AVALIAÇÃO DA IMDb
5,1/10
18 mil
SUA AVALIAÇÃO
Um jovem policial é designado para uma delegacia no bairro onde ele cresceu, um velho segredo ameaça destruir sua vida e sua família.Um jovem policial é designado para uma delegacia no bairro onde ele cresceu, um velho segredo ameaça destruir sua vida e sua família.Um jovem policial é designado para uma delegacia no bairro onde ele cresceu, um velho segredo ameaça destruir sua vida e sua família.
- Prêmios
- 1 indicação no total
Simone Joy Jones
- Young Vicky
- (as Simone Jones)
Lemon Andersen
- Geronimo
- (as Lemon Anderson)
Peter Anthony Tambakis
- Dispatcher Numnuts
- (as Peter Tambakis)
Avaliações em destaque
All I can say is, what a waste of good talent. The pacing is brutally slow.
The actors are good, but the script is... uh lackluster, to be charitable. Juliette Binoche is horribly miscast, however, and the lighting make her and Katie Holmes look ghoulish.
Ray Liotta looks swollen, pockmarked and perpetually astonished.
The best acting is delivered by two eleven year olds, which doesn't say much for the rest of the cast. More entertaining than watching paint dry, albeit marginally.
You want a great cop action thriller?
Try Training Day.
The actors are good, but the script is... uh lackluster, to be charitable. Juliette Binoche is horribly miscast, however, and the lighting make her and Katie Holmes look ghoulish.
Ray Liotta looks swollen, pockmarked and perpetually astonished.
The best acting is delivered by two eleven year olds, which doesn't say much for the rest of the cast. More entertaining than watching paint dry, albeit marginally.
You want a great cop action thriller?
Try Training Day.
"You can hate me all you want, but your a free man." When rookie officer Jonathan White (Tatum) is assigned to the precinct where he grew up letters start showing up that mention two unsolved murders. When the letters remind White of his past he is stuck between trying to uncover who is sending them and covering up his involvement. I am a huge Pacino fan and that is the reason I wanted to watch this. The trailer looked OK but anything with him I will watch. He was great in this. That about it. The movie was very slow and had a 5 minute idea that they kept repeating over and over until you either struggle through or end up finishing just to see the ending. I will admit that the last ten minutes makes it worth watching, but getting to that part is a real struggle. Any scene without Pacino or Liotta lacks emotion and you have a hard time caring for White at all. Tracy Morgan is actually not bad in a dramatic performance but overall this is one of the biggest disappointments of the year. I give it a C-.
I was reading some reviews on this movie and pretty much ignored them because of all the star power. In the end the critics were right about this movie. Every actor in this movie looked out of place and not interested in the part they were playing.
Let's start with the younger kids in the flash backs. Overall, the acting was very poor from the younger generation in this film, Channing Tatum younger barely spoke and when he did it didn't seem real. Maybe, I was thrown off here because Tracy Morgan and Channings younger didn't even come close to resembling the adults.
I don't think anyone read the script before accepting the gig. Throwing a lot of great actors together for a crime thriller sometimes doesn't work and this is one case where it failed. Poor story, poor direction, and just downright bad acting by a lot of the big names in this film starting with Channing Tatum. If someone could turn back the clock this movie would of never made it past the green light.
Let's start with the younger kids in the flash backs. Overall, the acting was very poor from the younger generation in this film, Channing Tatum younger barely spoke and when he did it didn't seem real. Maybe, I was thrown off here because Tracy Morgan and Channings younger didn't even come close to resembling the adults.
I don't think anyone read the script before accepting the gig. Throwing a lot of great actors together for a crime thriller sometimes doesn't work and this is one case where it failed. Poor story, poor direction, and just downright bad acting by a lot of the big names in this film starting with Channing Tatum. If someone could turn back the clock this movie would of never made it past the green light.
THE SON OF NO ONE implodes under its own weight. It is another variation of the tired good cop/bad cop theme and the sins of childhood theme. Despite the presence of a heady cast of high profile actors this story just never takes off. Perhaps that is partially due to the fact that the lead actor role is given to Channing Tatum who though he does show some gradual improvement in learning his acting skills remains a one dimensional character on the screen.
