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IMDbPro

Saint Omer

  • 2022
  • PG-13
  • 2 h 2 min
AVALIAÇÃO DA IMDb
6,8/10
6 mil
SUA AVALIAÇÃO
Kayije Kagame and Guslagie Malanda in Saint Omer (2022)
Follows Rama, a novelist who attends the trial of Laurence Coly at the Saint-Omer Criminal Court to use her story to write a modern-day adaptation of the ancient myth of Medea, but things don't go as expected.
Reproduzir trailer1:49
2 vídeos
66 fotos
Drama

Segue Rama, uma romancista que assiste ao julgamento de Laurence Coly no Tribunal Criminal de Saint-Omer para usar sua história para escrever uma adaptação moderna do antigo mito de Medeia, ... Ler tudoSegue Rama, uma romancista que assiste ao julgamento de Laurence Coly no Tribunal Criminal de Saint-Omer para usar sua história para escrever uma adaptação moderna do antigo mito de Medeia, mas as coisas não saem como o esperado.Segue Rama, uma romancista que assiste ao julgamento de Laurence Coly no Tribunal Criminal de Saint-Omer para usar sua história para escrever uma adaptação moderna do antigo mito de Medeia, mas as coisas não saem como o esperado.

  • Direção
    • Alice Diop
  • Roteiristas
    • Alice Diop
    • Amrita David
    • Marie N'Diaye
  • Artistas
    • Kayije Kagame
    • Guslagie Malanda
    • Valérie Dréville
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    6 mil
    SUA AVALIAÇÃO
    • Direção
      • Alice Diop
    • Roteiristas
      • Alice Diop
      • Amrita David
      • Marie N'Diaye
    • Artistas
      • Kayije Kagame
      • Guslagie Malanda
      • Valérie Dréville
    • 28Avaliações de usuários
    • 130Avaliações da crítica
    • 91Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 21 vitórias e 48 indicações no total

    Vídeos2

    Official Trailer
    Trailer 1:49
    Official Trailer
    Saint Omer
    Trailer 1:57
    Saint Omer
    Saint Omer
    Trailer 1:57
    Saint Omer

    Fotos66

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    Elenco principal19

    Editar
    Kayije Kagame
    Kayije Kagame
    • Rama
    Guslagie Malanda
    Guslagie Malanda
    • Laurence Coly
    Valérie Dréville
    Valérie Dréville
    • La Présidente du tribunal
    Aurélia Petit
    Aurélia Petit
    • Maître Vaudenay
    Xavier Maly
    Xavier Maly
    • Luc Dumontet
    Robert Cantarella
    • L'avocat général
    Salimata Kamate
    • Odile Diatta
    Thomas de Pourquery
    Thomas de Pourquery
    • Adrien
    Adama Diallo Tamba
    • Seynabou
    Mariam Diop
    • Khady
    Dado Diop
    • Tening
    Charlotte Clamens
    • Cécile Jobard
    Seyna Kane
    • Seynabou jeune
    Coumba-Mar Thiam
    • Rama adolescente
    Binta Thiam
    • Rama enfant
    Alain Payen
    • L'éditeur
    • (narração)
    Louise Lemoine Torrès
    Louise Lemoine Torrès
    • Maître Darcourt
    • (narração)
    Roald Iamonte
      • Direção
        • Alice Diop
      • Roteiristas
        • Alice Diop
        • Amrita David
        • Marie N'Diaye
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários28

      6,85.9K
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      Avaliações em destaque

      9proud_luddite

      A powerfully acted film

      Rama (Kayije Kagame), a Parisian of Senegalese heritage, is a literature professor and novelist. For a writing assignment, she travels to the French municipality of Saint-Omer to observe the infanticide trial of Laurence Coly (Guslagie Malanda), a Senegalese immigrant. (Rama is the on-screen surrogate for director/co-writer Alice Diop who observed the real-life infanticide trial of Fabienne Kabou in 2016.)

      Diop is very astute at creating tension in various scenes. This is especially so during an interrogation scene between the judge (Valérie Dréville) and the defendant early in the film. This scene is relatively long but Malanda and Dréville play it so perfectly that it becomes riveting rather than dull.

      The character of the defendant is an enigma: at times, one can feel sympathy for her despite so much evidence against her. Her backstory is also fascinating regarding the pressures placed on her as a girl in Senegal whose mother demanded much of her regarding education choices and politeness all with the plans of Laurence having "a better life". Rama's response to the trial is also intriguing as she has trouble digesting noticeable similarities she has with the defendant.

      The cast is superb in this film. In addition to Kagame, Malanda, and Dréville, there are also notable performances from Xavier Maly (Laurence's partner), Aurélia Petit (the defense attorney), and Salimata Kamate (Laurence's mother).

      There are some loose ends in the film including the relationship between Rama and her mother but overall "Saint Omer" is one of the best courtroom dramas since the Israeli film "Gett: The Trial of Viviane Amsalem" which was released in 2014. - dbamateurcritic

      RATING: 9 out of 10

      OUTSTANDING ACHIEVEMENT: Acting Ensemble.
      7steveinadelaide

      Complex, Empathetic, Thought-Provoking

      Saint Omer is a 2022 French legal drama film directed by Alice Diop and starring Kayije Kagame and Guslagie Malanda. It is based on the true story of Fabienne Kabou, a mother who left her 15-month-old daughter on a beach to be drowned by the tide in 2013. The film follows Rama (Kagame), a pregnant novelist who attends the trial of Laurence Coly (Malanda), the fictionalized version of Kabou, to write a modern adaptation of the ancient Greek myth of Medea, who killed her children to punish her unfaithful husband.

