AVALIAÇÃO DA IMDb
8,4/10
5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn in-depth look at the Canadian rock band Rush, chronicling the band's musical evolution from their progressive rock sound of the '70s to their current heavy rock style.An in-depth look at the Canadian rock band Rush, chronicling the band's musical evolution from their progressive rock sound of the '70s to their current heavy rock style.An in-depth look at the Canadian rock band Rush, chronicling the band's musical evolution from their progressive rock sound of the '70s to their current heavy rock style.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Trent Reznor
- Self
- (as Nine Inch Nails)
John Rutsey
- Self - drummer, co-founding member of Rush
- (cenas de arquivo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
10douglj
I have been a fan of this band since I was 14 years old. I first saw them live at Madison Square Garden in NYY (1981). My two older brothers introduced me to Rush and I have loved them since.
This film / documentary chronicles the band from their very beginnings to today. If you are a Rush fan or if you want to learn about a band from Canada that has influenced so many other bands around the world you need to check out this film.
Check it out just to listen to their music.
A band from Toronto with a song called YYZ, can you ask for anything more!
This film / documentary chronicles the band from their very beginnings to today. If you are a Rush fan or if you want to learn about a band from Canada that has influenced so many other bands around the world you need to check out this film.
Check it out just to listen to their music.
A band from Toronto with a song called YYZ, can you ask for anything more!
This film does a good job of presenting and explaining what Rush is all about, and how the group has earned respect from fans, producers, DJs and other musicians (just not critics). Not quite hagiography, as it quotes some of the negative reviews and the band's own dissatisfaction with some of their albums or directions or even wardrobe choices.
Unlike the filmmakers' heavy metal survey films (Headbanger's Journey and Global Metal), in this film Dunn is never on screen and is only heard once or twice asking questions of interview subjects. The spotlight (or limelight) is clearly placed on the band - this is a straight-up documentary, without dwelling on a fan's relationship to a band or genre. As in previous films by this team, the interviews with a surprisingly wide variety of subjects provide much of the meat of this film, giving a broad perspective and keeping it from having too much of a narrow viewpoint. Of course at least half the interviews are with Rush members themselves. You get a real sense of the men behind the music, including their relationships to each other, family, other musicians, and fans.
A special aspect is some great earlier footage, even from family discussions while they were still in high school. There are also some powerful landscape shots while exploring Peart's response to deaths in his immediate family. And the examination of the song-writing process, including shots of original hand-written lyrics drafts, provides good value for viewers.
Overall, a well-made film that does justice to the topic. Not as poignant or story-arced as Anvil: the Story of Anvil, this film has a more successful subject and didn't need to become a real-life Spinal Tap to make a interesting watch.
Unlike the filmmakers' heavy metal survey films (Headbanger's Journey and Global Metal), in this film Dunn is never on screen and is only heard once or twice asking questions of interview subjects. The spotlight (or limelight) is clearly placed on the band - this is a straight-up documentary, without dwelling on a fan's relationship to a band or genre. As in previous films by this team, the interviews with a surprisingly wide variety of subjects provide much of the meat of this film, giving a broad perspective and keeping it from having too much of a narrow viewpoint. Of course at least half the interviews are with Rush members themselves. You get a real sense of the men behind the music, including their relationships to each other, family, other musicians, and fans.
A special aspect is some great earlier footage, even from family discussions while they were still in high school. There are also some powerful landscape shots while exploring Peart's response to deaths in his immediate family. And the examination of the song-writing process, including shots of original hand-written lyrics drafts, provides good value for viewers.
Overall, a well-made film that does justice to the topic. Not as poignant or story-arced as Anvil: the Story of Anvil, this film has a more successful subject and didn't need to become a real-life Spinal Tap to make a interesting watch.
It is a very well directed and edited collection. Home movie footage of Alex and Geddy as kids all the way to interviews from the Snakes and Arrows tour put the bands personalities and philosophies to the forefront. Fans will feel like they know these guys. There is much humor with the occasional sobering aside. People who barely know Rush's music will probably get converted. There isn't a lot of technical discussion (equipment, technique). Most people who contribute commentary have worked with them in some capacity. "Celebrity" fans are mostly from the heavy metal camp. The Grace Under Pressure to Roll The Bones era is covered the least (which will make many happy). It was awesome! See it in a theater if given a chance.
