Às Vezes o Amor Não é o Bastante

While acknowledging that Bill Wilson was not perfect (um ... who is?), his contribution to alcoholic mankind was out of this world. I am speaking from someone who appreciates the history of Alcoholics Anonymous. It is quite fascinating.

I've been to Dr. Bob and Anne's house in Akron, Ohio; A.A. World Services in New York several times; and Lois and Bill's Bedford Hills home - Stepping Stones. I enjoyed seeing the Bible where Bill wrote his pledges ~ at one of these places (been awhile; can't recall where.)

The movie touched my heart. I appreciated the brilliance in its creation. Winona Ryder and Barry Pepper were outstanding as well. I highly recommend it to anyone.

Congratulations to Hallmark for making an incredibly important movie for all the families of alcohol addicted loved ones. 95% of the movies on the Hallmark Channel always seem to be saccharine stories of couples in love, and they usually take place in some make believe perfect little town. This story is raw and real. It gives hope to those who may want to quit believing for the best in others, while illustrating what a devil of a disease alcohol addiction is.

I wish Hallmark would make more true biographies. They were common in the movies 50 years ago, and serve to enlighten and educate viewers, young and old.

I show this to my substance abuse group multiple times a year, and each time you can tell the effects of the alcoholism resonates with my group members. Story moves a little fast, some of the acting and dialogue is crunched-eyes inducing, but it's an effective story and movie.

Just watched this "Hallmark Hall of Fame" TV movie on my DVR. It stars Winona Ryder as the wife of the founder of Alcoholics Annonymous, Bill Wilson, here portrayed by Barry Pepper. Over and over again, after he goes from the joys of Wall Street to the firing after the Stock Market Crash, Lois suffers from his constant drinking despite frequent promises to stop until he hits rock bottom and starts his program. But she still can't have him to herself so when she invites the other wives of reformed alcoholics to the home, she inadvertently starts her own group called Al-Anon. I have to tell you right now, all those scenes of Ms. Ryder just crying and getting angry really put me through the ringer! I've read about some of the omissions of their lives in the other comments but despite that, I found this film very compelling to watch and quite inspirational too. So on that note, I highly recommend When Love Is Not Enough: The Lois Wilson Story.

"When Love Is Not Enough" is a film of a very specific style. That sort of style most commonly seen in films which consider the most effective way to depict a period drama is in mimicking the film-making style of said period. If you can swallow all the tear-jerking music and glossy cinematography, you will certainly appreciate the story better. But I found myself aching for a little bit more grittiness. Even much older alcoholic dramas such as "The Lost Weekend" or "Days of Wine and Roses" had a degree of emotional intensity not quite present here. Then again, this is a TV movie, and similar expectations are not necessarily in play.

Winona Ryder and Barry Pepper are two of my favorite actors. They don't disappoint here. Pepper (as Bill Wilson) is appropriately pathetic for the better half of the film, believably drunk and unhinged. Ryder (as Bill's wife, Lois) is given somewhat less to work with. Some of her dialogue during the more intense arguments is so wordy and roundabout that she seems tied between losing her breath and keeping a straight face. Both of which tend to get in the way of projecting emotion.

It's a good enough film. The story takes you through the events of Bill and Lois' married life, always without making you feel like it's arbitrary or scripted out. The unfortunate side is how John Kent Harrison doesn't offer anything at all outstanding with his direction. The look is flat, clean, ordinary. He sometimes uses off-kilter angles in the composition, which is always distracting and immediately makes one think of 1960s television shows. Harrison prevents the actors from pushing further than expected, and gives nothing but limitations to the production.

In the end, this is probably worth watching. The actors give enough guts and passion to make it worth your time. It's nothing to subvert even the lowest of expectations, but you get the sense that everyone tried their best. And that's commendable, even when their best is not enough.