Avaliações do Metacritic

Built on a quietly compelling performance by Virginie Efira (“Benedetta,” “Elle”), it may be the best depiction of how trauma changes your psyche and your life since the Peter Weir Jeff Bridges/Rosie Perez drama “Fearless.”

Even as Winocour piles on too many complications, she retains an appreciable astringency — call it a sense of emotional realism about what it means to actually survive — that keeps bathos at bay. Together with the superb Efira, she earns your tears honestly.

It’s a sensitive, careful film with real emotional intelligence, but no less gripping for swerving dramatic fireworks in favour of quieter, more observational moments.

The film is a quietly gutting ode to Paris’s resilience in the post-Bataclan era.

Despite the tragedy, Revoir Paris is a hopeful film about the healing power of human connection and mutual comfort. It’s the kind of movie that lingers in the mind long after the credits roll.

Paris Memories is a mystery movie, with Mia, like Guy Pearce’s character in Memento, following various leads and fractured memories to get to the truth. It’s also a story of emotional renewal, chronicling the phases of recovery that follow in the wake of a major catastrophe, with all the ups and downs that entails.

This decision to seek out the sun rather than just the clouds, to focus on resilience and healing won’t be for everyone, nor will it represent the experience of all victims of terrorism.

It’s a modest film with a heart very much on its torn sleeve, given force and ballast by another fine dramatic turn from the hard-working Virginie Efira.

It is a moving healing journey, but one that feels almost too smooth, a best-case scenario with few bumps in the road and, more significantly, very few surprises.

There’s no denying the affection Winocour pours into Mia’s healing. For a drama dealing with a wound that’s still unbearably vivid, Memories is both tactful and heartfelt. But as time went on I found myself wondering how much more affecting the film might have turned out had Winocour chosen to complicate some of its heavy-handed metaphors and cliches.