Uma História de Sobrevivência

The story is very well written and wonderfully acted. Knowing that it is true makes it that much more heartbreaking and touching. I'm shocked at reviews who complain that « these stories are overdone ».

It is the true story of a young jewish boy who was able to avoid capture by the nazis by surviving in the woods for nearly a year. He was initially helped by a farmer and later on befriended another boy in the woods when staying at the farm became too risky. The pair rely on each other during hardship but make the most of it by maintaining their playfulness and youth.

Set in what was then known as Poland (now a part of Ukraine) in 1944.

The story itself is one of tremendous hardship, bravery, and survival. For what appears to be a limited budget film the director is still able to deliver. There is no doubt that the acting leaves quite a bit to be desired. The costume design is not up to what you would expect and the camera shots are not good but acceptable.

Again, despite all its flaws the film stays on course and delivers its message. The ending scene where it shows the real life character for me adds so much to it all. Being able to see the human connection in real life added so much strength to the importance of the story and why it was essential that it was told. The saying "save one life, save the world" is played out in real time as you get to see the generations saved by one little boys brave decision and the sacrifice of others made to protect this life in a time of great danger.

It seems that various young Jews who survived the Nazis found their way to Canada, and Canadians end up telling their stories.

In this case, it was 1943, and the Jewish population of a small town in eastern Poland (now north-west Ukraine) was about to be "resettled". Urged by his mother, Max, a 12-year-old boy, manages to escape, meets pre-arranged Gentile family friends, who send him to live with a farm family as their nephew. However, as the reward for finding Jews go up, it becomes too dangerous, and the farmer sends him to the woods, living with in a small cave with little equipment, surviving on foraging, and catching the occasional rabbit.

Along the way, Max meets and befriends a younger boy, who has also been hiding in the woods, but whose parents have not returned from finding food.

This tale is well told. The Northern Ontario location stands in well as the Polish woods. The boys who hold up the film acquit themselves well. My beef is that, over many months, the boys still seem reasonably well groomed, and their clothes not all caked in mud.

I'm a big fan of Richard Aremitage from his work in MI-5 and other projects so he was the main reason I purchased this video. And I have a big interest in WWll stories like this one about a young Jewish boy separated from his Mom who is sent to a concentration camp But neither Richard nor the young actor playing the boy in the woods can save the film from being a painfully slow, near wordless 90 minute cure for insomnia. There isn't much to the story; a young boy left to fend for himself during the Nazis occupation of Poland. The dialogue is minimal and many scenes of the boy in the woods go on and on adding up to nothing. It all adds up to a waste of 90 minutes of your time watching a film you won't likely enjoy.

It's 1943. Max (Jett Klyne) is a Jewish boy from Buchach in modern day Ukraine. He escapes from a prison camp leaving behind his mother and sister. His aunt buys him sanctuary with a family, but eventually he is forced to hide in the woods.

This is a true story. I wouldn't ask the filmmaker to fictionalize anything that she doesn't want to. It does lose intensity over time as he spends time in the woods. The story feels like it's meandering from one event to the next. The early escape remains the most compelling scene in the movie. This is certainly an important story to tell. I'm not convinced that it's a good telling.