O Guarda

Something there is that is charming about films set in Ireland with Irish characters speaking in beautiful brogue and THE GUARD fits into that category very comfortably. Written and directed by John Michael McDonagh this is a funny, fast-paced film that manages to poke fun at many points of bigotry (anti-American, racism, the gay lifestyle, etc) in a manner that keeps the comedy rolling. In many ways the film is comparable to the film IN BRUGES, if that helps the reader to categorize in a positive way.

Sergeant Gerry Boyle (Brendan Gleason) is a small-town Irish cop in Western Ireland with a confrontational personality, a subversive sense of humor, a dying mother, a fondness for prostitutes, and absolutely no interest whatsoever in the international cocaine-smuggling ring that has brought straight-laced FBI agent Wendell Everett (Don Cheadle, in a role that allows him to display his comedic gifts) to his door. Boyle's partner, a gay man Aidan McBride (Rory Keenan), the brunt of many of Boyle's jokes, is shot while making a traffic arrest by the drug smuggling gang (Mark Strong, Liam Cunningham, Owen Sharpe, Michael Og Lane) which leaves the cantankerous Boyle to align with the American black FBI agent Everett to solve the case. What begins as a fiction filled alignment ends up as a touching friendship.

McConagh's writing and direction are as fine as they come for films of this sort. It will be necessary for most viewers to turn on the subtitles to understand the brogue (the few Gaelic passages are not translated!). The cast, from the major roles to the minor ones (especially the extraordinarily beautiful Katarina Cas) including Laurence Kinlan and Fionnula Flanagan, is superb. This is a very fine comedy well worth the attention of a very wide audience!

Grady Harp

Despite the fact that I live in a bustling metropolis, all of the theaters that show smaller films are somewhere between 30 and 50 miles away. In "Dallas Traffic Time", that translates to somewhere between 90 minutes and 16 days. As a result, I don't get time to see many of these films until they come to DVD, if at all. In my experience, art house films are often the most difficult to write about and even more difficult to properly judge, particularly in the summer. When almost everything I've watched in the last three months has involved superheroes, aliens, or jokes related to bodily functions, I have a tough time transitioning to more mature and cinematic endeavors. So it is with "The Guard, a film entirely unlike anything else I saw this summer.

Sergeant Gerry Boyle (Brendan Gleeson) is an off-the-wall, somewhat crotchety veteran police officer who patrols a small Irish town. Shortly after beginning an investigation into a peculiar murder, Boyle discovers that his case is related to a major drug ring that is currently being hunted by FBI agent Wendell Everett (Don Cheadle). As straight-laced as they come, Everett is an odd pair for Boyle but the two are forced to work together to take down the cartel. When the case pulls Boyle in deeper than he would have ever imagined he is forced to reexamine his life's work and turn himself into an unlikely hero.

If that synopsis makes "The Guard" sound wholly serious, bear in mind that it is completely and totally a comedy. A dark comedy to be sure but a comedy nonetheless. If you've ever wondered what "Hot Fuzz" would be like if it was subtle and less over-the-top, "The Guard" fits the bill. This is writer/director John Michael McDonagh's first full length film but I would never have guessed it if not for the magic of IMDb. It is a witty, well-written film that makes its tone clear from the first scene. The pacing isn't exactly what I would call slow but instead calculatedly casual; it knows where it intends to go and it makes its way with balanced determination. This is a film that knows its own identity and doesn't stray from the dark comedy path more than a time or two. Its humor is smart and lively. Even with the thick accents (which probably caused me to miss a joke or two) "The Guard" is filled with exquisite dialogue and understated jokes that brought more laughs than anything from all but the very best big budget comedies this year has brought.

The plot of "The Guard" is simple but refined and that pushes all of the attention onto the characters and the actors who portray them. Cheadle is a solid straight man and as he always does, he makes the absolute most of every scene he is given. As one of the ringleaders of the drug ring, Mark Strong's character is straight out of a Guy Ritchie film, a role Strong is great at playing. Please Mr. Strong: stick to these films and stay away from popcorn crap like "Green Lantern." But despite all of the excellent actors around him, "The Guard" is all about Gleeson. His work in 2008's "In Bruges" (coincidentally directed by McDonagh's brother Martin) finally brought him the attention he deserves, but Gleeson has always been a favorite of mine, a magnificent actor who never fails to impress no matter how little screen time he is given. Boyle is a without a doubt a curmudgeon (and a slightly racist one at that) but Gleeson makes him exceedingly likable. He is a wild card, the type of guy who does the right thing when you're absolutely sure he's going to continue to disgrace himself and Gleeson pulls this off perfectly. Moreover, he once again exhibits the brilliant comedic timing that has made him one of the best and most versatile actors that Ireland has to offer. I'm not saying it's his best performance but rather another in a long string of quality portrayals that illustrate just how undervalued this guy really is.

