Horror Noire

Unlike other reviewers, I thoroughly enjoyed every story in this horror anthology and that's a first. This anthology is NOT for those looking for stories of Black struggle or a deranged maniac chasing corny Black stereotypes through a neighborhood. If you're looking for that, you'd have a better time watching Leprechaun in the Hood.

Each story is based on realistic horrors that Black people in America face everyday like the history of being barred from public spaces, colorism, voting rights, polarizing politics/religious zealotry, and the duality of feeling a like a success and a sellout. Each theme was weaved into a story that seems unrelated until you look closer.

As far as production, overall every story had good direction and there were no glaring sound issues, which can be a problem in a lot of low budget movies. Some sets were bare, but again this was on a low budget. The actors didn't treat it like a low budget and still gave good performances.

I see some people were disappointed with this film. I personally, am glad to see something fresh from Hollywood. New stories are always welcome. I'm sick of Hollywood remaking everything and tossing in all that CGI. I appreciate that the stories were based on the black experience as opposed to just having a few black characters with no depth, that only serve as cannon fodder.

While the subject matter of the stories is intended to explore racial problems using the horror genre, the film mostly falls flat because of sub-standard writing.

By far the worst of the bunch is the second segment - a truly dreadful script - but elsewhere there isn't really much that shines, in spite of the very competent cast.

Thanks to Laura Crichlow's performance, the most successful story is probably the period piece, and elements of humour sometimes rescues the final story from mediocrity.

Overall, a wasted opportunity which doesn't do black cinema much in the way of favours.

Given that this site is now insisting that I type more, and having nothing else of importance to say, I'll point out that it's now raining outside my window.

I've given it an score of 6, based on the average of what I rated each segment.

The first story, The Lake I think was by far the best one. And it set a strong tone, but I think a majority of the stories that followed were a let down. I think all the stories boasted great ideas, but for me, the execution of them fell short in places.

Brand of Evil again was a good idea, but came across a little silly.

Bride Before You I don't fully get. Would have liked a little more clarity on that one.

The story Fugue State felt a bit comical, and I don't think it should have been. That could have been darker. I don't feel like the main actress in that story pulled it off very well.

Daddy was next strong one after The Lake. I thought the main actor was really good in it, but again, like Bride Before You, it could have elaborated on a little bit.

Sundown was ok. It was an obvious comedy, but didn't really hit all the comedic notes for me.

Individual scores:

The Lake - 7/10 Brand of Evil - 6/10 Bride Before You - 5/10 Fugue State - 4 Daddy - 7/10 Sundown - 5/10.

I was hopeful after the first minute, it seemed like this had a decent budget and filmed well, then the dialogue started unfortunately. The writing is terrible, the stories lack imagination, and overall silly and boring. Since this is supposed to be a showcase for black horror given the title it amazes me the writer ignored hundreds of years of powerful folklore in black history, many of which would offer excellent stories.