Miranda, socialmente inepta, está sempre se metendo em situações incômodas; trabalhando em sua loja de piadas com sua melhor amiga Stevie, sendo perseguida por sua mãe insistente e ao redor ... Ler tudoMiranda, socialmente inepta, está sempre se metendo em situações incômodas; trabalhando em sua loja de piadas com sua melhor amiga Stevie, sendo perseguida por sua mãe insistente e ao redor de Gary.Miranda, socialmente inepta, está sempre se metendo em situações incômodas; trabalhando em sua loja de piadas com sua melhor amiga Stevie, sendo perseguida por sua mãe insistente e ao redor de Gary.
- Indicado para 7 prêmios BAFTA
- 8 vitórias e 18 indicações no total
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'Miranda' manages to succeed with an 'in-your-face' approach where the main lead constantly address her audience and where most of the humor is seen coming miles ahead. This normally would boil down to an utterly tepid experience , but with Miranda Hart the effect is hugely more than the sum of its parts. I'm sure the division is similar to watching the late Tommy Cooper. You will either notice the brilliance or find it utterly boring. I 've no idea why the format of continuously speaking to the audience works within this series. It simply does. All cast members are above average, with Patricia Hodge stealing every scene she is in. A huge factor may be the neck-breaking speed. I like that. Suspect it's simply too much for part of the public..
The trailers terribly undersold this series & I almost missed a real gem. Fortunately "Points of View" reported receiving no negative feedback & showed a very funny end credits sequence. When I watched on Catch Up, I just fell in love with Miranda & her world of insanity. I was unfamiliar with Miranda Hart's stand up, but that didn't matter. Far from being a big ego trip, this is a heartwarming comedy that effectively breaks the 4th wall. Miranda shares her insecurities with the audience and pulls us right in with her speeches & glances to the camera. Patricia Hodge as Miranda's disappointed mother is a scene stealer. Miranda's friends are delightfully insane & Gary is a love. While I'm not usually a fan of slapstick, the falling over does work here. I'm delighted that Series 2 has been commissioned. I wouldn't miss it! 10/10
Thank you Miranda Hart! You are SO talented. I haven't laughed like that since Monty Python... I mean the original stuff... and "Big Trouble" . comes in close. LOVE it! Love the talking to the audience, love the physical comedy, love the storyline... Just binge watched all 3 series that are on Netflix... sad I can't watch series 4 and oh dear... it's over now?
I bet the wonderful actors in this had such fun making it.. it looks as though they did! Patricia Hodge, Tom Ellis, Tom Conti there for a while just having fun.... what a joy!
It's so truly wonderful to see a series that doesn't rely on the same old same old same old recycled storylines and terrific to see it acted by such professionals.
Devastated it's over. Can't you make some more ?
By the way I have only ever rated 2 other movies/shows with a 10. Praise indeed.
I bet the wonderful actors in this had such fun making it.. it looks as though they did! Patricia Hodge, Tom Ellis, Tom Conti there for a while just having fun.... what a joy!
It's so truly wonderful to see a series that doesn't rely on the same old same old same old recycled storylines and terrific to see it acted by such professionals.
Devastated it's over. Can't you make some more ?
By the way I have only ever rated 2 other movies/shows with a 10. Praise indeed.
Miranda is a stunner, not in the physical sense, but in her comedy show. When you laugh from the first episode you know it must be good. This is Brit comedy at its very best with knowing looks to camera, witty dialogue and slapstick. Her shop reminds me of Black Books - customers take a back seat when it comes to Miranda's odd life. Each episode can stand on its own although the supporting character development is better watched from the first episode. I can't watch an episode of this without having a really good laugh (which is murder on my hernia I can tell you!). I really hope that this series keeps on going for a while as there's no sign of it losing its freshness at this stage. Give it a try.
As this show has collected so few reviews on IMDb, I would like to add my two penn'orth, for what it's worth. I caught this by accident, not being an avid TV watcher - and became hooked. I'd heard a version of it on the radio - I'm not sure which came first in the order of things - but that was mildly amusing, although a lot of Miranda's comedy is visual, and when I heard a repeat of the radio version after seeing the TV show, I could see the problems they were up against.
Any flaws I found in the TV series - we armchair critics have to look for flaws in new things - were cancelled out by the fact that I felt better after each episode I watched. Not just amused, and in some cases, very tickled indeed, but uplifted.
All of the characters are attractive and likable - and despite Miranda's self-deprecating gags about being often mistaken for a man, she's a very feminine, and extremely good-looking lady. Her device of engaging directly with her home-viewing audience, via the camera, works well, and adds to her personal appeal.
The comedy chemistry in the scenes with her diminutive friend, Stevie, played by the also extremely good-looking and funny Sarah Hadland, creates some of the best laughs in the show.
Here's a thought: The last series I watched starring Patricia Hodge, who brilliantly plays Miranda's scatty mum in this, was called The Life and Loves of a She-Devil, from about 1985 (not to be confused with the later Hollywood version). In She-Devil, she played the rival of a character portrayed by another very statuesque brunette, Julie T. Wallace. I wonder if this had any influence on the decision to cast her in Miranda?
Perhaps a lot of this show's appeal is in it's almost childlike presentation. The cast, one by one, wave goodbye to us at the end of the episodes, like human Telly Tubbies. Maybe I'm wrong to feel good about that, but, like Miranda's confidences to us, it tickles me to death.
More, please. The world needs Miranda.
Any flaws I found in the TV series - we armchair critics have to look for flaws in new things - were cancelled out by the fact that I felt better after each episode I watched. Not just amused, and in some cases, very tickled indeed, but uplifted.
All of the characters are attractive and likable - and despite Miranda's self-deprecating gags about being often mistaken for a man, she's a very feminine, and extremely good-looking lady. Her device of engaging directly with her home-viewing audience, via the camera, works well, and adds to her personal appeal.
The comedy chemistry in the scenes with her diminutive friend, Stevie, played by the also extremely good-looking and funny Sarah Hadland, creates some of the best laughs in the show.
Here's a thought: The last series I watched starring Patricia Hodge, who brilliantly plays Miranda's scatty mum in this, was called The Life and Loves of a She-Devil, from about 1985 (not to be confused with the later Hollywood version). In She-Devil, she played the rival of a character portrayed by another very statuesque brunette, Julie T. Wallace. I wonder if this had any influence on the decision to cast her in Miranda?
Perhaps a lot of this show's appeal is in it's almost childlike presentation. The cast, one by one, wave goodbye to us at the end of the episodes, like human Telly Tubbies. Maybe I'm wrong to feel good about that, but, like Miranda's confidences to us, it tickles me to death.
More, please. The world needs Miranda.
Você sabia?
- CuriosidadesThe series is recorded in front of a live audience.
- Erros de gravaçãoThe details of the ownership/management of the restaurant seem to change from episode to episode. In series one, when Penny plans a party at the restaurant, Gary is pleased, saying he "needs the business" - suggesting he is the owner. However, by series two, when Gary returns from a stint in Hong Kong, it is revealed his contract at the restaurant is still open, suggesting he simply works there. Later in the series, Clive sacks Gary's wife, suggesting he is the one with authority - yet he had previously been unaware of the details of Gary's contract. In series three, Gary buys the restaurant, but it is not clear from whom.
- ConexõesFeatured in The Wright Stuff: Episode #11.61 (2009)
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