Desaparecimento na Noruega

This series frustrated me, although I watched it until the end. I found it extremely difficult to follow. But I wanted to know what was going to happen, since after all, this is based on a true story. With none of the characters I could sympathise, since they are all distant and dark. Moreover, and worst of all, I lost the thread of the story. At a certain point I did not even know anymore if I had seen already several characters that were shown. This is really a pity because the story in itself seems intriguing; the media parroting the police and one police officer even feeding deliberately the media with information. The female journalist that was courageous and probably right, hence different from her colleagues, lost her job and we did not see her anymore. There is absolutely nothing beautiful or interesting in the way this has been filmed, neither in the dialogues, nor in the scenery and definitely not in the way the story is told. The Danish series "The Investigation", on the contrary, tells in a magnificent way also a horrible true story and the actors are all fabulous.

A Norwegian thriller based on true events.

This kidnapping story could have been packed in one movie and not divided in seven hours episodes. Too long because it couldn't keep enough my attention with suspense or intriguing elements. At the end of the second part I switched off. Okay, in the first part these ingredients were shown but the longer it run the more I was bored to continue watching these seven part limited series. Yes, luckily only limited. Watch instead the top Hollywood kidnapping movies Trapped, Cellular with Kim Basinger, Panic Room with Julianne Moore or The Call with Halle Berry.

A police procedural/investigative journalism series set in 2018 and following in Lørenskog, Norway. It's based on an actual case concerning a wealthy entrepreneur and the mysterious disappearance of his wife.

Each 50-minute episode looks at a different facet of the investigation, though the flow is chronological. Anne-Elisabeth Hagen is kidnapped at the beginning of the first episode. Her husband, Tom (Terje Strømdahl), is a wealthy billionaire. The kidnappers make ransom demands.

Jorunn Lakke (Yngvild Støen Grotmol) leads the police investigation along with her partner, Micael Delvir (Kidane Gjølme Dalva). Erlend Moe Riise (Christian Rubeck) is the lead journalist for the local paper; he appears to have informants within the police department that give him tips to influence the coverage. Aleks Zaretski (Victoria Ose) is another journalist who thinks the newspaper should pursue more theories.

The investigation stretches over two years as police and journalists encounter deadends, unconfirmed circumstantial evidence, questionable procedures, and unreliable sources. In addition, they encounter many potential villains, including Tom Hagen. Nevertheless, the story's final resolution is realistic.

This movie was fascinating to watch in the context of the "She said" film I recently watched that touted the necessity and doggedness of good investigative journalism. "The Lørenskog Disappearance" is more ambiguous, raising questions about the relationship between the press and the police and the possibility of tunnel vision hindering both investigations. I thought it was well done, though several storylines were left undeveloped, and a relatively large array of bad guys made following things difficult.

I don't know how this could be made unless it is explicitly sanctioned by both the authority that investigates and charges crime AND the people that make up the persons of interest. I can't imagine why anyone would agree to it.

Not what I would call a documentary.

Anyway, aside from that I did enjoy it as an entertainment, which I think is problematic as a "true" story.

Now my problem with the presentation in one crucial aspect of "evidence" as presented. The language as we know is Norwegian. I watched it dubbed in English with English captions. As is often the case, the spoken dialogue does not match the captions. Normally this is not a problem, but: Tom Hagen is about 70 and has been married for 49 years to his disappeared wife.

The film has the prenuptial agreement signed in 1993 I believe, which would have put their wedding at around 1973.

1993 is 29 years ago, not 49. Giving more weight to this observation, the dialogue says prenup, the caption says marital agreement. Ordinarily one would not make a fuss over this language discrepancy, except, you cannot have a prenuptial agreement when you've already been married for 20 years.

So, this was not a prenup but an agreement made after 20 years of marriage. It casts an entirely different light on the story, because although it was clear an error was made, what the error was was not clear. Was the year of the agreement 1973 and therefore a prenup (no, I don't think so) or was it not a prenup but a marital agreement made after 20 years of marriage (yes, I think) Although I figured it out I was not 100 percent sure and thought about it the whole time I was watching which was a distraction I could have done without.

It is not evidence of a crime, however, but changes the idea of motive.

If one were not paying close attention to do the math, and not having captions on they saw a different film from me.

I am very disappointed.

Summary

The novelty of this cold and intelligent Norwegian series based on a real case is that each chapter focuses on one of the sectors involved in the case and as the investigation progresses.

Review

This Norwegian mini-series based on a true case recounts the investigation of the disappearance of the wife of a Norwegian billionaire, in what appears to be a kidnapping.

The novelty of this series lies in the fact that each chapter focuses on one of the groups involved in the case and as the investigation progresses, for example: the first focuses on the police and prosecutors, the next on the journalists who investigate the case, and so on. The change of point of view then does not imply flashbacks that return to certain events, in general, nor the absence of the other protagonists, who circumstantially pass into the background. I must add that there would be some important stratum missing as the protagonist of some chapter...

The tone of the series is cold but its notes on how these groups are related and how prejudices and personal stories work in their working hypotheses are very interesting (particularly in the case of the press) as well as on the role of cryptocurrencies in kidnapping for ransom.

Needless to say, the ending is disappointing, and for more than one reason (which I can't reveal).