Fun, intelligent, and genuinely hilarious, "The Guard" is an excellent departure from my typical fare this time of year. I've made no bones about the fact that I really like summer blockbusters. I love them, in fact. But when a movie like "The Guard" comes along in the midst of the "Conan the Barbarians" of the world, it serves as an incredibly refreshing reminder of what we have to hope for in the coming months.

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I must take issue with the bobbowhite review.

As a citizen of Ireland I can safely say that this film is easy to understand and accents should not be adjusted just so that USA folk can follow.

If an English MP can find the film enjoyable and recommend it to her 35,000+ twitter followers, then no-one should complain.

The scenery is superb.

The characters just right for the West of Ireland as I remember it.

The whole scope of the current Irish populace is contained in the film and age old attitudes subtly dealt with.

Greetings again from the darkness. Writer/Director John Michael McDonagh is the brother of Martin McDonagh, who brought us the excellent In Bruges (which also starred Brendan Gleeson). I figured it best to say that upfront because there is no way to avoid comparisons of the two films. Clearly these men grew up in the same house and were trained in a brilliant method of writing dialogue.

Brendan Gleeson delivers a powerful and hilarious performance as a local cop (Garda) in rural Ireland. His Sgt Gerry Boyle is quite an enigma - he gets along great with locals, yet struggles to fit into society. This is never more apparent than when FBI Agent Wendell Everett (Don Cheadle) hits town on a drug smuggling investigation. The key to their relationship is crystallized at the moment an exasperated Agent Everett says to Boyle, 'I can't tell if you are really smart or really dumb'. Of course, I am paraphrasing because the F-word gets literally worn out in this movie. There aren't many lines I can actually quote in print. But the word rolls off Gleeson's tongue as if it's a work of art ... especially in conversation with his ailing mother, played well by the always terrific Fionnula Flanagan.

The international drug smugglers being chased are a trio led by Liam Cunningham and the always interesting Mark Strong. The endless rips, insults and jokes are fired rapidly at Americans, Brits and anyone unfortunate enough to hail from Dublin. Boyle uses his Irish background as a crutch for his racism and insensitivity. But he leaves no doubt about his expertise as a cop. Heck he even recognizes the importance of some 9 year old kid riding around on a pink bicycle. That's just another example of the off-center approach to story telling offered by McDonagh.

If you are a fan of In Bruges, Snatch, or Lock Stock and Two Smoking Barrels, I think you will enjoy this one. It falls just short of that level, but not by much. Gleeson is outstanding and the story is simple enough, yet with plenty of twist, turns and hilarity.

For everyone who saw and loved In Bruges, have I got the next movie for you…The Guard. This is a fantastic piece of cinema brought to us by John Michael McDonagh, the brother of Martin McDonagh, who was writer/director of In Bruges. This is the first major film directed by John Michael McDonagh and it does not disappoint.

Set in western Ireland, The Guard begins aerial view of a drunk driver cruising down the highway at high speeds. Right from the start it's easy to understand where the humor will come from – Brendan Gleeson, who also played a large role in In Bruges. The car goes out of frame, skids, squeals, and crashes in front of Gleeson's patrol car. Oh, did I mention he's a cop this time? Quite the role reversal. The crash wakes him – slowly – from his day dream and he pulls up to check out the scene. After rummaging through the pockets of one of the people in the car he finds a bag of drugs, which he tosses away from the body, though, not before dropping a tablet of acid for himself. Cut to introductory credits.

If this doesn't get you off, leave the theatre and begin questioning your understanding of what's funny. The rest of the movie is comprised of smartass remarks and brilliant dry humor.

Don Cheadle plays a straight laced, by the books, FBI agent from the States investigating a drug smuggling scheme that's rumored to be happening in the area. These two must work together to find crack an overlapping case (Cheadle's looking for the drug lords, Gleeson's looking for murder suspects – the same people). It's a good buddy-cop narrative between the two and they work really well together.

I don't want to gush too much more over this movie, just go see it. I'll leave you with a quote that should depict a fair picture about the humor in this movie: Gleeson: I'm Irish. Racism is part of my culture.

See this movie. Until next time folks, cheers!