A True Story. Based on Things That Never Actually Happened. ...And Some That Did.

I love films which have an independent, rebellious nature, seemingly untainted by the power of the Hollywood factory.

The story is of two struggling writers in Hollywood weaving their own experiences into the first script they hope to sell. The comic consequences of being broke, the heartbreak caused by a heartless harlot and the testing of their friendship all provide great food for thought.

Tyler McGee and Cameron Fife have their hand in every stage of this film - producing, writing, acting the leads, editing and original music.

Malcolm Goodwin directs brilliantly as well as acting and editing, making for a very close collaboration with all involved.

The result is a very tight script, excellent storyline and great score. The direction keeps the pace as snappy as the dialogue and Goodwin and the cameramen use lots of natty techniques to enhance what would otherwise be simple talking-head scenes. Really impressive, especially considering filming was completed within a few weeks for under $50k!

The skill of the actors is captivating, everyone keeps the scenes totally believable, showing that budgets are irrelevant when you have a strong cast, good story and skilled technicians.

A terrific cock-a-snook at the Hollywood establishment and highly recommended.

The film is definitely interesting for individuals looking to watch something that is new, a little different that has no preachy typical message. The Acting: The various roles are a diverse concoction, but are necessary to build the storyline. The characters are typical to many films, "hearthrob, hot chick, nerd" that fulfill the regular roles. There is no expectation for them to create non-stereotypical characters, but Jon Gries was an hilarious addition to the main two actors. Cameron Fife and Tyler McGee are an interesting duo that have juxtaposing character traits, but have developed a relationship based on this. The complexity of the cast with the exception of the lead female actor (Bowden). The continually surprised/confused looking lead actress was the only downside to the acting, with the rest of the characters developing a meaningful story that is sprinkled in with some witty humor and banter. 7/10

The Plot: There isn't a way to capture the plot in one sentence. Two actors/writers are struggling, have emotional "issues", have a decision whether to keep their integrity or sell-out. This left me a little underwhelmed as the ending did not adequately capture the consequences that the main characters face/would face based on their decision. There is also another plot that deals with Bowden,Fife and McGee that has various twists and turns and holds its own, raising moral issues with the actions but also asks you to think about what you would do in the situation. 9/10

The music/video: Overall the music is minimal, as the story doesn't require too much. That being said, the piano provides a mood setting piece, as well as helping to create and develop a mood as well as furthering the story: 7/10

Conclusion: The budget was really low, the effects were minimal but the writing and the majority of the acting make the film a definite watch for something interesting that might not get adequate coverage, but does what it sets out to do.

Overall: Between 7-8/10 because it is an interesting, fun film to see. Check it out if you have the time.

Don't be fooled by the 6.6 on IMDb. This movie is not good. I understand having to stretch $40K to make a decent film is hard, but the fact that Fife is even in this movie is a joke. His speech impediment is distracting, and the fact that they cast Cerie (30 Rock) as his (Michael Cera and Chris Kattan's lovechild) ex is a travesty. What a waste of a pretty face.

To its credit, the sound in this movie is great. Fife's older brother did a great job in that regard. The cinematography is actually pretty good. The script and the acting, though, are too bad to overcome. The claims that this duo is anti-establishment and "stuck it to the man" are grossly misstated. The man doesn't buy these guys' brand of humor because it's not funny.