Meu Nome é Vingança

This movie borders on the edge of fantasy. The story is based around settling of vendettas using surveillance techniques that are so far-fetched. The characters are not that interesting, and the daughter borders on being the most annoying movie character ever devised. Everything she is told not to do, she does, and it doesn't help that she is dressed to look like some character from a bygone era. She faces no consequences for her dumb actions, and puts the blame for the action that is the basis of the story, on her father, never mind that she is the person who puts his picture on the internet after she is warned not to do so. The story is weak and borders on fantasy. In short, it's just a silly movie!

Although this is not a great film, it's nonetheless, watchable. It's fast-paced with a few heartfelt dramatic moments. The truth is, the plot is straightforward so the viewer should not expect any surprises except perhaps the ending.

There have been revenge films made before. But what could set this apart is that it's a father-and-teenaged daughter affair. It starts in a idyllic setting somewhere in Bolzano (mention is made of Merano which is near the German border). The viewer should find the scenes here quite picturesque. Then, it shifts to an urban setting.

The fight scenes are realistic if not gory; nothing is exaggerated. Santo/Domenico is a mean killing machine who believes that the law is kill or be killed. The action sequences are well-executed.

Alessandro Gassman and Ginebra Francesconi are a good pair. They portray convincingly their roles as doting father and loving daughter, whose teenaged life is abbreviated by ugly circumstances. Gassman fits the role of a punisher. In fact, the vibes of the film is reminiscent of Jon Bernthal's "The Punisher."

If you have time to spare, watch this one.

The creators of this film took every cliche' of the "revenge" genre, mixed everything in a blender and pieced them together at random.

The daughter was made to look and act like Natalie Portman in "Leon", minus the acting skills.

Completely unoriginal and uninspiring dialogs, one dimensional characters, ultra predictable storyline.

It's a pity, because Alessandro Gassmann is a great actor with a lifelong acting experience, but in this film he could have been replaced by any mediocre actor and the result would have been the same.

The only positive I could find, was the stunning shooting location in the mountains of SouthTyrol, the German speaking province in the north of Italy.

I think this film is an excellent exercise in action-focused filmmaking. It has very good shots accompanied by good editing that transmit to the audience a dizzying development of the most moving sequences.

Unfortunately the film has a very basic script. It lacks depth. The performances are good, but they are not overly demanded by the story.

The rest of the technical aspects are decent. Nothing stands out too much. Good locations, but perhaps a little poorly used.

In short, My Name is Vendetta is a entertaining movie for those who like the genre. For other audiences, it's a skippable movie.

To enjoy this, fully suspend disbelief and be a fan of the John Wick series. Without spoiling the plot, let's just say that the script is highly inconsistent in terms of basic plot points.

For example, are you high tech (face recognition) or low tech (phone tracing)? Are you heavily guarded, or not a guard in sight?

What's good though are the action scenes and acting, given the weak material and dialogue. Ended up being invested to the end, thanks in part to the short runtime.

Overall, a decent entry into the mindless revenge category, with a more plausible motivation than "you killed my dog".