AVALIAÇÃO DA IMDb
6,9/10
46 mil
SUA AVALIAÇÃO
Uma adolescente é atacada por um predador sexual 'on-line'.Uma adolescente é atacada por um predador sexual 'on-line'.Uma adolescente é atacada por um predador sexual 'on-line'.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Just like the other reviewers, this was a very hard watch. As a S. A. survivor, this was incredibly triggering. However, this needs to be shown to all girls starting at 7th grade, IMO. A friend of mine was groomed in this same way and this type of incident reverberates through the community and for a lifetime. I'm impressed that David Schwimmer took this on. This story felt so true and sadly, for many, this is so true. In movies about this subject, I feel they "Hollywood" up the victims and the assault. This movie is completely realistic to how a victim reacts and thus becomes a survivor. Thank you so all of those who created this film. It's heartbreaking, but we need to see it. The world needs to help young girls and protect them so much more than they know.
My issue is with how the 'crime' is framed - the words 'assault' and 'rape' are tossed about liberally. What is never mentioned is 'seduction', the enticement of naive young women /girls by appealing to their romantic fantasies, which has a long social and literary history. The need to feel 'loved' and 'special'. No violence is ever used. A plot point unnoticed or unmentioned by any of the posters is the father's profession. Advertising. Marketing stuff to 'tweens' using highly sexualized images. Tweens are children between the ages of 9 or 10 and 13. They're fed a constant diet of the ways to be 'desirable' and 'sexy, usually by buying stuff to make them look older and more sexually available . How can parents overcome this barrage of noxious merchandising - especially if that's what provides their good upper middle class life. It also provide the psychological conditions, along with the anonymity of the Internet, for the seduction of very young girls. Charlie is an utter creep, but he's aided and abetted by an economic order that will do anything to find new 'markets'.
This film was utterly devoid of entertainment value. It was hard to watch, anti- enjoyable even. Its a black, depressing, bleak, grim film. It's like a roller coaster with only low points.
Why I rate this film a 7 is through its production quality, good acting and notably, its ability to powerfully convey it's messages. It shows a plausible story of a naive girl, meeting someone (a peodophile) online, which then leads to a chain reaction utterly destroying her and her family.
It would probably scare the hell out of any teenage girl and increase her weariness of stranger danger.
Why I rate this film a 7 is through its production quality, good acting and notably, its ability to powerfully convey it's messages. It shows a plausible story of a naive girl, meeting someone (a peodophile) online, which then leads to a chain reaction utterly destroying her and her family.
It would probably scare the hell out of any teenage girl and increase her weariness of stranger danger.
As a father to a teenage girl, and one soon to become one, this movie was hard to watch. Took me 3 days to finish it, it was simply to horrifying and disgusting to witness how those sick bastards do their thing.
Now when that is said, I really value this movie. It is important and necessary. It is an eye-opener to all 'tweenie' and teen parents.
This movie should be mandatory in the treatment of pedophiles, to make them realize what they really are doing to their victims.
Finally I'd like to give full credit to the cast for outstanding acting, and to David Schwimmer for his courage to make this film. You did a good job David!
Now when that is said, I really value this movie. It is important and necessary. It is an eye-opener to all 'tweenie' and teen parents.
This movie should be mandatory in the treatment of pedophiles, to make them realize what they really are doing to their victims.
Finally I'd like to give full credit to the cast for outstanding acting, and to David Schwimmer for his courage to make this film. You did a good job David!
Trust is an important film. This isn't fantasy, this is reality. For whatever message Trust has, it's also about the emotion, pain, and internet obsession.
If Trust was to be used towards educating, it isn't geared towards the victims, but rather the people around the victim. The victims won't be watching this film (for the subject matter), and it was a smart move to portray the daily lives of teenagers realistically while still showing the pain that occurs when situations like this happen. It's something special when you can believe and feel what is happening on screen and the creators of Trust did a terrific job keeping it true. There are other subjects involved, such as how internet communication is "breaking" the formalities of communication, how easily predators can manipulate people by knowing their strengths and weaknesses, and how you may not actually know your loved ones as much as you think you do. There are many subject matters thrown into Trust, and they all play out realistically to the point where the viewer will most likely relate to them.
