Rien à déclarer

Given the commercial and critical success of director Dany Boon's earlier film Welcome to the Sticks, it is peculiar that his next project, Nothing to Declare, endured a straight-to-DVD release in France. This is despite its superb sense of humour, engaging interplay between characters and generally fun, light-hearted feel.

The story, set in 1993, centres on the racist, trigger-happy Belgian Ruben (Benoit Poelvoorde), who is paired up against his will with Frenchman Mathias (Boon) in their effort to police the Franco-Belgian border. Compounding the strenuous partnership is the fact that Mathias is secretly dating overprotective Ruben's sister (Julie Bernard). Also intertwined in the story is the oafish Jacques and trying wife Irene, who turn to smuggling contraband between the borders to make ends meet, as well as the world's most incompetent drug ring and their short-tempered boss.

Right off the bat, it's clear that Boon has a talent for ensemble directing. Although he and Poelvoorde share the lead, each fringe character enjoys ample screen time to tell their story and draw audience engagement, while all potential loose ends are appropriately tied up without leaving any individual's fate hanging in the balance.

Humour is consistent throughout Nothing to Declare. Following a slow start, the film employs varying instances of physical, visual and verbal comedy, the latter of which is accentuated by the consistently tense, tight interplay between certain pairs of characters. The arguable highlight occurs as the criminals attempt to disguise their van as an ambulance for the purpose of drug smuggling, but honourable mentions must also go to Ruben's crude, xenophobic dad and the 'pimping-out' of Mathias's patrol car.

Boon casually addresses the fine line between patriotism and racism with this film but, like all good comedies, it permits pure entertainment to take priority, without falling into the trap of becoming too preachy, political or divisive.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*

Humor is a funny thing ... especially when it's a movie coming from France and has Danny Boon starring in it. Of course you might have an aversion to the guy (which would be unfortunate), otherwise you might be delighted watching him, even in the craziest situation, because he can even pull those off.

The plot is not that complicated, patrolling the "border", making sure nothing illegal happens, but the situations that ensure due to characters decision and the consequences are really funny. Of course they could also be tragic at times, but this is not a drama and it is made clear very early on ... which should also be an indicator if this is a movie you'll enjoy to watch or not

I loved this movie! I've just seen it tonight as part of the New Zealand International Film Festival and thoroughly enjoyed it. The entire cinema was in hysterics. I haven't laughed so much in a movie for a long time. I'm not a film snob. I'm not looking for fine film-making or clever, or thought provoking movies, necessarily. There are some widely acclaimed movies out there that I didn't enjoy, while often movies that are slammed by the critics, I really enjoy. I just love to be entertained, and this movie did exactly that. Were some of the jokes childish? Yes, but it was so funny that it didn't matter. The actors were really believable and did an awesome job. Rien a Declarer - awesome! I absolutely do want to own this movie on DVD.

Dany Boon's "Nothing to Declare" (2010) attempts to blend cross-border cultural clashes with comedic hijinks, but ultimately falls flat, delivering a lukewarm and utterly unmemorable cinematic experience. The film suffers from a severe lack of genuine humor, meandering aimlessly through predictable gags and tired stereotypes without ever truly eliciting a laugh. The supposed "charming" interactions between the customs officers feel forced and contrived, lacking the genuine spark and wit necessary to engage the audience. The dialogue, often laden with clichéd jokes about national differences and bureaucratic absurdity, feels painfully artificial, as if the writers simply strung together a series of predictable scenarios without any regard for natural conversation or relatable comedic timing. Instead of a fresh and insightful satire, it offers a superficial and often irritating spectacle of manufactured whimsy.

Is it worth watching? No, unless you have an exceptionally high tolerance for predictable comedy and a lack of genuine comedic depth. There are far more authentic and impactful comedies available.

I suspect this movie grew out of the phenomenal success of Dany Boon's previous movie, Bienvenu chez les Ch'tis (2008), which set box office records in France two years before. That movie was about cultural differences between middle-class Frenchmen and the Ch'tis, the French who live in the far northeast corner of France (what was once the Nord Pas de Calais and is now trying to come up with a new name for itself). That movie plays on cultural stereotypes, true, but it is often very funny.

This one is less funny, frankly, though not without laughs.

This time the clash is between the French and the Belgians. More specifically, it is the story of a family of rabidly anti-French Belgians and the problems they cause for one of their own, who has had the misfortune to fall in love with a Frenchman (Boon). The jokes are usually pretty obvious, but the characters are generally likable - with the exception of the Belgian border patrol guard, who is just too extreme.

You won't be bored, but I can't imagine you'd come back for seconds.