      Saint Omer is a powerful and nuanced exploration of the complex issues of motherhood, immigration, identity, and justice. Diop, known for her documentaries, brings a realistic and empathetic approach to the story, avoiding sensationalism and judgment. She also attended the real trial of Kabou in 2016, which inspired her to make the film. The film does not attempt to justify or condemn Coly's actions but rather to understand her motivations and circumstances.

      The story is divided into two parts: the first one focuses on Rama's perspective as she observes the trial and interviews Coly in prison, while the second one shifts to Coly's flashback as she recounts her life in France and Senegal, her relationship with her partner and daughter, and her mental state leading up to the crime. The film contrasts Rama and Coly to highlight their similarities and differences as women of Senegalese origin living in France. Both face racism, sexism, isolation, and pressure from their families and society but have different privileges, opportunities, and choices.

      The movie also draws parallels between Coly's story and the Medea myth, showing how both women are driven by love, betrayal, anger, and despair to commit an unthinkable act. The film uses references to Medea throughout, such as the names of the characters (Rama is an anagram of Mara, Medea's sister), the locations (Berck is similar to Corinth, where Medea killed her children), and the dialogue (Coly quotes lines from Euripides' play). The film also shows how Rama uses the myth to cope with her fears and doubts about becoming a mother.

      Saint-Omer features excellent performances from the two lead actresses, who convey a range of emotions with subtlety and intensity. Kagame portrays Rama as a smart, ambitious woman who is also vulnerable and conflicted. Malanda portrays Coly as a tragic and complex figure who elicits sympathy and horror. The film also has a strong technical aspect, with beautiful cinematography by Claire Mathon (who also shot Portrait of a Lady on Fire), an atmospheric score by Thibault Deboaisne, and tight editing by Amrita David.

      The one thing that undermines the greatness of Saint-Omer is the pacing. The first time I watched the film, I found the pacing unbearable. But, I decided to see it a second time, embraced the slowness, and found I was noticing aspects of the story I had missed the first time. I think, though, that the pacing will be a challenge for some viewers.

      Saint Omer is a film that challenges us to think beyond the headlines and stereotypes and confront our biases and assumptions. The film raises questions without giving easy answers and invites empathy without condoning violence. It is a film that shows how art can be a way to deal with trauma and pain and how it can be insufficient or inadequate. It is a film that was with me long after it ended - the second time around.
      8RSt_2022

      Don't judge a book by its cover

      The difference between passing judgement and serving justice is at the heart of this incredibly moving film. Laying open social issues surrounding isolation, education, assimilation, and culture, whilst taking them apart word by word is beautiful to watch. And extremely emotional to experience. With restraint and very few words, the story of two seemingly connected Senegalese women living in France cross roads with the mythical Medea in a tragic tale of loss. The actors are powerful and I found myself engrossed watching the film even more the second time around. This one is not for the faint hearted.
      8FilmFanatic2023

      A Thought-Provoking and Electrifying Film that Will Stay with You Long After the Credits Roll

      "Saint Omer" is a powerful and thought-provoking film directed by accomplished documentary filmmaker Alice Diop. The film is based on the true story of Fabienne Kabou, a French-Senegalese woman accused of killing her infant daughter and leaving her to drown on a beach. Diop has created a film that leaves the audience with more questions than answers, but it is this approach that allows the film to resonate with anxieties and the undertow of subterranean influence. The film stars Kayije Kagame as Rama, a novelist and professor who is drawn to attend the trial, and Guslagie Malanga as Laurence, the accused woman in the dock. The film's cinematography by Claire Mathon is stunning, and the performances by the lead actors are outstanding. "Saint Omer" is a film that will stay with you long after you've left the theater.
      6HankCoT

      A good companion piece to Anatomy of a Fall.

      This paints a clear picture of how commonly forced social norms and cultural barriers can largely effect people leading to deplorable acts of violence, almost like a curse that cannot be broken.

      I loved what this film presented, a well written, acted and precise story that delivers an interesting broken individual filled with misery. I just wish there was a bit more going on overall with its shot composition, which does the job nicely but in no way stands out, and with it's narrative that, as intriguing as it was, (in my opinion) gave everything it had to give with one viewing.

      A good companion piece to Anatomy of a Fall.

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      • Curiosidades
        The film is based on the true story of Fabienne Kabou, a mother who, in 2013, abandoned her 15-month-old daughter on a beach in Berck-sur-Mer at high tide. Alice Diop, the film's director and co-writer, attended the trial.
      • Conexões
        Features Medéia, a Feiticeira do Amor (1969)
      • Trilhas sonoras
        Little Girl Blue
        Written by Lorenz Hart & Richard Rodgers

        Performed by Nina Simone

      Principais escolhas

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      • How long is Saint Omer?
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      Detalhes

      Editar
      • Data de lançamento
        • 23 de novembro de 2022 (França)
      • País de origem
        • França
      • Central de atendimento oficial
        • Official site (United States)
      • Idiomas
        • Francês
        • Wolof
        • Italiano
      • Também conhecido como
        • 聖奧梅爾殺嬰案
      • Locações de filme
        • Saint-Omer, Pas-de-Calais, França
      • Empresas de produção
        • Srab Films
        • Arte France Cinéma
        • Pictanovo
      • Consulte mais créditos da empresa na IMDbPro

      Bilheteria

      Editar
      • Faturamento bruto nos EUA e Canadá
        • US$ 213.953
      • Fim de semana de estreia nos EUA e Canadá
        • US$ 69.232
        • 15 de jan. de 2023
      • Faturamento bruto mundial
        • US$ 953.502
      Veja informações detalhadas da bilheteria no IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        2 horas 2 minutos
      • Cor
        • Color
      • Proporção
        • 1.85 : 1

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