The performances were outstanding and, even if this is a 2010 film, should be nominated at the next Academy Awards. Newcomer Liana Liberato steals the show with one of the greatest performances I have seen portraying a broken teenager. In a year where there were a few outstanding performances by young actors (Hailee Steinfeld in True Grit), I think Liana Liberato's underrated performance was the best of last year. Clive Owen gives his most dramatic performance to date and Catherine Keener has a few brilliant moments. Chris Coffey, who plays Charlie the predator, gives a creepy (if brief) performance in the vain of Stanley Tucci in "The Lovely Bones".
David Schwimmer (Ross from the show "Friends") did a surprisingly good job directing Trust. He got the most out of the actors and, considering the serious subject matter, had a bleak, disturbing tone to the film. The combination of a happy neighborhood/school/family worked well with the one black spot which is the daughter, the victim. After the assault happens, you see the world change and everyone's life becomes a little darker.
Should you watch Trust? Yes. The performances and the story alone make it one not to miss. There are a couple of moments where you may shed a tear. It's haunting for any age or gender. These crimes DO occur, and they happen often. While it's not a film you watch with friends; it's not an enjoyable film in the least, Trust is just one effective tale that may stay in with you for a long time.
If Trust was to be used towards educating, it isn't geared towards the victims, but rather the people around the victim. The victims won't be watching this film (for the subject matter), and it was a smart move to portray the daily lives of teenagers realistically while still showing the pain that occurs when situations like this happen. It's something special when you can believe and feel what is happening on screen and the creators of Trust did a terrific job keeping it true. There are other subjects involved, such as how internet communication is "breaking" the formalities of communication, how easily predators can manipulate people by knowing their strengths and weaknesses, and how you may not actually know your loved ones as much as you think you do. There are many subject matters thrown into Trust, and they all play out realistically to the point where the viewer will most likely relate to them.
The performances were outstanding and, even if this is a 2010 film, should be nominated at the next Academy Awards. Newcomer Liana Liberato steals the show with one of the greatest performances I have seen portraying a broken teenager. In a year where there were a few outstanding performances by young actors (Hailee Steinfeld in True Grit), I think Liana Liberato's underrated performance was the best of last year. Clive Owen gives his most dramatic performance to date and Catherine Keener has a few brilliant moments. Chris Coffey, who plays Charlie the predator, gives a creepy (if brief) performance in the vain of Stanley Tucci in "The Lovely Bones".
David Schwimmer (Ross from the show "Friends") did a surprisingly good job directing Trust. He got the most out of the actors and, considering the serious subject matter, had a bleak, disturbing tone to the film. The combination of a happy neighborhood/school/family worked well with the one black spot which is the daughter, the victim. After the assault happens, you see the world change and everyone's life becomes a little darker.
Should you watch Trust? Yes. The performances and the story alone make it one not to miss. There are a couple of moments where you may shed a tear. It's haunting for any age or gender. These crimes DO occur, and they happen often. While it's not a film you watch with friends; it's not an enjoyable film in the least, Trust is just one effective tale that may stay in with you for a long time.
Você sabia?
- CuriosidadesThe text exchange Will is having online is a transcript from a real conversation between "fleet_captain_jaime_wolfe" and "sadlilgrrl" and is fully available on the web page Perverted Justice.
- Erros de gravaçãoWill states that Annie's new Macbook Pro has a hard drive with a 4 GB capacity. Drive capacities vary from model to model, but at minimum it would be over 100 GB. 4 GB is a typical amount of RAM for a Macbook Pro.
- Citações
Gail Friedman: We can't control what happens to us or our loved ones. What happens when Annie goes to college?
Will: What are you saying?
Gail Friedman: People get hurt. There's only so much we can do to protect ourselves, our children. The only thing we can do is be there for each other when we do fall down to pick each other up.
- Cenas durante ou pós-créditosChris Henry Coffey, who plays "Charlie," is billed as Graham Weston, the character's real name. The pictures he posts in the chat room to make Annie think he's 16 years old are of actor Tristan Peach, who is billed as Charlie in the credits..
- ConexõesFeatured in Ebert Presents: At the Movies: Episode #1.13 (2011)
- Trilhas sonorasGive A Little
Written by Isaac Hanson, Taylor Hanson, Zac Hanson (as Zachary Hanson)
Performed by Hanson
Courtesy of 3CG Records
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- How long is Trust?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Pérdida de la inocencia
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 120.016
- Fim de semana de estreia nos EUA e Canadá
- US$ 58.214
- 3 de abr. de 2011
- Faturamento bruto mundial
- US$ 595.802
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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