To keep it short, the plot can be condensed as follows: rookie cop Jonathan 'Milk' White (Channing Tatum) is assigned to the 118 Precinct in the same district where he grew up. The Precinct Captain (Ray Liotta) starts receiving anonymous letters about two unsolved murders that happened many years ago in the housing projects when Jonathan was just a kid. A reporter (Juliette Binouce) sees the letters as evidence for an inside cover-up of the two murders from Jonathan's childhood and a detective (Al Pacino) leads the 'investigation' with the corroborated intent of cover-up of police action. There are scenes of flashback to when the murders occurred and the perpetrator is indeed Jonathan as a kid (Jake Cherry) whose only friend is young Vinnie (Brian Gilbert) - the victims were abusive junkies but Jonathan has never been able to forget the gruesome facts. We jump back and forth in time: Jonathan is happily married to Kerry (Katie Holmes) and they have a loving daughter with petit mal seizure disorder. As the investigation proceeds Jonathan fears for his family's safety and for the safety of his old friend Vinnie (now Tracy Morgan). The ending is predictable and far too prolonged.
Despite the presence of Binoche, Pacino, Liotta and Holmes (and a group of very talented youngsters who play the leads as children) the story is just too drawn out and predictable and filled with violence to make it work. Dito Montiel wrote and directed.
Grady Harp
To keep it short, the plot can be condensed as follows: rookie cop Jonathan 'Milk' White (Channing Tatum) is assigned to the 118 Precinct in the same district where he grew up. The Precinct Captain (Ray Liotta) starts receiving anonymous letters about two unsolved murders that happened many years ago in the housing projects when Jonathan was just a kid. A reporter (Juliette Binouce) sees the letters as evidence for an inside cover-up of the two murders from Jonathan's childhood and a detective (Al Pacino) leads the 'investigation' with the corroborated intent of cover-up of police action. There are scenes of flashback to when the murders occurred and the perpetrator is indeed Jonathan as a kid (Jake Cherry) whose only friend is young Vinnie (Brian Gilbert) - the victims were abusive junkies but Jonathan has never been able to forget the gruesome facts. We jump back and forth in time: Jonathan is happily married to Kerry (Katie Holmes) and they have a loving daughter with petit mal seizure disorder. As the investigation proceeds Jonathan fears for his family's safety and for the safety of his old friend Vinnie (now Tracy Morgan). The ending is predictable and far too prolonged.
Despite the presence of Binoche, Pacino, Liotta and Holmes (and a group of very talented youngsters who play the leads as children) the story is just too drawn out and predictable and filled with violence to make it work. Dito Montiel wrote and directed.
Grady Harp
The best part of the movie is the cast: both adults and children are great , although it seems to me Channing Tatum has had better roles than this. I liked most Al Pacino as Detective Stanford and Jake Cherry as young Jonathan "Milk" White, but the others were also equal to their task.
Directing and especially plot leave a lot to be desired. Background obsessing/pestering is always there, but some turns are strange and illogical. The solution scene is good (although nothing special), but the very ending is rather disappointing. When the credits appeared I just realized that I had seen another oppressive movie with the aim to let the viewers ponder upon guilt, forgiveness, remorse and other differently perceived feelings.
Directing and especially plot leave a lot to be desired. Background obsessing/pestering is always there, but some turns are strange and illogical. The solution scene is good (although nothing special), but the very ending is rather disappointing. When the credits appeared I just realized that I had seen another oppressive movie with the aim to let the viewers ponder upon guilt, forgiveness, remorse and other differently perceived feelings.
Você sabia?
- CuriosidadesRobert De Niro was cast as Detective Stanford, but was replaced by Al Pacino.
- Citações
Loren Bridges: Tampered evidence is wasted evidence
Officer Thomas Prudenti: Yeah... You realize it's not actually evidence untill someone gives a fuck about this?
- ConexõesFeatured in Ebert Presents: At the Movies: Episode #2.16 (2011)
- Trilhas sonorasMy Maria
Written by Louis C. Stevenson, Daniel Joseph Moore
Performed by B W Stevenson
Published by Universal Music Publishing Group (ASCAP)
Courtesy of Warner Bros. Records Inc.
by arrangement with Warner Music Group Film & TV Licensing
Principais escolhas
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- How long is The Son of No One?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.680
- Fim de semana de estreia nos EUA e Canadá
- US$ 18.015
- 6 de nov. de 2011
- Faturamento bruto mundial
- US$ 1.091.132
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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