Paris Is in Harlem

"Paris is in Harlem," directed by Christina Kallas, is an indie gem that captures the raw and interconnected lives of its characters through a unique storytelling technique. Using split screens to weave multiple narratives, the film employs a chassé croisé structure that eventually brings all threads together in a seamless and impactful manner.

The film's documentary-like feel adds an authentic layer, making the viewer feel like an observer of real life. The acting is superb, with performances so natural and engaging that the line between fiction and reality blurs. This immersive experience is reminiscent of watching Larry Clark's "Kids," where every scene feels like a domino effect, drawing you deeper into the unfolding drama.

One of the film's standout features is its dialogue, which sparks thought-provoking conversations and brings a refreshing depth to the narrative. The characters' interactions are rich with subtext, touching on various social and personal issues that resonate on multiple levels.

"Paris is in Harlem" is a film that stays with you long after the credits roll. Its innovative storytelling, compelling performances, and realistic portrayal of life make it a must-watch. Highly recommended for those who appreciate films that challenge conventional narrative forms and offer a profound viewing experience.

Paris is in Harlem is a visual and linguistic symphony of wit and color that draws you in and won't let you go. Moving and delightful, it brings all the feels, allowing you to immerse yourself in the authenticity of a city that is equal parts grit, joy, and mystery. The glimpses of Harlem are delightful, capturing the diversity and inimitable charm of one of the world's most famous neighborhoods. The music is an homage to the jazz greats who once called Harlem their home. The film is a testimony to what filmmakers can do given inspiration and talented actors. This is a wonderful film and a lovely tribute to the City of New York.

"Paris is in Harlem" by Christina Kallas is an insightful and penetrating look at the Manhattan neighborhood in a sort of 'slice of life' style. The story follows a number of characters and weaves together various threads into a tapestry expressing cultural and political realities in a masterful way. Kallas allows us to observe rather than being didactic.

The performances, writing and direction are firing on all cylinders - creating an authentic and engaging experience. I was entertained, moved, and inspired.

It is a form of cinema rarely seen anymore. I really hope this is a sign of a renaissance in independent movies.

Had the pleasure of seeing Christina Kallas' latest film, PARIS IN HARLEM yesterday, and it's stunning. It's an Altman-like tableau of stories set in NYC during 2017 and uses the archaic "No Dancing/Cabaret" law, passed by the city in 1926, as its connective tissue. Like TAR, it masterfully addresses the issues that current ail our upside-down world, but from a neutral, very adult POV, allowing the viewer to draw their own conclusions. The entire cast, from the leads to the smallest supporting role, knocks it out of the park. Kallas directs with a fly-on-the-wall immediacy that makes the viewer feel like they're eavesdropping on real life. Not to be missed.

It's currently screening at The Cinelounge on Sunset Blvd in Los Angeles.

Perhaps it was because I was born in NYC, or simply because I admire great cinema, but I fell in love with PARIS IS IN HARLEM.

For a city that has forever suffered at the hands cliche-slingers, PARIS IS IN HARLEM goes a long way to correct the cinematic insults.

I loved how it flowed like water, I loved the echoes between the different characters and their stories and I especially loved the duet across the subway platform early on in the film. I must have replayed that scene 3 times. Brilliant.

Don't misunderstand -- this film is not some docudrama about the end of NYC's "No Dancing" law. This film is poetry, not history.

If you want a film that breathes with the genuine rhythms and concerns of NYC, you've found it.