt so strongly about this movie, I ventured to write my first ever review)
"The Last Rites of Joe May" has an excellent cast, headed by Dennis Farina, and wonderful screenplay (Joe Maggio). It's well directed and has quite an emotional impact on the viewer. Joe May is a man who has aspired to be more than he ever could be and refuses to accept the reality of his age and lack of achievements. He has few, if any, personal relationships, friendships or family. His arrival in the midst of Jenny and Angelina Rapp's lives is more important than any of them realize. Watching them interact and change and grow as people is both beautiful and painful. Truly realistic and moving. I was impressed with everything, from the portrayals of even the smallest parts to the details of Chicago streets and the understated score by Lindsay Marcus (not to mention Giuseppe Verdi).
Você sabia?
- Erros de gravaçãoJoe gets a shave at a barbershop, and then gets a ride to another part of the city to see Lenny. While he's talking with Lenny, we see that Joe needs a shave.
- Trilhas sonorasAh Si Ben Mio
Act III of II Trovatore
Written by Giuseppe Verdi
Performed by Enrico Caruso
Restoration by Bob Varney
creative common license
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El regreso de Joe May
- Locações de filme
- 2600 West Iowa Street Chicago, Illinois, EUA(Archie's Bar)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
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