It is about bloody time someone turned the microscope on this band, and this documentary ably rides the line between investigation and glowing tribute. In an attempt to examine what makes Rush a noteworthy band (and why it took 40 flippin' years to gain mainstream acceptance), the filmmakers line up interviews from all walks of music; from Jack Black and Gene Simmons, to Billy Corgan and Trent Reznor.
And every phase of the group's evolution is paid attention, be it the humble beginnings in a Toronto suburb or the prog and synth eras of the late '70s and '80s. The many celebrities interviewed shed light on what captivated them when they became fans and what it is that makes Rush so hard to define and properly market.
It's a highly watchable documentary and as polished as the power trio is musically proficient. Just incredibly engaging and, most importantly, as comprehensive as they come.
9/10
And every phase of the group's evolution is paid attention, be it the humble beginnings in a Toronto suburb or the prog and synth eras of the late '70s and '80s. The many celebrities interviewed shed light on what captivated them when they became fans and what it is that makes Rush so hard to define and properly market.
It's a highly watchable documentary and as polished as the power trio is musically proficient. Just incredibly engaging and, most importantly, as comprehensive as they come.
9/10
Firstly, I am not a hardcore Rush fan.They are a great band and I always marveled at their sheer musicianship.
This doc covers the early years with their struggles on the club circuit, getting signed, early tours etc. The things you would expect from a Rock Doc that is covered in other reviews here.
What I liked so much about this were the people. Geddy is interesting and articulate and has that nice ability to tell a story ( a bit like Alice Cooper can.) Alex who is funny and well, pretty normal. And of course the intensely private Neal who has been a Demigod in drumming circles for decades who is intelligent, and surprisingly engaging for a guy with a surly reputation.
In addition to that, you could feel on the screen what great friends these guys were and was especially punctuated towards the end of the film when they were discussing Neils tragedies. To me personally this had two stories, one about a band called Rush and the other story about three great friends overcoming the odds over the years. The other interesting thing is their manager seems to have been with them the whole time which says a lot.
Billy Corgen offered the most celebrity insight, and I found his observations really good.
I liked some of commentary by Geddy about bands they had toured with like Kiss, they are not the type to put people down because they are superior musicians.
I have never given anything a 10, but this was really good. My wife even liked it and she was not familiar with them at all.
I just wish it was a bit longer.
This doc covers the early years with their struggles on the club circuit, getting signed, early tours etc. The things you would expect from a Rock Doc that is covered in other reviews here.
What I liked so much about this were the people. Geddy is interesting and articulate and has that nice ability to tell a story ( a bit like Alice Cooper can.) Alex who is funny and well, pretty normal. And of course the intensely private Neal who has been a Demigod in drumming circles for decades who is intelligent, and surprisingly engaging for a guy with a surly reputation.
In addition to that, you could feel on the screen what great friends these guys were and was especially punctuated towards the end of the film when they were discussing Neils tragedies. To me personally this had two stories, one about a band called Rush and the other story about three great friends overcoming the odds over the years. The other interesting thing is their manager seems to have been with them the whole time which says a lot.
Billy Corgen offered the most celebrity insight, and I found his observations really good.
I liked some of commentary by Geddy about bands they had toured with like Kiss, they are not the type to put people down because they are superior musicians.
I have never given anything a 10, but this was really good. My wife even liked it and she was not familiar with them at all.
I just wish it was a bit longer.
Você sabia?
- CuriosidadesBilly Corgan (of The Smashing Pumpkins), who was interviewed for this documentary, has admitted to stealing a riff from Rush's "By-Tor & The Snow Dog".
- Erros de gravaçãoSebastian Bach incorrectly quotes lyrics from the song, Circumstances from side b of the Hemispheres album. His recollection of the lyric results in a nonsensical utterance in a failed attempt at speaking french. The correct lyrics are as follows; Plus ca change. Plus c'est la meme chose. (the more that it changes, the more it is the same thing)
- ConexõesFeatures Rush: Exit... Stage Left (1981)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Rush: Dưới ánh đèn sân khấu
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Proporção
- 1.78 : 1
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