O dono de uma casa de penhores com passado violento enfrenta uma rede de tráfico de drogas e órgãos na esperança de salvar a criança que é sua única amiga.O dono de uma casa de penhores com passado violento enfrenta uma rede de tráfico de drogas e órgãos na esperança de salvar a criança que é sua única amiga.O dono de uma casa de penhores com passado violento enfrenta uma rede de tráfico de drogas e órgãos na esperança de salvar a criança que é sua única amiga.
- Direção
- Roteirista
- Artistas
- Prêmios
- 19 vitórias e 18 indicações no total
Baek Su-Ryun
- Old Woman
- (as Soo-ryeon Baek)
Nam Kyung-eup
- Section Chief
- (as Kyeong-eup Nam)
Kwak Do-won
- Detective Kim
- (as Kwak Byung-gyu)
Son Sang-kyung
- Bear
- (as Sang-Kyeong Son)
Han Cheol-woo
- Loan Shark Company Worker
- (as Cheol-woo Han)
Avaliações em destaque
This movie threatens to be a run-of-the-mill action movie, but manages to create its own identity. The sameness is how it shows most of its bad guys, and there are plenty, as one dimensionally evil. There are children who are put in harm's way, but not gratuitously--for the most part--providing the hero with a chance to be human.
It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.
This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.
What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.
It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.
This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.
What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.
100U
The man might be from nowhere but this film could only come from Korea, the land of a million stories of revenge.
Let me start off by saying that I was skeptical whether I should watch this movie because of all the comparisons here to US productions. Because while I did enjoy most of the ones named, not enough to want to see a basically South Korean copycat at the theater.
If you fear the same thing: Don't worry! This movie is exactly what you would expect from great Korean cinema, comparable to the likes of "The Chaser", "Memories of Murder" and "A Bittersweet Life". In this movie, there is lots of rather believable tragedy, little kitsch (there is the occasional unsuitable one-liner and the girl sometimes says things that in my opinion are too mature for her age and yank a little too much at the emotional chain - these are basically the things that brought my rating down to 9/10) and a fair amount of graphic violence and realism in the fighting scenes. There are also some wacky characters just like they appear somewhat frequently in east Asian productions but I think they fit in quite nicely despite the otherwise very serious tone.
If one were to compare it to a US production, I would go with e.g. "A History of Violence" because of the serious tone and the realism but still, the overall style is drastically different.
The whole experience is nicely rounded off with a very beautiful score and the only thing I considered negative besides what I already mentioned was that the plot is moving very fast. At various points I was not sure whether I didn't pay enough attention or whether details were left out. Meaning for instance how one character got the information about another character. These connections of information between characters are not always clear in my opinion but it does not really hurt the story and I am sure that it would be clear with a second viewing - something that this movie absolutely deserves.
If you fear the same thing: Don't worry! This movie is exactly what you would expect from great Korean cinema, comparable to the likes of "The Chaser", "Memories of Murder" and "A Bittersweet Life". In this movie, there is lots of rather believable tragedy, little kitsch (there is the occasional unsuitable one-liner and the girl sometimes says things that in my opinion are too mature for her age and yank a little too much at the emotional chain - these are basically the things that brought my rating down to 9/10) and a fair amount of graphic violence and realism in the fighting scenes. There are also some wacky characters just like they appear somewhat frequently in east Asian productions but I think they fit in quite nicely despite the otherwise very serious tone.
If one were to compare it to a US production, I would go with e.g. "A History of Violence" because of the serious tone and the realism but still, the overall style is drastically different.
The whole experience is nicely rounded off with a very beautiful score and the only thing I considered negative besides what I already mentioned was that the plot is moving very fast. At various points I was not sure whether I didn't pay enough attention or whether details were left out. Meaning for instance how one character got the information about another character. These connections of information between characters are not always clear in my opinion but it does not really hurt the story and I am sure that it would be clear with a second viewing - something that this movie absolutely deserves.
When I first saw the trailer to this movie, I wanted to go see it but wasn't like super hyped up for it. It basically looked like the Korean version of "LEON: The Professional". But this movie is like the Korean version of "Man on Fire" with fight sequences that are similar to the "Bourne" movies. I heard this film really skyrocketed Won Bin's popularity, especially in Korea and I could tell why. He really is a badass in this movie and his charisma is overflowing in this movie. One of the girl in the audience couldn't help but say "he is so cool" in Korean during the scene where Won Bin's character is driving angrily while on the phone with the bad guys while showing some intimidating emotion. The plot isn't super original or anything, basically "Man on Fire" with a better flow and more dark and gritty with better action in my opinion. Overall this film was a lot better than I expected and also kept my interest from beginning to end while also being entertained. The style of this movie reminded me of "A Bittersweet Life" in a good way which is a plus with saturated colors leaning towards the dark and blue. Some people might get a bit irritated by the constant camera shot to Won Bin's face while he takes a pose like in some magazine or something. But I could tell it's to sell the movie to female viewers as well. Excellent casting, pretty good story with some slick action scenes make this movie really worth seeing, there is something for guys and girls.
8.3/10
8.3/10
But from Korea! A movie haven (and heaven some might argue) for a lot of genre movies. Many of them on the violent side. Which means you should not be easily frightened or squeamish. This has a story and for some it may take a bit too long to get going, but I'd argue it is the right amount of time and it had to take its time to breathe.
To develop and to show us characters and relationships. Of course it is heightened. Of course the movie takes liberties in many areas. But it is well played and well acted. The action set pieces are quite something - and while there are many characters, it is all digestable enough and condensed to a point where it works like a clockwork ...
To develop and to show us characters and relationships. Of course it is heightened. Of course the movie takes liberties in many areas. But it is well played and well acted. The action set pieces are quite something - and while there are many characters, it is all digestable enough and condensed to a point where it works like a clockwork ...
Você sabia?
- CuriosidadesWon Bin has not appeared in a single work since the movie until 2022.
- Citações
Tae-Sik Cha: You live only for tomorrow.
Man-seok: What?
Tae-Sik Cha: The ones that live for tomorrow, get fucked by the ones living for today.
Man-seok: What are you babbling about?
Tae-Sik Cha: I only live for today. I'll show you just how fucked up that can be.
- ConexõesFeatured in WatchMojo: Top 10 Movie Fights in Bathrooms (2014)
- Trilhas sonorasDear
by Mad Soul Child
Principais escolhas
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- How long is The Man from Nowhere?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- El hombre de ninguna parte
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 528.175
- Fim de semana de estreia nos EUA e Canadá
- US$ 35.751
- 3 de out. de 2010
- Faturamento bruto mundial
- US$ 44.723.232
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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