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When a student, Ben, inherit a strange box from his dead father he seeks help from friends and from one teacher to find out more about the box. Suddenly his friends start to die mysteriously.

Nice killings voodoo style, but some times the sequence of the story was strange and the acting in my opinion is not that good. On the beginning my suspicions about the killer went in a very different way, and that´s a good thing , you want to get surprised when you watch a movie..

My opinion it´s an ok movie.

NEEDLE is a nice slab of revenge-horror with a supernatural edge. It concerns a group of college friends who begin dying in godawful -and quite original- ways, after one of them inherits a mysterious wooden box. The survivors must figure out how to stop the carnage if they want to live.

Just imagine if SAW's Jigsaw was a practitioner of black magic, and you'll have some idea of where this movie goes.

EXTRA POINTS FOR: #1- The cool-looking box of doom! #2- The way the box works!

Ghoulish stuff indeed.

Watch for John Jarratt as the Coroner...

Estranged brothers Ben and Marcus come together ( like the "Hardy Boys") to solve the systematic killing of Ben's school chums.

This movie is basically a "murder Mystery". The only thing that set's it apart from most is the method the murderer is using to off his victims. Let me say right here that I don't believe describing the murder weapon in some detail spoils anything for you (Boloxxxi NEVER spoils; not intentionally anyway). But if you believe it does, then STOP RIGHT THERE!!! Advance to the next reviewer and collect $200.00.

Made or acquired in the 1800's, the instrument of death is a "revenge" machine that operates on voodoo principles in that it uses a wax figure and photo of it's victims. It has a side drawer that holds a crank that is inserted in a special slot that "winds it up" or get's it going once these steps are taken: (1) A wax image or symbol is made of the victim; (2) blood is drawn from the avenger and poured into an ornate circular receptacle at the top; (3) a retractable viewer of some kind is pulled up from what looks like a "coin" or "card" slot and a small photo of the unlucky bastard --sorry, "victim" is placed in it and pushed back down into the machine; (4) a long needle is selected from a collection in a drawer of the machine to be heated and used with the wax figure (Positively fiendish, what?)

I liked this movie as a simple, solid murder mystery. So though I thought the revenge machine was an interesting take on the voodoo idea, the way it's victims died was not that interesting to me; that is to say, no more so than if a gun or knife were used. What was interesting to me was who was doing it and why. That is what kept me going. Before I saw the movie I thought it was going to be another of those typical young people horror films. You know; clueless, beer-guzzling, libido-driven, party loving teens getting knocked off one by one. I was surprised how straight forward this movie was played out as a murder mystery (sans a lot of "teen antics") with brothers Ben and Marcus playing detectives.

Finally, though not exceptional, this movie is a solid murder mystery from the perspective of young people around whom the story revolves; it is methodical and sober as Ben and Marcus try to get over their differences and solve the killings at the same time. So if you are looking for horror or want to be "horrified" this is not your movie. But if you want to be "mystified", it is (though you could stay home and achieve the same effect by going through some of the bills you owe). Love, Boloxxxi.

Plot

A killer uses an 18th century machine with supernatural powers to terrorize students at a college.

Cast

Travis "Vikings/Warcraft Movie" Fimmel and John "Wolf Creek" Jarratt star.

Verdict

It wasn't long after this that Australia began knocking it out of the park, great movie after great movie and then it ended as swiftly as it began. My Top 10 Australian movies list is quite impressive and I knew going in that Needle would be unlikely to get on it, and I was right.

It has an interesting enough premise, a remote method of killing such as Death Note but using an antiquated machine. As you can imagine it's your standard formula of introduce the 20 somethings, pick them off one by one and reveal the "Whodunnit" at the end. The trouble is the journey isn't fantastic, it's rather uninspired, it's boring and certain elements left me scratching my head as they made little sense and the rules of the box were a tad inconsistent.

I've seen worse Australian films, but this is one that's highly forgettable which is a shame as the potential was certainly there.

Rants

I've mentioned Death Note so of course have to say it. The Japanese delivered us the Death Note anime and it was a masterpiece, then they hit us with a live action television series of it and it surprisingly really good! Then they gave us 5 live action movies and they varied from very good to excellent. What happened next? That's right boys and girls the Americans came along and decided to give it a go and as is often the case it's as if the writer was given a 10 second presentation on what Death Note is and made a movie off the back of that. It's one of those "It didn't happen" movies which I try and deny the existence of such as the upcoming The Crow remake or Nightmare on Elm Street (2010). For shame Netflix, for shame!

The Good

Premise isn't awful Some visuals are quite good

The Bad

Totally forgettable Bland cast Inconsistent rules of the box Doesn't exactly flow.

Part of what makes us indulge in horror movies is to see death presented to us in a different manner, through a story that compels us. NEEDLE had a wonderful premise with a wonderful little mystery that screenwriters Anthony Egan and John V. Soto (who also directed) could not bring to light.

And that really bothers the heck out of me.

If the pair had really invested in a riveting narrative, this could have comprised the mystery element of the United States based version of THE RING with Clive Barkers HELLRAISER for one potent and unforgettable horror. Instead, after coming up with a wild idea, Egan and Soto clearly didn't know what to do with it. Instead, it became hack-and-slice cinema that offered little stimulation to the senses. By movie's end, the tale had become so old and lame, the climax was abysmal and unsatisfactory. In fact, it cheats the audience and sets up a sequel, though I doubt they'll ever have the chance – unless an intelligent producer with deep pockets comes along and shows them how to do it the right way.

At first, when the lame commercial-hard rock commenced as Ben (Michael Dorman) ran across a college campus, I thought this was going to be typical teen fair. Then the premise was revealed and intrigue set in – only to collapse into typical teen fair. Worst still, Travis Fimmel, who played Ben's older brother, came off as being creepy in one scene, and a determined guy out to solve the mystery in another. Now, this did not leave the audience with an enigmatic character (such as Stellan Skarsgård in INSOMNIA or Ji-tae Yu in NATURAL CITY) but a confusing one. However, seeing how the story imploded into mediocrity, I have little doubt the director had told me to act in this manner. Think of George Lucas directing kids (unless they're stuffed into ewok costumes) and you'll get the idea.

Revenge horrors have become a "give me a break" kind of subgenre, that is a simple and clichéd plot device for writers and directors to use as an excuse to slaughter. NEEDLE reminds us filmmakers need to deliver so much more. And this movie is only worth watching to see how a couple of writers came up with a great idea and didn't know how to make it work.