A teoria de que foi de fato Edward De Vere, conde de Oxford, quem escreveu as peças de Shakespeare. Tendo como pano de fundo a sucessão da Rainha Elizabeth I e a rebelião de Essex contra ela... Ler tudoA teoria de que foi de fato Edward De Vere, conde de Oxford, quem escreveu as peças de Shakespeare. Tendo como pano de fundo a sucessão da Rainha Elizabeth I e a rebelião de Essex contra ela.A teoria de que foi de fato Edward De Vere, conde de Oxford, quem escreveu as peças de Shakespeare. Tendo como pano de fundo a sucessão da Rainha Elizabeth I e a rebelião de Essex contra ela.
- Indicado a 1 Oscar
- 7 vitórias e 12 indicações no total
- Earl of Essex
- (as Sebastian Reid)
Avaliações em destaque
7.4/10
As an average movie-goer, I had no idea that Shakespeare's authorship was ever questioned. I didn't know there were theories that existed that other people might have been the true author of the plays, one of which the film focuses on is Oxford. But as far as what ANONYMOUS achieves, it certainly opened my mind as an individual that there is a possibility that another person might have been the true writer of the plays. I mean, why not? It makes the whole thing pertaining to Shakespeare's plays much more interesting. At the most basic level, ANONYMOUS does one thing right: It's damn interesting and entertaining.
Even as a person who never liked Shakespeare's plays (especially the dreaded ROMEO AND JULIET), the film manages to be involving. I was compelled throughout the film, and what makes it work are the actors. Most of them are on the top of their game, including Rhys Ifans who is unrecognizable as Oxford compared to his role in HARRY POTTER 7 PT.1. Even his stares are intense. Rafe Spall as William Shakespeare seems to have a field day with his role, portraying him as an attention-seeking, moneygrubbing actor. I'd also like to point out that Sebastian Armesto, playing Ben Jonson, seems to have an unexpected greater amount of sreentime than anyone else in the film, and he does well in his role as the aspiring writer who plays as a messenger between Oxford and Shakespeare.
Another interesting thing to point out is that the film really doesn't focus on the whole authorship debate a lot. We see that Oxford is the writer giving the scripts to Ben, but other than that, the film pretty much brushes it off to the side and, instead, focuses more on the relationship between Oxford and Queen Elizabeth I as well as the Essex Rebellion. As you can tell, the cast is pretty huge, and I have to admit the first 20 minutes of the film is pretty confusing. We're introduced to a world with many characters and time periods jumping all over the place, but it gets easier to grasp once you get to know the characters.
Overall, ANONYMOUS is an interesting and entertaining film that will get people talking about who the real author of the plays are. The least anyone would get out of it is two hours of a fun "what if?" scenario. The performances by the cast is what really makes the film, though. If it wasn't for the cast, the film wouldn't have worked. Additionally, haters of director Roland Emmerich might find themselves pleased that ANONYMOUS is a character-driven film that doesn't rely on things being destroyed every five minutes. I'd like to see him make more films like this.
One other point. This movie is a work of fiction and so if it is loose with certain historical facts, so what? This movie is not a documentary. Rather, it is a fictional historical drama that revolves around a controversial and even shocking plot. Whether Shakespeare is the actual author of the works attributed to him is not the point. That is a matter for debate. What is the point is whether the movie works as a movie. The story is complex, yet the movie manages to engage the audience through strong acting and by presenting a story crammed with political intrigue. Who can say for certain what was going on in England 500 years ago? It is all a matter for speculation, based upon the available historical material, all of which is subject to interpretation. The idea of English writers bickering and fighting over the authorship of plays may seem trite and far fetched, but the conflict makes for good drama, even if it is pure fiction.
This movie is all about story and script writing. It steers through the complicated corrupt Tudor history, entwines them in a way that is more of a mystery than investigative story. But Intriguing plot, stunningly created Tudor London, breathtaking shots.. an impressive mise-en-scene, superb costumes, convincing performances. A good watch.
Você sabia?
- CuriosidadesVanessa Redgrave and Joely Richardson play the older and younger versions of Queen Elizabeth respectively. In real life, they are mother and daughter.
- Erros de gravaçãoThe playwrights in the movie are all astonished that Romeo and Juliet is written in verse, specifically iambic pentameter. In fact, English drama had been written in verse for hundreds of years, and mostly in iambic pentameter for about the previous 25 years. Prose drama, not poetry, was the innovation.
- Citações
Anne De Vere: You, your friends, your blasphemous theater have brought nothing but ruin and dishonor to this family.
Ben Jonson: Ruin? Dishonor? My lady, you, your family, even I, even Queen Elizabeth herself will be remembered solely because we had the honor to live whilst your husband put ink to paper.
- Cenas durante ou pós-créditosApart from the production companies, the only opening credit is the movie's title, displayed on the marquee of the prologue's theater.
- ConexõesFeatured in Maltin on Movies: The Rum Diary (2011)
- Trilhas sonorasNight of the Long Knives
Written by Byrd & David Hirschfelder (as Hirschfelder)
Performed by David Hirschfelder
Courtesy of The Decca Music Group
Under licence from Universal Music Operations Ltd.
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Anonymous
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.463.292
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.021.768
- 30 de out. de 2011
- Faturamento bruto mundial
- US$ 15.395.087
- Tempo de duração
- 2 h 10 min(130 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1