Adicionar um enredo no seu idiomaA woman hires an actor from an agency to pose as her fiance to make her dying grandmother happy, and they fall for each other during the ruse.A woman hires an actor from an agency to pose as her fiance to make her dying grandmother happy, and they fall for each other during the ruse.A woman hires an actor from an agency to pose as her fiance to make her dying grandmother happy, and they fall for each other during the ruse.
Sherri Dahl
- Maggie Westmoreland
- (as Sherri Lynn Dahl)
Joshua Earl Brennand
- Carl
- (as Josh Brennand)
Sarah Helena Ord
- Rob's Fan
- (as Sarah Ord)
Marnie Madden
- Boat Lady
- (não creditado)
Daniel D'Angelo Sparks
- Waiter
- (não creditado)
Jason Wallace
- Allan's Guest
- (não creditado)
Avaliações em destaque
Typical Hallmark style movie but with better acting. A plot that has been used and abused far two many times. Girl needs to get married because of grandmother's mandate. No boyfriend, so she hires one. You can guess what the outcome will be.
Unfortunately, scriptwriters lack creativity and originality and resort to the also used and abused misunderstanding. Girl hears part of a conversation and assumes things, runs away and cries. Why would she ask for an explanation? Well, because that is the only conflict the writer could come up with. Of course, all's well that ends well.
The male lead was not very plausible at the beginning of the movie. The character became more solid towards the middle of the movie. The plump, long haired coworker was surreal and obnoxious.
Again, the acting, with a few exceptions, exceeds the average Hallmark movie.
Unfortunately, scriptwriters lack creativity and originality and resort to the also used and abused misunderstanding. Girl hears part of a conversation and assumes things, runs away and cries. Why would she ask for an explanation? Well, because that is the only conflict the writer could come up with. Of course, all's well that ends well.
The male lead was not very plausible at the beginning of the movie. The character became more solid towards the middle of the movie. The plump, long haired coworker was surreal and obnoxious.
Again, the acting, with a few exceptions, exceeds the average Hallmark movie.
The film is saved by actors and, for some moments, by dialogue. Stafford Perry offers a real beautiful portrait for his character and its way to define the basic traits of relation with others.
So, not memorable, but decent. Not ignoring the dusty, in this case pretty stupid , critic moment or the difficulties of beginning. But being only a Hallmark, unfair to expect too much.
In short, pleasant, nice and full of so familiar cliches. But working for the fair effort of actors to give to story some coherence and credibility.
And, sure, good portrait of self made life of a man for too long time under the cold shadow of his succesul father.
So, not memorable, but decent. Not ignoring the dusty, in this case pretty stupid , critic moment or the difficulties of beginning. But being only a Hallmark, unfair to expect too much.
In short, pleasant, nice and full of so familiar cliches. But working for the fair effort of actors to give to story some coherence and credibility.
And, sure, good portrait of self made life of a man for too long time under the cold shadow of his succesul father.
The grandma is playing the girl/woman so that her daughter gets engaged...in order that her granddaughter will be "happy ". Grandma is "cured".etc., and then the chaos ensues due to all the ubiquitous manipulations. Of course there is a romance, and I'm sure it works out all in the end, it's the nature of these types of movies. It harks of the Hallmark movie style, and I was surprised that it was NOT a Hallmark movie. Anyways, my main objection is that lying gets you where you want to go...and of course life will be happy ever after. How can any of that be a good thing? I could just be jaded...and if I've burst bubbles. My apologies.
I don't think I've ever seen such a hideous wardrobe on a show before. I was literally distracted and shocked by how horrible these characters were dressed. As others have already said, this trope has been beat to a pulp. That said it was a cute idea, but I couldn't finish the movie because it was basically lame. I mean come on, the grandma, miraculously gets better, just because the granddaughter says she's engaged. And if the granddaughter and the grandma were so close, I'm pretty sure the grandma would've known if her granddaughter was dating someone serious enough to become engaged with. It sounds like they speak to each other every day. So when the fake groom was telling the grandma, the story of how the two of them met on a ski slope, you would think that the granddaughter had already told the grandma the story of meeting some guy in the manner in which he described. Because if anything else, it's a good story, right?
This movie is yet another in the well-populated category of "2 people thrown together at the beginning out of necessity, fear of ridicule or happenstance who fall in love by the end." That's quite okay. There's nothing wrong with yet another one. But their sheer number means that any such movie must live up to the standards of the genre or it's a failure. We know the starting point and the destination going in; what we're looking for is an entertaining journey. Well, not here, folks. The script is lackluster, the dialogue tries way too hard but is still lame, the directing is flat-footed and clumsy, and the acting is forgettable. Kylee Bush is attractive and with better direction might do a better job; but her acting talents fail to carry this film. And Stafford Perry is either appallingly miscast or seriously badly directed. Worst of all, the two leads have absolutely no on-screen chemistry. (Think Barbra Streisand and Ryan O'Neal. This isn't that movie.)
This one is strictly desperation time for insomniacs. That's a disappointment for all of us who are softies at heart.
This one is strictly desperation time for insomniacs. That's a disappointment for all of us who are softies at heart.
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