A verdadeira história do capitão Richard Phillips e o sequestro de 2009 por piratas somalis do MV Maersk Alabama, de bandeira americana, o primeiro navio de carga americano a ser sequestrado... Ler tudoA verdadeira história do capitão Richard Phillips e o sequestro de 2009 por piratas somalis do MV Maersk Alabama, de bandeira americana, o primeiro navio de carga americano a ser sequestrado em duzentos anos.A verdadeira história do capitão Richard Phillips e o sequestro de 2009 por piratas somalis do MV Maersk Alabama, de bandeira americana, o primeiro navio de carga americano a ser sequestrado em duzentos anos.
- Direção
- Roteiristas
- Artistas
- Indicado a 6 Oscars
- 17 vitórias e 155 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Captain Phillips" is the Hollywood retelling of the true-to-life 2009 harrowing story of an American container vessel Maersk Alabama (with Captain Richard Phillips at the helm) being held hostage by Somali pirates. The screenplay by Billy Ray was based on the novel "A Captain's Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea" written by Captain Richard Phillips himself.
Playing the titular character, Tom Hanks is what this film is all about. He starts off simply, playing Capt. Phillips as a family man and seasoned seaman on a routine delivery. However when the pirates came, you see him transform into a cool-under-pressure leader and shrewd tactician, matching wits with these desperate aggressors. In the last five minutes, Hanks would give us an unexpected display of emotion which may well deliver him another Oscar for Best Actor.
The four Somali-American first-time actors playing the pirates are a very realistic bunch. They play with wild-eyed and feral intensity, really scary. Barkhad Abdi plays their skinny foolhardy leader Muse, engaging Phillips in a deadly chess game, toe-to-toe. Faysal Ahmed plays the hot-headed Najee, who was the loose cannon of the group. Barkhad Abdirahman plays the young recruit Bilal, getting himself a baptism of fire on his first time out.
When I saw the name director Paul Greengrass in the credits, I understood why the sense of tension and urgency were so well-conveyed. This was that familiar sense of excitement we felt in his previous films, like the last two Jason Bourne films or that suspenseful 9/11 drama "United 93". He really knows how to make military operations exciting on screen, as he did for the Army in "Green Zone" and the Navy SEALS in this film.
I have to admit I was on the verge of getting seasick with the shakiness of the camera, but luckily I held on despite the two-hour length of the film set at sea.
Overall, this is a different sort of adventure drama, with a topic not too commonly tackled in a mainstream film. We hear of these events on the news, but this film brings us right in the middle of one. We will feel the tension building as the pirates were approaching. We will feel the fear when the pirates were on board. We will feel the desperation and the frustration of being trapped in the middle of the open ocean with no help immediately forthcoming. If you are up for such a realistic experience, then this film is for you.
Playing the titular character, Tom Hanks is what this film is all about. He starts off simply, playing Capt. Phillips as a family man and seasoned seaman on a routine delivery. However when the pirates came, you see him transform into a cool-under-pressure leader and shrewd tactician, matching wits with these desperate aggressors. In the last five minutes, Hanks would give us an unexpected display of emotion which may well deliver him another Oscar for Best Actor.
The four Somali-American first-time actors playing the pirates are a very realistic bunch. They play with wild-eyed and feral intensity, really scary. Barkhad Abdi plays their skinny foolhardy leader Muse, engaging Phillips in a deadly chess game, toe-to-toe. Faysal Ahmed plays the hot-headed Najee, who was the loose cannon of the group. Barkhad Abdirahman plays the young recruit Bilal, getting himself a baptism of fire on his first time out.
When I saw the name director Paul Greengrass in the credits, I understood why the sense of tension and urgency were so well-conveyed. This was that familiar sense of excitement we felt in his previous films, like the last two Jason Bourne films or that suspenseful 9/11 drama "United 93". He really knows how to make military operations exciting on screen, as he did for the Army in "Green Zone" and the Navy SEALS in this film.
