O Ano Em Que Comecei a Vibrar Por Mim

The film begins on a promising note, offering some genuinely humorous moments. However, as it progresses, it becomes increasingly predictable, relying on repetitive humor scenarios in which the central character, Hanna, finds herself in embarrassing situations.

One of the central questions raised by the film is its underlying message. Initially, Hanna is depicted as a character with significant flaws - she neglects her family's needs, makes major financial decisions unilaterally, and appears emotionally distant. Towards the film's conclusion, she declares that she won't change who she is, and others should accept her for it.

This choice is somewhat perplexing, as it misses an opportunity for a more intriguing reversal of stereotypes, where a female character could be portrayed as a workaholic instead of the traditional male figure. Moreover, it departs from the common theme found in many films that emphasize the importance of family. In this case, the movie conveys a somewhat contradictory message, suggesting that individual desires should take precedence, and others should unquestioningly accept one's behavior. This message strikes an unusual and somewhat perplexing chord, at least in my interpretation.

Ultimately, the film is a slow downward spiral until the third act's climax and tone shift. For what it lacks in originality, and the stereotypical tropes of female empowerment and middle age crisis it repetitively falls into, it makes up for with some lighthearted humor. I would caution to say it's an interesting character study, as much of the narrative is too predictable. This film is perhaps slightly more polished and mature than your typical Romcom is, though likely just as satiable for that target audience. There is little to like in this movie, which is why I would recommend to skip it.

This is an absolutely terrible picture. The characters are just so unkind and repugnant they made me sick, throughout. I am not sure if this is supposed to be a comedy or a drama- but it is actually neither.. It is poorly scripted. It is poorly acted. It is poorly filmed and poorly Directed. It really has no redeeming qualities, although the lead actress is somewhat sympathetic; however, she is mostly pathetic. As my exposure to Swedish films is limited to some classics, I don't know if this is typical, or atypical; however, I would not rush to see another one anytime soon. This seemed twice as long as it actually was.

This movie is an excellent example that you shoudn't always care about other people's rates and reviews. It's funny, sometimes close to over the top, but it balances quite good. The story is about that it's not always easy to maintain a good balance between being ambitious in your job, having a good loving relationship and raising a child together, and at times you can fail in all three of them. Yet when you hit rock bottom, you can have new encounters that open you up for new perspectives and dealing with life. Sometimes life is dealing with the lows and keep trying your best. If you can relate to this you probably like this movie better. I watched it with my wife and it made us laugh and relax.

On netflix as "the year i started masturbating ". In swedish, it's Året jag slutade prestera och började onanera, which translates to the year I stopped performing and started masturbating. Hanna is thinking about having another child, but.. surprise! She gets dumped instead! So much for all her plans. And hanna had just quit her job, like morten wanted her to do. It's kind of a dark comedy. Some funny bits, but also much sadness and darkness in her life right now. What will ever get her life back on track? She meets liv, who has a whole different outlook on life. Liv gives hanna some pretty good advice, and won't let her wallow. Interesting. Some drama, some funny moments. Some very adult language in this, so definitely not for the younger set! Directed by erika wasserman. Her second film direction. She has produced a bunch of films.