I have to admit I was on the verge of getting seasick with the shakiness of the camera, but luckily I held on despite the two-hour length of the film set at sea.
Overall, this is a different sort of adventure drama, with a topic not too commonly tackled in a mainstream film. We hear of these events on the news, but this film brings us right in the middle of one. We will feel the tension building as the pirates were approaching. We will feel the fear when the pirates were on board. We will feel the desperation and the frustration of being trapped in the middle of the open ocean with no help immediately forthcoming. If you are up for such a realistic experience, then this film is for you.
Captain Phillips is a biographical drama thriller movie directed by Paul Greengrass and stars Tom Hanks, Barkhad Abdi, Michael Chernus and Faysal Ahmed.
The best thing particularly I liked the most was the authenticity and realistic approach by the director and it will be like that you are watching a real abduction scene.
Tom Hanks again did a commendable job in the role of an abducted captain. Support cast was also impressive. Background music is another strong aspect of the movie and supports the screenplay.
Screenplay is gripping and will keep you on the edge of your seats. Direction is good. Another strong point of the movie is it's beautifully cinematography.
The movie should be on the list of every movie lovers. In my opinion one of the movie with very close to the reality.
The best thing particularly I liked the most was the authenticity and realistic approach by the director and it will be like that you are watching a real abduction scene.
Tom Hanks again did a commendable job in the role of an abducted captain. Support cast was also impressive. Background music is another strong aspect of the movie and supports the screenplay.
Screenplay is gripping and will keep you on the edge of your seats. Direction is good. Another strong point of the movie is it's beautifully cinematography.
The movie should be on the list of every movie lovers. In my opinion one of the movie with very close to the reality.
Although it is basically a true story, I must be one of the few who did not know the ending already, since I had never heard this specific story. How much it matters if you already do or not I cannot say, but for me the film was not really about the resolution until near the end because for most of the time it is about the moment and what is going on there and then. It does this by breaking the story down pretty well into such contained but yet connected moments so that it is effective at the time and also has a flow to it.
There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
Paul Greengrass has proved his talents with two fantastic Bourne films, The Bourne Supremacy and The Bourne Ultimatum, and two impressive real-life dramas, Bloody Sunday and United 93. Green Zone, while being a little like Bourne in Baghdad, was also a worthy thriller. Captain Phillips sees Greengrass deliver another true story to the big screen, proving that he is indeed the current king of cinematic re-enactments.
Tom Hanks gives one of his finest performances in a long time. His Captain Phillips is a professional, serious man that keeps his emotions in check while sternly ensuring his crew understands his expectations. As the situation escalates, his emotions begin to creep through. Leading towards a final release that is both heartbreaking and relieving. Hanks' character isn't explored too deeply, but we are nevertheless with him every step of the way.
In a fantastic casting choice, Tom Hanks is more than matched by Barkhad Abdi, who truly shines as the lead pirate. We're given more access than expected to this character – to all four pirates for that matter. Abdi manages to evoke empathy from a character that could have easily succumbed to stereotypical villainy. His performance provides a complex level of emotion to the proceedings. He knows that the situation has easily ran away from him, yet he naively decides to re-assure himself – and Captain Phillips – every chance he gets.
This is no-nonsense filmmaking of the highest order. Paul Greengrass' kinetic camera rises above the sometimes dizzying approach from some of his last films. The hand-held factor works beautifully here, ensuring the you-are-there level of realism is cranked to a ten at every second. As the events escalate, we are always kept aware of what is happening. While skipper jargon and navy terms are exclaimed every which way, care is placed on making sure we still know exactly what is going on. Billy Ray (Breach, State of Play, The Hunger Games) constructs a taut and clear screenplay that compliments Greengrass' filmmaking style.
To call this tense is an understatement. Henry Jackman's score pushes every sequence to an almost unbearable level of tension, Barry Ackroyd's cinematography beautifully captures the sweat and intensity of every moment, and Christopher Rouse's masterful editing brings it all home.
Exhausting and thrilling, Captain Phillips is all the more powerful with the knowledge that you're witnessing a true story. Paul Greengrass and co. have crafted an experiential film that you won't be forgetting in a hurry.
Tom Hanks gives one of his finest performances in a long time. His Captain Phillips is a professional, serious man that keeps his emotions in check while sternly ensuring his crew understands his expectations. As the situation escalates, his emotions begin to creep through. Leading towards a final release that is both heartbreaking and relieving. Hanks' character isn't explored too deeply, but we are nevertheless with him every step of the way.
In a fantastic casting choice, Tom Hanks is more than matched by Barkhad Abdi, who truly shines as the lead pirate. We're given more access than expected to this character – to all four pirates for that matter. Abdi manages to evoke empathy from a character that could have easily succumbed to stereotypical villainy. His performance provides a complex level of emotion to the proceedings. He knows that the situation has easily ran away from him, yet he naively decides to re-assure himself – and Captain Phillips – every chance he gets.
This is no-nonsense filmmaking of the highest order. Paul Greengrass' kinetic camera rises above the sometimes dizzying approach from some of his last films. The hand-held factor works beautifully here, ensuring the you-are-there level of realism is cranked to a ten at every second. As the events escalate, we are always kept aware of what is happening. While skipper jargon and navy terms are exclaimed every which way, care is placed on making sure we still know exactly what is going on. Billy Ray (Breach, State of Play, The Hunger Games) constructs a taut and clear screenplay that compliments Greengrass' filmmaking style.
To call this tense is an understatement. Henry Jackman's score pushes every sequence to an almost unbearable level of tension, Barry Ackroyd's cinematography beautifully captures the sweat and intensity of every moment, and Christopher Rouse's masterful editing brings it all home.
Exhausting and thrilling, Captain Phillips is all the more powerful with the knowledge that you're witnessing a true story. Paul Greengrass and co. have crafted an experiential film that you won't be forgetting in a hurry.
- thereelword.net
"It was supposed to be easy. I take over ship, get paid, no one gets hurt." In 2009 a Somali named Muse (Abdi) is in trouble and needs to get money for his boss fast or face the consequences. His plan is to hijack a cargo ship and hold it ransom until he gets his money. When he boards a ship captained by Rich Phillips (Hanks) he thinks he found his answer to his problems, but things only get worse for all involved. This is a true story. It's always more fun to watch a movie that is also a true story and even better when you see one that you remember the events when it was happening. As far as the movie goes it starts off pretty slow but grows more and more tense as it goes on. As great an actor as Tom Hanks is I found myself thinking that this is really a part that many people could pull off. Then I watched the last 20 minutes and realized why they got Hanks. Much like the movie Apollo 13, when you watch a movie that you know how it ends but still end up shedding a tear it is because of great filmmmaking. This falls into that category. A movie that builds momentum the entire time. Starts off slow but by the end you are hoping for more. I liked it. Overall, tense and makes you think about both sides of the event and if the pirates were really evil or not. I give it a B+.
Você sabia?
- CuriosidadesThe line "Look at me! I'm the captain now!", was an ad-lib by Barkhad Abdi.
- Erros de gravaçãoCaptain Phillips unberths and leaves port all by himself. In reality, there would be a local pilot on board giving steering and engine commands which the captain then repeats to his bridge crew.
- Citações
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: I'm the captain now.
- Cenas durante ou pós-créditosBefore the end credits, it reads: "Richard Phillips returned to Vermont on April 17, 2009 and was reunited with his family. Abduwali Muse was convicted of piracy and is currently serving 33 years at the Federal Correctional Complex, Terre Haute, Indiana. On July 25, 2010, Captain Phillips went back to sea."
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #22.48 (2013)
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Capitán Phillips
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 107.100.855
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.718.314
- 13 de out. de 2013
- Faturamento bruto mundial
- US$ 218.791.811
- Tempo de duração
- 2 h 14 min(134 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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